درخت حوزه‌های تخصصی

One of the most important structural studies is the examination of narrative techniques in the Quranic stories with the aim of showing the quality of the visual layers. To achieve this type of research, various models and methods are used. One of the interdisciplinary models is dramaturgy. Dramaturgy, as a theatrical function, seeks synergy within the text and displays actions to influence the audience and answer their potential questions; likewise, the audience's confrontational or interactive feelings with the work and structured analyses of the artistic work aim to determine the impact of the narrative and the longevity of the work. In this research, the story of Prophet Moses and Khiḍr (al-Kahf: 60ff) and a part of the story of Joseph have been studied using a descriptive-analytical method. The results show that the quality of using the dramaturgy of silence encompasses ten different and novel types, from authorial silence to causal silence. In these narrative techniques, the Quranic images do not, on their own, draw the narrative lines of the text, but rather are reflected in the domains of certain insights, concepts, and epistemological, cosmological, ethical, and aesthetic assumptions. These seemingly fragmented images are multi-referential and in their echo also include silence, making it a part of such frames. The narrative essence in the story of Khiḍr and Moses and Joseph is the mention of the meta-narrative in two realms: "First, the compositional actions and functions based on reality, and the second part, the descriptive and interpretive actions that recount the paratexts."

The Qur'an is a divine book of guidance that addresses the factors of human felicity, as well as the roots of challenges, suffering, and hardship. This article traces the origins of human suffering in this world and its continuation into the intermediary and hereafter realms, examining the dichotomy between " Ḍank " and " Kabad " from the perspective of Qur'anic commentaries. The primary research question is: ‘Based on semantic analysis, what is the relationship between inherent and acquired human suffering, and how these concepts can be utilized to present a cognitive model of suffering in human life?’ The research method is analytical, conducted by examining the context of the verses, lexicons, and the views of both early and late exegetes. The findings indicate that " Kabad " denotes inherent and creational suffering that encompasses all human beings from birth to death, regardless of faith or disbelief, and serves as part of the path of spiritual development and growth. In contrast, " Ḍank " represents an acquired suffering resulting from turning away from the remembrance of God and distancing oneself from divine guidance; it has consequences both in worldly life and in the hereafter. The results of this study suggest that understanding the distinction between these two concepts can lead to the proposal of Qur'anic strategies for managing life's sufferings. Ultimately, this differentiation has led to the presentation of a dual strategic outlook for an active and meaning-making confrontation with the phenomenon of suffering in human existence. The innovation of this research, compared to previous studies, lies in offering a semantic, systematic, and educational reading of this Qur'anic dichotomy and the approach to its management