درخت حوزه‌های تخصصی

This article investigates Eimear McBride's novel A Girl Is a Half-formed Thing in the light of Bernard Stiegler's concept of disorientation. As a technical development, disorientation manifests itself in the girl's non-syntactic language and the gradual evolving linguistic repertoire as she matures. The article argues that McBride's usage of the idiomatic language and stream of consciousness is part of the narrator's tertiary memory or epiphylogenetic memory. The young protagonist-narrator cannot reach a state of equilibrium between her developing consciousness as an Irish girl and her "technic" of writing herself as the epiphylogenetic memory, hence her disorientation. The technics in the Irish context can include not only the Irish English, but also the theological and political technics which engulf the subject to form her or him to their image. Technics is a technical term used by Bernard Stiegler as the horizon of human existence. Technics, often used as a singular noun, is juxtaposed with episteme in order to highlight the ignorance of Western philosophy about the significant role it plays in the human evolution and consciousness.    

Adrienne Mayor’s The Poison King is a fascinating biography of Mithradates Eupator Dionysus, one of the most controversial monarchs of ancient history who has been especially neglected by scholars of Iranian history. This biography, like any other about ancient heroes, is full of tales, legends, stories, and historical narratives and its crafty author knows how to distinguish between fact and fiction. The book contains 15 chapters, in which, other than  the first, the remaining chapters are arranged based on Mithradates’ life, from his birth to his death.

Any conversational exchange can be informational or phatic. Occasional exchanges are of no lesser importance than the informative content of the dialogue. One needs to establish the channel of communication by setting up a social environment which is conducive to the exchange of ideas among the participants. The present qualitative corpus based study was conducted to investigate a sociolinguistic framework designed for the analysis of naturally occurring conversations. Laver’s theoretical framework of phatic communion was applied to analyze phatic utterances in Austen’s Persuasion. Based on the theory, the kinds of comments or tokens that speakers use in phatic exchanges are classified as neutral tokens, self-oriented and other-oriented tokens. The conversation samples of persuasive criteria were selected for phatic communion, and thereby explain the process of persuading someone to think differently. The findings revealed that phatic communion can be informational and meaningful to follow certain special aims, as this paper demonstrated the novel’s phatic communions followed the aim of persuasion.

Audiovisual translation is the term that has been utilized to mention mainly the transfer from one language to another language of the verbal elements that existed in audiovisual products. Among various modes of AVT, dubbing is the most common. Generally, in AVT there are problems in the field of idioms translation because idioms are considered one of the most problematical and complicated aspects of language. Moreover, since the meaning of idioms is not recognized by their words, translating them is hard task for translators. For solving this problematic issue, translators use different strategies. Therefore, the purpose of this research is to investigate and analyze the translation of idioms in dubbing. This research investigated the translation of English idioms in Persian dubbing of two comedy films named, “The Grand Budapest Hotel” and “21 Jump Street” according to Baker's (1992) strategies. To analyze the data, the frequency and percentage distribution were calculated for each Baker's strategy, which had been applied in the translation of English idioms into Persian dubbing of mentioned movies. Results showed that translation by paraphrase was the most frequent applied strategy, and using an idiom of similar meaning and form was the least frequent applied strategy in Persian dubbing of two mentioned comedy movies. The results of this study could be helpful for translators to recognize the frequent strategies of idiom translation used in dubbing and university teachers can train them for their students.