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Purpose: To compare the production criteria of tactile sensory books from the perspective of production experts Methodology: The method of the present study was combined in terms of applied purpose and qualitative-quantitative in terms of data collection. In the qualitative part, in order to obtain the consensus of experts in the production and publication of tactile sensory books, the Delphi method was used, and in the quantitative part, using a researcher-made questionnaire to the view of production and publishing experts regarding the production of tactile sensory books. Analytical survey form was performed. In the quantitative part, two relative coefficients of content validity and content validity index were used. The content validity index of the researcher-made questionnaire was reported to be higher than 0.79. The reliability of the questionnaire was 0.863 based on Cronbach’s alpha coefficient. Also, for data analysis, descriptive statistics of mean and inferential statistics of "Friedman" were used with the help of SPSS software. Findings: The findings indicate that the four sub-components of tactile capabilities, audience recognition, texture diversity, and form and shape diversity from the technical criterion of producing a tactile book with an average rank of 16 with the highest rank and the two components of natural objects and circulation or numbers with an average rank of 4.81 have the lowest rank. Regarding the production content criterion, the sub-components of attractiveness with the highest rank of 5.76 and the educational aspect of the content of these books from the point of view of production experts with 3.29 has the lowest position. In the criterion of presenting the production of a tactile book, the sub-component of effective and reciprocal communication with the audience has the highest rank with 5.55 and the role of librarian with 3.07 has the lowest rank. Conclusion: by comparing the three main technical criteria, content and presentation of the production of tactile books, the most important criterion with an average rank of 2.67 content criteria was identified which has the most role for production from the perspective of production and publishing experts.

The present study aimed to capture and represent the mediator-learner’s interaction in the development of listening proficiency and statistically compare this interaction between high and low proficient English as a foreign language (EFL) learners. Thirty EFL learners participated in Oxford Quick Placemat Test (OQPT) and the Interactions/Mosaic Listening Placement (IMLP) Test to select those whose proficiency levels and listening skills were based on the placement guide of the tests, at upper-intermediate and advanced levels. Out of 30 learners, 12 learners (upper-intermediate level=6, advanced level=6) volunteered to participate in individualized tutoring sessions. The study adopted an interactionist Dynamic Assessment (DA) approach and implemented a qualitative research methodology to reveal the frequency and quality, the two criteria to interpret the learners’ developments and Zone of Actual/Potential Development (ZAD/ZPD) functioning, of mediator-learner’s interaction. The amount and quality of moves made by learners to complete the task were reported in quantitative data. Statistical analyses were run to examine whether the ability level may affect the responsiveness of learners to mediation. Findings of the study revealed that 17 reciprocity moves were identified that promoted the development of listening abilities of upper-intermediate and advanced level learners. It is also revealed that the upper-intermediate learners showed more responses as compared to the advanced learners.

Le village est avant tout le lieu de la proximité de l’homme et de la nature, de la terre qui nourrit l’homme et des animaux desquels sa vie dépend. Il est caractérisé par plusieurs éléments tels que sa petitesse, son isolement et l’analphabétisme de ses membres. Cet article entend faire un tour d’horizon des ressources dans lesquelles puise la littérature rustique, afin de présenter l’esthétique de la littérature rustique où l’état d’esprit du personnage rend compte d’une simplicité qui va à l’opposé de la complexité de la vie urbaine. Les questions principales tirées de notre corpus créent un terrain d’application pour le concept d’espace littéraire. Avec les outils d’analyse que ce concept implique mais aussi avec ceux empruntés au sociologue américain Robert Redfield, nous proposerons d’abord d’exposer l’espace rustique à travers ses caractéristiques intrinsèques. En second lieu, on l’opposera à son antithèse naturelle, c’est-à-dire à la ville et aux urbains, pour illustrer la démarche anti-conventionnelle des auteurs et leur volonté de définir à nouveaux frais les contours d’une esthétique rustique renouvelée.