درخت حوزه‌های تخصصی

The success of language teachers and learners is definitively pertinent to the emotions they experience in academic environments. Accordingly, the factors impacting language teachers’ and learners’ emotions must be recognized. Many scholars have scrutinized emotional variables in response to this necessity through various methodological approaches. The present study aims to evaluate some of the innovative approaches to assessing emotional factors to see how innovative they are and review their positive points and shortcomings. To do so, Q Methodology (Q), idiodynamic method, Latent Growth Curve Modeling (LGCM), Process Tracing Approach (PTA), Social Network Analysis (SNA), Nested Ecosystem Model (Ecological approach), and Retrodictive Qualitative Modeling (RQM) methods have been selected to be reviewed in this research. The findings highlight several strengths and weaknesses of each of the methodological approaches. It has also been reported that these approaches need to be context-specific and person-sensitive to generate more accurate data. Among the approaches, PTA and SNA have received scant attention in the investigation of emotional factors since the data in these two approaches cannot be reported precisely in narrative form. Our study would be conducive for all researchers, notably those working in the field of language teachers’ and learners’ psychology.  

This study is an attempt to explore the integration of positive psychology within language testing, while assessing its effects on learner performance, self-efficacy, motivation, and test anxiety in EFL contexts. Postulated on a mixed-method approach, firstly, the study involves in a quasi-experimental design, where 100 EFL learners were assigned into control and experimental groups. The latter group experienced strength-based feedback and growth-focused assessment practices. The results of the paired t-tests and ANCOVA revealed significant improvements in the EFL students' language proficiency, with the anxiety construct reduced by 30%, alongside substantial increases in the constructs of motivation and self-efficacy. These outcomes can be taken into account as the highlight of the efficacy of positive psychology interventions, contrasting with traditional deficit-focused models of assessment. Afterwards, in the qualitative phase, the research advocates for a paradigm shift in language testing, while emphasizing EFL learners' emotional well-being, cognitive engagement, and learner autonomy. Furthermore, this study contributes to the broader discourse, representing implications on rethinking pedagogical approaches to language assessment, proposing more humanistic and learner-centered frameworks.

D’un point de vue sémiotique l’art est un effet de sens ; l’ effet de l’art , le saisissement artistique, est un événement esthétique, affectif, cognitif, présent dans toute œuvre d’art. Cet effet résulte d’un processus que nous pouvons reconstruire, l’ artistisation . Nous devons donc circonscrire un objet (l’ œuvre ), qui induit un effet (l’ art ), en exprimant un processus (l’ artistisation ). L’œuvre picturale ne se résume donc pas à des images : c’est un objet sémiotique composite, un hybride composé de processus, supports, matières, énergies, et tout ce qui lui confère un mode d’existence social et culturel. C’est précisément le cas des œuvres de Mehdi Sahabi ; nous ne pouvons examiner ici la totalité de ce qui en fait des œuvres, et nous nous limiterons au fait essentiel : une œuvre , pour Sahabi, est toujours une série , c’est sa manière de faire œuvre d’art . Nous examinerons donc dans ses séries picturales (1) les tensions caractéristiques de la « nouvelle figuration », et les manifestations d’une pratique inter-picturale ; (2) les isotopies et allotopies transversales de l’expression sérielle et multilinéaire ; (3) le travail des strates picturales et des couches actantielles, et l’expérimentation des dynamiques imaginaires. Le processus d’artistisation, en production comme en interprétation, est celui de l’ intuition (impression > synthèse > anagogie > imagination).

The global outbreak of COVID-19 necessitated a swift transition from conventional face-to-face (F2F) teaching to Emergency Remote Teaching (ERT) in educational institutions worldwide. This sudden shift posed significant challenges for both teachers and students, particularly those in low-resource rural schools. This study sought to probe into this experience in the context of English as a Foreign Language (EFL) instruction, focusing on the perspectives of teachers and students in rural high schools within Iran. The study participants were 13 female EFL teachers and 15 female EFL students teaching and studying in rural high schools in different cities in Iran. Employing a qualitative approach, data were gathered through semi-structured interviews, online observation, and one of the researcher’s reflective journals. Thematic analysis was utilized to analyze the data, identifying several categories encompassing the hurdles encountered by the participants and the achievements they attained. The identified categories pertaining to hurdles encompassed technological, financial, educational, personal, professional, and well-being problems. Similarly, the categories pertaining to achievements comprised technological, educational, and professional progress, as well as enhanced convenience. Exploring the dilemmas and aspirations expressed by these participants can inform and better equip the educational system of Iran to effectively respond to similar crises in the future. Furthermore, this study offers insights to education authorities, aiding in the resolution of barriers to distance online education and facilitating enhanced preparedness for potential future emergencies.

Since comics comprise images and texts, the relations between them should be a major concern of comics studies. However, few studies have focused on the intersemiotic interaction between images and texts in the meaning construction of Chinese classic comics. This study applies Martinec and Salway’s system to Tsai Chih-Chung's English comic version of The Analects of Confucius (The Analects), attempting to explore the image-text relations in Chinese classic comics. It is found that the image-text relations in Tsai Chih-Chung's English comic version of The Analects can be summarized as unequal-status and logico-semantics combined. Quantitative analysis shows that the images are always subordinate to the texts, and in terms of logico-semantic relations, all of subsystems but “image more general” are included. Besides, the distribution of the logico-semantic relations of image and text indicates that two different subsystems, namely expansion and projection, integrate and work together to create meanings in this version. Qualitative analysis shows that the tactful deployment of the combinations of image-text relation in The Analects makes it visually-verbally coherent. The intersemiotic interaction between images and texts also contributes a lot to the discourse meaning construction of Tsai Chih-Chung's English comic version. However, in The Analects, the image-text relation relies too much on the extension of the image by the text as well as the projection of locution. This study provides a case reference for the analysis of Chinese classic comic as multimodal discourse, and also contributes to promoting the overseas dissemination of traditional Chinese culture.

The advent of AI technologies has been influential on the quality of language learning in EFL contexts. A plethora of studies have explored the employment of AI bots in academic writing. Yet, exploring the strategies employed by Iranian EFL learners while using an AI bot to complete academic IELTS writing task 2 has been underestimated. To address the lacuna, this qualitative study computer-recorded eleven participants’ interactions with AI bot to identify the strategies they employed to complete academic IELTS writing task 2. The researchers intended to clarify the intricacies of the human-AI interactions and infer the potential contributions of AI bots for academic writing in EFL settings. The findings revealed that despite the employment of several strategies by the participants to compose high-quality writing tasks, none of them fully trusted the AI outputs to use them without post-editing. They considered the AI bot as a writing assistant, used some revised segments of AI responses and added their own words respectively. The pedagogical implications for language teaching in general, and IELTS-oriented practices in particular to take advantage of the emerging AI technologies for better educational outcomes are provided. Moreover, avenues for future research on AI-assisted Language Learning (AILL) are suggested.