تحلیل عینیت حق با خلق از منظر صور خیال (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
تحلیل عینیت حق با خلق از منظر صور خیال مجید فرحانی زاده* پژوهش حاضر به تحلیل عینیت حق با خلق، ازمنظر صور خیال در سروده های عارفانی چون عطار، عراقی، مولوی و جامی می پردازد. بنیان نظری پژوهش، کاربرد ابزارهای علم بیان است که آن ها را از حدّ ابزاری فقط زیباشناسانه به رویکردی برای شناخت، تعالی بخشیده است. این پژوهش که با روشی توصیفی- تحلیلی انجام شده، سعی دارد با تکیه بر دسته ای از ابزارهای صور خیال به کشف و شناخت زیست جهان شهودی برخی عارفان از عینیت حق در مظاهر هستی دست یابد. شایان ذکر است اهل عرفان باوجود تأکید برجنبه ی تنزیهی خداوند در مرتبه ی ذات، قائل بر جنبه های شهودی و عینی حق در مرتبه ی تجلّی و ظهورند؛ ازاین رو پژوهش حاضر نشان می دهد که تصاویر به دست آمده از تجلّی حق در توصیف های عارفان یادشده، دلالت بر عینیت حق در هیئت «انسان»، «پدیده و شیء»، و «عالم و موجودات هستی» دارد که با شگردهای صور خیال مانند تشبیه، استعاره و ثمثیل تفسیرپذیر شده اند. با توجه به وجه شبه های استخراج شده از انگاره های تشبیهی، استعاری و ثمثیلی می توان نتیجه گرفت شواهدی که در قالب انگاره های تشبیهی، استعاری به عینیت حق با انسان یا شیء دلالت دارند و نیز شواهدی که در قالب انگاره های تمثیلی بر عینیت حق با عالم دلالت دارند، دارای وجه شبه های تقریباً غیرهم گون و متفاوت هستند؛ اما شواهدی که در قالب انگاره های تشبیهی به عینیت حق با عالم دلالت دارند، دارای وجه شبه های یکسان اند. * دانش آموخته ی دکتری زبان و ادبیات فارسی دانشگاه حکیم سبزواری سبزوار farhanizadeh.majid@gmail.com تاریخ دریافت مقاله: 26/4/1400 تاریخ پذیرش مقاله: 13/11/1400Analyzing the objectivity of Almighty with creation from perspective of imagery techniques
Majid Farahanizadeh (Graduate of PhD in Persian Language and Literature, Hakim Sabzevari University, Sabzevar, Iran 1.introduction (191) This research aims to investigate the concept of objectivity of Almighty, which is the consequence of manifestation status not the essence one, in mystics’ poetry such as Attar of Nishapur, Rumi and Abd-alrahman Jami by using imagery techniques like simile, metaphor and allegory. Therefore, by explaining simile metaphorical, allegorical and patterns and ideas, the author seeks to know the mentality and ideology of mystics in relation to the objectivity Almighty. The result of this study shows that the objectivity of Almighty in the manifestation status is defined in three general images: "human", "phenomenon and object", and "the universe and its beings". These general images have referents, some of which can be interpreted by simile and metaphor techniques and others by allegory. Given to extracted points of similarity, it can be concluded that evidences indicate the objectivity of Almighty with human or object in the form of simile-metaphorical images as well as evidences imply to objectivity of Almighty with the universe in the form of allegorical images have heterogeneous and diverse points of similarity. However, evidences in the form of simile images refers to objectivity of Almighty, have equal points of similarity. 2.methodology, literature review and purpose (206) This research has been done by descriptive-analytical method, and has been compiled by library method. Similar studies which have been done in this field are: In "Ontological and epistemological aspects of simile and purification in Jami's poetry and its adaptation to the views of Ibn Arabi" (2016: 141-168), Farhangi and Farhanizadeh studied the simile and objective characteristics of Almighty in relation to existence and the possibility of knowing it, From the perspective of Ibn Arabi and Jami. Malamiri and Zafari in the article "Objectivity at the same time with otherness of Almighty and creatures from the perspective of theoretical mysticism" (2016: 33-47), provided a vivid comprehension of this relationship by explaining the teachings that have caused the objectivity of Almighty with creatures.Vahedjavan and Nikkho in "Analyzing the issue of objectivity and otherness of Almighty with creation in Islamic mysticism with the approach of evaluating the criticisms of critics" (1397: 111-125), considered the meaning of the objectivity of Almighty and creation in the manifestation status not in essence one and based on it, have responded to the critics' objections. This study aims to recognize the intuitive world of some mystics about objectivity of Almighty in the manifestation of existence through relying on a set of imagery techniques. 3.discussion (342) This study examines the concept of the objectivity of Almighty in the poems of Attar of Nishapur, Fakhr-Al-Din Iraqi, Rumi and Jami. However, this objectivity does not mean unity of eternal essence with temporally creature. It means the manifestation of Almighty in creatures through mirror of attributes and operation in the images of possible creatures. Based on extracted evidences from poems of mentioned poets, this study divided the concept of Almighty’s objectivity in three forms. First part is dedicated to objectivity of Almighty in human form. Proposition “Almighty is the same human” has been studied from different aspects such as “objectivity of Almighty with human in beauty attribute”, “objectivity of Almighty with human in speech attribute”, “objectivity of Almighty with human in terms of being visible in the mirror”. It is worth mentioning that this kind of objectivity is manifested in both ways of reasonable simile to the tangible and also hidden metaphor. Extracted points of similarity from mentioned propositions in this section are different and heterogeneous. Second part is dedicated to objectivity of Almighty with phenomenon and object. The objectivity of Almi
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