درخت حوزه‌های تخصصی

In this paper, it is tried to explain the concept of representation and architectural representation through a qualitative methodology, approach its procedure for gradual creation in architecture and then according to scholars and to obtain the effect of this concept in the process of architectural facts the concepts are presented. In addition, it is referred to theories and practical texts by philosophers, and archaeologists and architects who have spoken about the architectural representation, and its definitions are also provided from the perspective of semiotics. Then through a deductive view aiming to clarify the fundamental differences between types of architectural representation and according to the presented ideas, three fundamental roles in the representation of architecture as mimesis and imitation, architectural representation as abstraction and architectural representation as simulation are described and examples are cited for each of them. In the end, by a qualitative methodology and with an interpretive approach using the theory of Umberto Eco in architectural codes, the comparative tables are provided, and to clarify the relationship between the three methods of representation and the procedure of their ideas on the formation of the architectural reality are analyzed through the semiotic approach. Finally, these comparative tables are separately classified in three groups of three so a variety of architectural representation techniques in diverse historical periods in architecture are explained as a result of this research. 

The present study intends to shed light on 25 lifelikeness layers in Imam Jome’eh House (Khaneh Emam Jome’eh) in Isfahan as one of the prominent historical monuments dating back to Qajar dynasty. The present study intends to shed light on 25 lifelikeness layers in Imam Jome’eh House (Khaneh Emam Jome’eh) in Isfahan as one of the prominent historical monuments dating back to Qajar dynasty. The lifelikeness or Zendevari architecture is a general and reconciling pattern (framework) among all the definitions of architecture that in its definition, it consists of 25 layers. these 25 layers include countable layer , spatial layer, geometric layer, Skeletal layer, motor layer, simple mechanical layer, automated mechanical layer, biological layer, environmental layer, climatic layer, sensory layer, visual layer, imaginary layer, unreality layer , media (symbols) layer , analytical( analyzing the elements) layer , historical(importance) layer, creativity (in the building)layer, economic layer, social layer, forensic layer , moral layer , aesthetic layer, political and faith layer and educational layer. Overall, it can be said that in the lifelikeness (Zendevari) development framework, the world and its beings consist of 25 layers, which are in interaction with each other in an unpredictable way, yet a universal and natural relation can be found between layers in two directions. The study method used in the current research is of an analytic-descriptive type, and data collection was performed in a field-, interview- and library-based method, and some strategies were presented to strengthen the zendevari (lifelikeness) of the building under study in a SWOT analysis method. The study method used in the current research is of an analytic-descriptive type, and data collection was performed in a field-, interview- and library-based method, and some strategies were presented to strengthen the zendevari (lifelikeness) of the building under study in a SWOT analysis method. 

Traditional Iranian houses, especially Esfahan, have very special cultural patterns, such as privacy entrance but contemporary houses in Isfahan, because of changes in the methods of designing and building houses, importance of entrance reduced to such level that now in contemporary houses entrance is just a door. Entrance correlates indoor safe space of house and outdoors. It`s importance lays in controlling entry, exit, territory and hierarchy. Since house owners were satisfied with traditional form of entrance, it is a good idea to learn from them in designing new entrances. The purpose of this research is to find a way for designing appropriate entrances for Isfahan contemporary houses.  Isfahan city is from margin of desert and the origin of traditional houses. Analysis showed that blockage of visual and phonic relation, creating a space between outdoor public space and indoor private space, creating access patterns to internal spaces and traits that separate in and out were the most significant properties of traditional entrances. All these traits are ignored in contemporary entrances. Suggestions made for design include creating public meeting space in yard and creating a separate entrance space for each house in apartments.

Presently, half of world population lives in cities and in many countries such as Iran, most of people live in cities and metropolitans. The city evolution and new conditions in metropolitans are considered uncontrollable and it is believed that the future base of mankind forms in cities as Park points the city as the natural habitat of human in modern age. The urban population deals with various and somehow annoying problems as it can be said that most of social damages are appeared in cities. The urban management faces with difficult responsibility of controlling these damages. This paper attempts to study the citizen's social vulnerability in Tehran according to urban social space approach. Here, different views such as Chicago school, Dickens theory, Castells theory and social approaches such as Chicago school and social disorganization theory are applied. The paper is a survey and questionnaire is the tools of data collecting. The results showed the high rate of citizen vulnerability in relation with research variables such as self-alienation, rationalism, less emotional relationships, less social integration and more individualism.