درخت حوزه‌های تخصصی

The present study intends to shed light on 25 lifelikeness layers in Imam Jome’eh House (Khaneh Emam Jome’eh) in Isfahan as one of the prominent historical monuments dating back to Qajar dynasty. The present study intends to shed light on 25 lifelikeness layers in Imam Jome’eh House (Khaneh Emam Jome’eh) in Isfahan as one of the prominent historical monuments dating back to Qajar dynasty. The lifelikeness or Zendevari architecture is a general and reconciling pattern (framework) among all the definitions of architecture that in its definition, it consists of 25 layers. these 25 layers include countable layer , spatial layer, geometric layer, Skeletal layer, motor layer, simple mechanical layer, automated mechanical layer, biological layer, environmental layer, climatic layer, sensory layer, visual layer, imaginary layer, unreality layer , media (symbols) layer , analytical( analyzing the elements) layer , historical(importance) layer, creativity (in the building)layer, economic layer, social layer, forensic layer , moral layer , aesthetic layer, political and faith layer and educational layer. Overall, it can be said that in the lifelikeness (Zendevari) development framework, the world and its beings consist of 25 layers, which are in interaction with each other in an unpredictable way, yet a universal and natural relation can be found between layers in two directions. The study method used in the current research is of an analytic-descriptive type, and data collection was performed in a field-, interview- and library-based method, and some strategies were presented to strengthen the zendevari (lifelikeness) of the building under study in a SWOT analysis method. The study method used in the current research is of an analytic-descriptive type, and data collection was performed in a field-, interview- and library-based method, and some strategies were presented to strengthen the zendevari (lifelikeness) of the building under study in a SWOT analysis method. 

The urban landscape is an objective-subjective nature that plays a significant role in the perception of collective spaces by the audience. This is possible only by s timulating the perceptual potentials of users and inducing behavioral patterns to users of a space. This s tudy inves tigates the role of urban landscaping in the perception of collective spaces using perceptual potentials. This research is descriptive-analytical and, in terms of purpose, is applied. A ques tionnaire did data collection, and for data analysis, Spearman and Friedman's s tatis tical tes ts were used in SPSS software. A case s tudy is the third square of Tehranpars, where the target community has also been selected as users of this space. In the data collected from the sample group, the highes t level of correlation between the sub-components of objective aes thetics is the composition and color indices with a correlation coefficient of .857. Among the sub-components of subjective aes thetics, the penumbra indices and physical cohesion with a correlation coefficient of 0.690 have the highes t level. In addition to the relationship between the proposed indices, the priority of these indices is ranked based on the Friedman tes t, and it is observed that the indices of composition (7.98), readability (5.89), and physical coherence (5.76) have the highes t priority among the ranking of indices in terms of the s tatis tical population. These data-driven priorities can identify design priorities and help take adequate s teps to create a vitality urban space.

Regionalism is an analytical and critical perspective which focuses on preserving special features of place and attempts to fill the vacuum in architecture. Globalization is a complex multi-stage process that causes increasing complexity of time and place, greater awareness across the global and acceleration of cross cultural interactions. Therefore, the present paper attempts to analyze global-regional interactional approach through investigating contemporary Iranian architecture in relationship with the aforementioned phenomena and also tries to provide practical advice on establishing a constructive interaction. The research methodology is based on content analysis and case study. The results obtained from investigating striking cases of 4 eras of contemporary Iranian architecture and presented as a table of global-regional interaction components (physical, semantic and ecological) show that an interactional approach is becoming increasingly popular and global-regional coexistence is being formed in contemporary Iranian architecture, which associates with spirit of time and its regional components. A dynamic presence and playing a componential role by contemporary Iranian architects in this interaction have some prerequisites: an understanding of contemporary pluralism, an understanding of the other and establishing interaction, emphasis on the role of thought, creation and innovation, objective research, a good understanding of identity and place, past recall and identifying components of Iranian architecture.