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Verse 2:30 of the Qur’an recounts a dialogue between God and the angels regarding the creation of humankind and their appointment as a caliph on Earth, during which the angels express concern about the potential for corruption and bloodshed by humans. This verse has historically been subject to various analyses by Muslim exegetes, who have generally expressed differing perspectives regarding the origin of the angels’ knowledge about human corruption and bloodshed on Earth. Among these perspectives are the angels’ awareness of the Preserved Tablet ( al-Lawḥ al-Maḥfūẓ ), their predictions based on human nature, and their experience with the corruption of the jinn on Earth. This article employs a descriptive-analytical method to critically examine the various interpretations of Q. 2:30 offered by exegetes. After highlighting the weaknesses of each viewpoint, it proposes a hypothesis supported by archaeological evidence. Accordingly, the existence of violence and killing among early hominids (Neanderthals), referred to in Islamic traditions as Nasnās , could be the origin of such a notion among the angels. The article also examines the narratives related to this theory in terms of their sanad (chain of transmission) and meaning, demonstrating the reliability of the narrators and the relevance of their statements to the proposed claim.

ا Resistance Literature is the dominating form of the contemporary current of poetry which is full of various intertextual relations such as quranic allusions. Twilight (2022) as the selected collection of poetry has its own formal and contextual characteristics which enhances the knowledge of the readers and leads into their religious enlightenment. Reading such meaning-based poems on the basis of Gerard Genette’s theory of transtextuality reveals the deep interactions between these hypertexts and their own hypoetexts. The present study aims to clarify the role of transtextual forms of the selected newly-composed poems in religious enlightenment and removing misconceptions of the readers. To this aim was used descriptive-analytic methodology based on Gerard Genette’s theory of "Transtextuality," the researchers scrutinizing the relationship between the collections of poems in Twilight (2022) and their hypoetexts. To conclude, the newly-composed poems of resistance are the powerful weapons in the way of explanation jihad and reproduction of the Islamic values which can be utilized for passing the present mutinous challenges.

The concept of myth within the Qur’an has been a subject of extensive scholarly inquiry among Orientalists, offering diverse perspectives and methodologies. Angelika Neuwirth, a prominent Qur’anic scholar, has made significant contributions to this field by examining the Qur’anic historical narratives and proposing a connection between these narratives and the concept of myth. In her view, myths function as narratives that employ archetypes to illuminate and interpret the world. To substantiate her claims, Neuwirth adopts a contextual approach, drawing upon the methodologies of biblical criticism. Emphasizing microstructures and contextual details of Qur’anic verses, this approach aims to uncover the origins of the stories and historical narratives in the Qur’an, attributing them to the social and theological milieu of early Muslims. It posits that these narratives are deeply rooted in the socio-theological milieu of early Muslims. Aligning with this approach, Neuwirth characterizes numerous Qur’anic stories and events as myths that have been shaped by archetypes embedded in the collective unconscious of the Qur’an’s audience. This paper employs a descriptive-analytical methodology, coupled with a comprehensive review of relevant literature, to critically evaluate the methodological underpinnings and presuppositions of the contextual approach to Qur’anic myth. Neuwirth's perspective is examined as a representative of this scholarly trend. The findings of this study reveal that, beyond methodological shortcomings, Neuwirth's approach is subject to several criticisms. These include an overemphasis on context as the sole determinant of Qur’anic knowledge, a neglect of the fundamental distinctions between the Qur’an and the Bible concerning the concept of revelation, and an overlooking of the distinct processes of compilation and canonization that shaped these two texts.

This article introduces Ichwani tafsīr method, an integrative approach to Qur’anic interpretation that combines various traditional and contemporary methods. The main issue raised is the need for a more comprehensive approach to interpretation, which includes not only classical interpretation but also takes into account modern contexts and socio-historical dynamics. The purpose of this method is to provide a more relevant interpretation while maintaining the authenticity of the message of the Qur’an. The Ichwani method consists of nine steps, starting with language analysis (tafsīr lughawī), classical tafsīr analysis (bil-maʾthūr), and contemporary tafsīr (bil-raʾy), followed by understanding the background of the verse (asbāb al-nuzūl) and socio-historical analysis. These steps culminate in thematic interpretation (tafsīr mawḍūʿī), assessment based on maqasid al-shariah, as well as renewal (tajdīd) and reform (iṣlāḥ). The findings of this article show that Ichwani method can produce a holistic and contextual interpretation, answering modern challenges without abandoning its traditional roots. The author recommends this method as a new approach that can enrich the study of Qur’anic interpretation and encourage dialogue between various disciplines to understand the sacred text more deeply and in a more relevant manner.