درخت حوزه‌های تخصصی

This article, using a descriptive-analytical method, aims to articulate the epistemological rupture of Mulla Sadra's theory of the soul from that of the Peripatetic philosophers. We begin by critically examining the theories of the soul and sense perception in Aristotle and Avicenna, then delve into Mulla Sadra's intellectual leap on this topic. We'll demonstrate how a transformation in this theory also leads to a revolution in the theory of knowledge of the external world. In general, regarding the discussion of perceptions and knowledge, Mulla Sadra rejects all previous theories, which include: The critique of knowledge being quidditative and the theory of correspondence between knowledge and the known, The critique of knowledge being a psychic quality, The critique of the theory of abstracting the form of the external object in the mind, The critique of knowledge being a mental form and an addition. One of Mulla Sadra's unique conclusions in his theory of the soul is the power of actualization and inventiveness of the mental form. From his perspective, the soul is the agent and creator of sense and imaginative forms. Therefore, it must be stated that with this view, the relationship between forms and the soul is one of action to agent, not one of acceptance to recipient. As Mulla Sadra would assert, just as God emanates creation, we too emanate our knowledge in the form of mental images from within.

The concept of translation encompasses a broad spectrum, including various forms of textual adaptation and adjustment that occur across languages and cultures. Within this spectrum, adaptation and imitation are also considered as part of the translation family. This study, conducted using a comparative, descriptive-analytical method, seeks to explore the issue of adapting a contemporary religious drama from Qur’anic narratives, employing Gérard Genette’s theory of hypertextuality. It examines the structural and thematic aspects of the hypertext in question—the television series Sahebdelan ( The Spiritualists ), directed by Mohammad Hossein Latifi (2006)—and its relation to its hypotext, the narratives of the Qur’an. The aim is to determine the extent and manner of the Qur’an’s influence on the adapted hypertext and to analyze the types of transformations that have occurred. The findings reveal that, based on Genette’s categorization of transtextual relationships, this form of translation from hypotext to hypertext constitutes a recreation of parts of the lives of certain prophets in the Qur’an in the format of a television drama. This recreation—shaped by filmmaking motives, media constraints, target audience, and the purpose of the series—has involved substantial changes to narrative elements such as characters, events, time and space of narration, and intertextual connections. These transformations have enabled the transmission of Qur’anic themes and messages in a contemporary and accessible language for today’s viewers. The impact of Qur’anic narratives in shaping the content and themes of this dramatic work has been significant, making it a prominent example of religious adaptation.