درخت حوزه‌های تخصصی

Architecture as a designerly way of thinking and knowing is to interact with its environment. The manuscript is to speculate “interactive form-generation” based on high-performance architecture theory, and discuss the precursors and the potentials. The research aims to explore and determine the roots, aspects of interactive architecture as a part of performance-based design in contemporary architecture. The research question opens a designerly perspective as an umbrella term that can include many streams of architectural paradigms. Emancipatory new-interpretivism is the research philosophy which is employed alongside deductive reasoning, logical argumentation research paradigm, descriptive research method and cross-sectional study. Based on methodology of the manuscript, the research is to addresses related phenomena, their relationship and interaction. The results of the research show that interactive architecture is an umbrella to address a wide-range of architectural emerging streams such as: 1- The evolutionary architectural trends include kinetics, responsive, smart, responsive and intelligent environment. 2- The emerging phenomena in the field such as leading sci-tech approach toward architectural design process including cybernetics, artificial intelligence (AI), virtual reality (VR), conditional generative adversarial network (cGAN), and agent based modeling. The conclusion of the research indicates that the interactive architecture branched off from high-performance architecture theory. The conclusion emphasizes on: 1- Designerly flexibility: better space efficiency, flexibility, intelligence, and smartness; 2- Energy efficient form-generation: using less energy and offering more thermal-visual comfort; 3- Mathematical-algorithmic thinking: the integration of internet of things (IoT), robotics, and kinetics. 4- Futurism: a platform for outlining future architecture and architecture of the future.

Pop Art is the representative of a cultural identity that has been represented as a kind of art in the mid-twentieth century. It is based on the ordinary manifes tations of people’s lives, and by concentrating on media and propaganda it has become pervasive in a short time as if it is a newly emerged culture that has appeared not from the inside of community but from outside and by those sociologis ts who look at this culture, it is considered as an outgrowth of the conditions created by modern centralism and individualism. But where is the position of reality in this emerging art? Focusing on the general audience and everyday subjects became the basis of the work of this art, which was able to be in line with trade and its goals. The purpose of this paper is to examine the characteris tics of Pop art, which can be considered as the firs t sparks of the return of representation in pos t-modern craft, which bases its work on pretense. In this s tudy, it has tried to use the text content analysis method to Pop art indexes while comparing to the other arts such as elite and folk culture. The results indicate that paying attention to the Pop culture, and reproduction of images by emphasizing on media, takes the art to hyper-reality. As another aspect, these are the media that direct the culture by determining the direction of Pop thoughts, lead the art, to create new forms of reality.