مطالب

This study aims to present an Indigenous model for recreating inefficient urban textures, with an emphasis on social sustainability, in Region 2 of Rafsanjan. The research method employs a qualitative approach and content analysis, which involves identifying basic, organizing, and overarching themes. The DEMATEL technique was used to determine the causal relationships between the indicators. Findings revealed five themes: physical-spatial regeneration, social sustainability, economic-social regeneration, preservation of local identity and heritage, and participatory governance, comprising a total of 49 indicators. The results of the DEMATEL analysis indicate complex and multi-layered relationships between different dimensions of regeneration, such that the state of deterioration of the fabric and the quality of existing materials, as primary influencing factors, have a direct impact on other physical and social indicators. Enhancing neighborhood ties and building local social networks strengthens solidarity, encourages resident participation, and fosters social oversight and ownership of spaces. Preserving traditional architecture, vernacular features, and local symbols supports cultural continuity, residents' sense of belonging, and neighborhood identity. The proposed model follows a systemic and integrated approach that extends physical interventions to include social, cultural, economic, and managerial aspects. Economic factors, including generating local employment and developing small businesses, contribute to equitable benefit distribution, residential stability, and long-term socio-economic sustainability. Furthermore, the model offers a practical framework for sustainable urban regeneration. Its adaptability also makes it applicable to other cities with similar socio-spatial conditions, providing a pathway to integrate physical renewal with social cohesion and cultural continuity.

This study examines how linguistic style in One Flew Over the Cuckoo’s Nest by Ken Kesey and The Bell Jar by Sylvia Plath enacts psychological disturbance through formal textual mechanisms. Drawing on Foregrounding Theory, cognitive narratology, and clinical psycholinguistics, it investigates how stylistic deviations—such as metaphor saturation, syntactic fragmentation, referential ambiguity, and narrative disjunction—function as mimetic simulations of schizophrenia and depression. Through a mixed-methods approach that integrates close literary analysis with corpus-based annotation tools, the research analyzes selected passages for psycholinguistic markers associated with mental illness, including deictic confusion, lexical minimalism, and temporal distortion. Chief Bromden’s hallucinatory narration and Esther Greenwood’s affectively flattened voice are shown to linguistically instantiate psychosis and depressive cognition, respectively. The study contributes to interdisciplinary understandings of literature as a diagnostic interface, demonstrating that literary texts do not merely represent mental illness but cognitively perform it. Ultimately, this research offers a novel framework for analyzing narrative pathology, expanding the analytical reach of cognitive stylistics and underscoring literature’s potential to model and communicate disordered mental states.