مطالب

It is argued that in our current digital era, MALL (mobile-assisted language learning) is an indispensable mode either for independent self-learning or for integrating with the school curriculum. The present study explores the possibility of using gamification as a home assignment in English as a foreign language course for students of non-English majors at a university in Vietnam. Data was collected and analyzed using 69 questionnaire responses and 41 essays written by students in a class of General English. The questionnaire and essay topic prompt required students to provide an evaluation of their personal experience learning English with Duolingo outside the classroom, as part of the compulsory home assignments during a 15-week semester. The questionnaire items were in Vietnamese and the essays were either in Vietnamese or English for students’ convenience. The results showed detailed benefits and problems of learning English with Duolingo as perceived by the students. The key benefits include the fact that Duolingo is a valuable resource: rich and free; the limitation is mainly learners’ lack of experience with the application. It is suggested that with teachers’ guidance, Duolingo could be used as an effective and motivating tool for independent learning.  

Cet article présent, nous ne projetons en aucune façon d'établir ou de définir ce qu'est l'art, dont l'œuvre d'art en ontologie. Ce n'est pas notre préoccupation aujourd'hui, et non plus davantage de la plupart des artistes contemporains. À la recherche d'une ontologie bien particulière sur l’œuvre d’art contemporain, Roger Pouivet, le philosophe contemporain français, l'appelle « l'ontologie appliquée ». Il s’agit de considérer l'œuvre en tant que telle, sans se préoccuper des catégories fondamentales qui la possèdent. À ce stade, il paraît nécessaire de parler du changement de paradigme dans le champ d’arts plastiques, qui résulte de l'apparition des œuvres des textes écrits ou oraux.  En ce qui concerne le concept de « Zugganzes » de ’Heidegger, il faut bien comprendre, quoi qu'il en soit, le cumul des éléments nécessaires jusqu’à ce que l’établissement d’un système s’achève. Cela veut dire que pour un processus de créer une œuvre d'art contemporain il explique qu’à la fois chaque élément a son rôle clé, même indispensable, et une mission pour compléter le rôle des autres éléments. Au fur et à mesure de cet article, nous répondrons aux questions de recherche : 1) Comment peut-on mettre en avant un processus de détermination d'une œuvre d'art qui s'enrichit des textes écrits ou oraux, en époque contemporaine ? 2.) Pourquoi et pour quelle raison a-t-on choisi de mettre en lien les deux concepts de « Zugganzes » et de l'hypothèse de « l'ontologie appliquée » dans ce travail de recherche ? Cette recherche essaye de nous montrer que: les œuvres d'art contemporaines qui sont considérées comme des textes visuels enrichissent des textes écrits ou oraux. En effet, cet acte vise à attirer l'attention des spectateurs en tout temps et en tous lieux. À la fin, on comprendra qu’il est possible de créer visuellement des textes symboliques en pratiquant simultanément les textes écrits ou oraux comme des éléments visuels et en profitant de leurs contextes.   

The migration of Indians to various destinations during the past few decades has led to the emergence of a group of writers known as Asian-American authors in literature. These writers, including immigrant women from India spanning the first and second generations, have crafted a substantial collection of short fiction. Jhumpa Lahiri, a Bengali-Indian writer, explores themes of identity, belonging, displacement, and the challenges of straddling different cultural attitudes in Interpreter of Maladies . This article adopts a theoretical approach and utilizes the library research method, drawing on the insights of scholars such as Stuart Hall and Michael Ryan, to explore cultural displacement, identity, and the experiences of immigrants in a new multicultural environment. The central focus is to know how Lahiri addresses displacement and immigration through trans-cultural discourses while challenging cultural diversities in Interpreter of Maladies . By employing such a trans-cultural discourse, this study aims to analyze how Lahiri portrays the complexities of cultural differences, and identity formation in the context of immigration. The narratives in Interpreter of Maladies offer a rich tapestry of characters navigating the challenges of living between cultures, shedding light on the profound impact of displacement on individuals and families. By closely examining Lahiri’s storytelling techniques and character development, this article aims to illuminate how the author captures the nuances of trans-cultural experiences and the facts that ultimately put their impact on the formation of immigrants’ new identities in unfamiliar territories.

The American ecopoet, Mary Oliver (1935 – 2019) has never been read in the light of the concepts the French philosopher, George Bataille (1897 – 1962) introduced into the world of philosophy and literature even though the enterprise could be abundantly rewarding. Bataille poses the question of general economy as opposed to particular economy. The latter is narrow, rational, self-centered and pivoting around gathering and storage, while the former takes the whole sphere of life into account and concentrates on excess of energy, expenditure, universal wisdom which is far broader and more inclusive, sacrifice and permanence of the sum total of energy available in the living sphere as well as that of the living matter. Oliver, the poet, uses none of the philosopher’s terms, but the scenes she describes in her own poetic style and the language and discourse she uses concerning death reveal the same position and point of view as those of Bataille. That is the gap the present qualitative, library-based study tries to cover at least partially and in particular with regard to the question of death which with the help of an Oliverian stance and in the light of such Bataillean concepts as general economy, excess and expenditure, can turn into a moment of rebirth, vital to the health and a proper functioning of the whole universal system. This two-fold approach will hopefully contribute to both Oliver studies and to the body of research, done on Bataille.

This study strived to specify and particularize Iranian medical field specialists and EFL teachers’ predominant and overriding textual interventions, which fall within the ambit of convenience editing. To this end, we required 20 field specialists and 20 EFL instructors to edit the unedited versions of 80 published medical research articles in a way that rendered them apt for publication in quality medical journals. We categorized the obtained data of the edited articles using an editing strategy framework that distinguished four editing micro-strategies and five macro-strategies. The findings revealed that medical specialists and EFL teachers’ micro-editing strategies outnumbered their macro-editing ones. Furthermore, there were significant differences between the editing micro-strategy uses of the above-mentioned groups of the participants. The results highlighted the need for a synergic collaboration between the medical field specialists and the EFL teachers to ameliorate medical articles’ formal, stylistic, and genre-related features and to expedite their publication process.