درخت حوزه‌های تخصصی

As one of the richest intellectual domains of mankind, Islamic culture has played a prominent role in the formation of diverse dimensions of Islamic community. In this regard, the rich Islamic art, which is intermixed with the elegance of Islamic architecture, is regarded as one of the aspects of Towhid (belief in the oneness of God) and divine worldview. Since the mankind is not a single-dimensional creature, and is innately inclined to beauty and innovation, architects have sought to create an original work imbued with spiritual meanings and themes within a material realm through reliance on their experience, thoughts, individual creativity as well as an aesthetic spirit on one hand, and the manifestation of spirituality and other notions on the other. The contemporary human, by setting out on journey on the earth, has made an attempt to seek knowledge and awareness, and Islamic architecture is considered as an epiphany of human nature as well as a manifestation of contemplation and existence in the depth of human spirit, which is believed to be one of the most significant elements of tourism. The present research is aimed at exploring the conceptual symbols in Islamic architecture originating from Islamic worldview, as the rich Islamic principles have inspired Muslim architects, whose thoughts and environment have been influenced by Islamic worldview. The present article has been written adopting a descriptive-analytical method. The results indicate that architectural elements in Iran have not been created without taking Islamic ideology and concepts into account, but rather all the elements applied are endowed with spirituality and divine symbols.

One of the ways to consolidate peace and friendship despite the remarkable progress of humanity, is tourism and spirituality. Tourism can change the tourists’ worldview and attitude by increasing their knowledge from visiting the landscapes of nature, geographical locations and legacy of the ancients, a change in adherence to the principles and values and the Slavery of the unique god. Being combined with peace and friendship, tourism can create a strong friendship and solidarity in the minds of tourists through recognizing the legacy of the past and the recognition of different nations and religions and different ethnicities and cultures. This solidarity and friendship is very important especially in the current and global era due to the problems of community life such as air pollution, psychological problems, cyber threats, social abnormalities. Given this approach and employing the analytical-descriptive method, this paper seeks to answer the following question: How the tourism-related dimension of spirituality can be able to create peace and stability and to strengthen peace and friendship among different societies from a local to the global scale? The findings of the research indicate that in the event of spirituality overcome in the tourist industry and travel of tourists, all activities of the tourist have the capacity to establish peace and cooperate on all scales. And tourism and spirituality for peace and friendship between nations and cultures are a powerful tool and a good platform.

Spiritual tourism and fulfilling its promotion and development is one of the challenges of this recently blooming industry during the last decade. Such matter must be reconsidered by the society inside the country on one hand, and promoting and organizing such approach internationally on the other. To improve and create variety in this industry and helping to introduce and develop the spiritual culture of this country therefore, finding innovative and interesting methods seem to be a major necessity. The religious-cultural potentials of the country and religious rituals and theatrical performance and national religious semi-theatres in particular are some of the most significant instances which could be under instruction and short and/or long-term planning of tourism industry managers. By investigating these arts and rituals, their features and the way they could be applied in this survey, in this article we would introduce and then explain each item and discuss their potentials afterwards. So what is emphasized in this article is that the Persian theatre, rituals and Persian Ta’zieh in particular are so potent and have their cultural and artistic functions which could be included in grand programs based on a precise, systematic plan and contribute to their rapid growth and becoming one of the major tourist spots and attractions. In this respect, we introduce and respect such rituals and their characteristics and features to our citizens and other nationalities to recognize spiritual tourism in particular. We aim to propose approaches and suggestions in order to recognize, record, organize and collect such rituals in both domestic and foreign tourism. This article has a descriptive-analysis approach based on library documented records.