درخت حوزه‌های تخصصی

The present study intends to shed light on 25 lifelikeness layers in Imam Jome’eh House (Khaneh Emam Jome’eh) in Isfahan as one of the prominent historical monuments dating back to Qajar dynasty. The present study intends to shed light on 25 lifelikeness layers in Imam Jome’eh House (Khaneh Emam Jome’eh) in Isfahan as one of the prominent historical monuments dating back to Qajar dynasty. The lifelikeness or Zendevari architecture is a general and reconciling pattern (framework) among all the definitions of architecture that in its definition, it consists of 25 layers. these 25 layers include countable layer , spatial layer, geometric layer, Skeletal layer, motor layer, simple mechanical layer, automated mechanical layer, biological layer, environmental layer, climatic layer, sensory layer, visual layer, imaginary layer, unreality layer , media (symbols) layer , analytical( analyzing the elements) layer , historical(importance) layer, creativity (in the building)layer, economic layer, social layer, forensic layer , moral layer , aesthetic layer, political and faith layer and educational layer. Overall, it can be said that in the lifelikeness (Zendevari) development framework, the world and its beings consist of 25 layers, which are in interaction with each other in an unpredictable way, yet a universal and natural relation can be found between layers in two directions. The study method used in the current research is of an analytic-descriptive type, and data collection was performed in a field-, interview- and library-based method, and some strategies were presented to strengthen the zendevari (lifelikeness) of the building under study in a SWOT analysis method. The study method used in the current research is of an analytic-descriptive type, and data collection was performed in a field-, interview- and library-based method, and some strategies were presented to strengthen the zendevari (lifelikeness) of the building under study in a SWOT analysis method. 

Properly inves tigating the potential of nature in the formation of architectural concepts needs a theoretical framework in which its analytical components can explain the methods of utilization of nature. Although some attempts have been made in this regard, considering the missing elements, there is s till a significant gap in the literature and a s tudy for introducing a more comprehensive theoretical framework has yet to be conducted. The aim of this s tudy is, therefore, firs tly, to present a theoretical framework that can explain the role of nature in the creation of architectural concepts by its detailed factors and, secondly, to apply this framework for inves tigating nature-inspired works of Toyo Ito. Accordingly, this documentary paper is based on a theoretical approach supported mainly by the outcomes of a literature review and case s tudy analysis, which utilizes the descriptive-analytical method. For the case s tudy part, projects were selected from various scales and functions to ensure proper evaluation. Both qualitative and quantitative tactics have been used in data analysis. Findings demons trated that the highes t rate in regards to the itemized factors of the Theoretical Framework of the s tudy relates to ‘Integration of natural elements in spatial articulation’ and the lowes t rate corresponds to ‘Usage of material in their raw and brutal s tate’. Moreover, though the highes t level of utilization of nature among the cases, is related to ‘Grin Grin’, a large-scale project, yet considering all the frequencies, it can be argued that the larger scale does not necessarily imply the higher frequency.

Housing developments in Lagos State peri-urban settlements have contributed immensely to the alleviation of the challenges of housing deficits in central Lagos. This research aims at exامینing the characteristics of housing development in the peri-urban settlements of Lagos State, Nigeria. Using a case study approach, housing developments in peri-urban settlements in Ibeju-Lekki Local Government Areas were selected to represent the rapidly urbanizing metropolitan peripheral areas in Lagos State. Data was collected through primary and secondary sources which include survey questionnaires, direct observations and in-depth interviews. Using two-stage sampling techniques, a questionnaire was distributed to households in purposively selected 16 peri-urban settlements in IbejuLekki. Data collected through field survey were analyzed using frequencies, percentages, cross tabulations while qualitative data were analyzed using descriptive analysis. Findings demonstrate that different housing initiatives in the peri-urban settlements performed differently in typology and resident’s perception. Socio-economic attributes revealed a multi-cultural households composition, reasonable literacy level. It is recommended that improved quality and user performance peri-urban housing development can be achieved through residents’ participation in housing policy design and also by timely regional policy response to the pace of housing development in Lagos peri-urban settlements.

The impetus behind this s tudy is to discover the aes thetic and semantic patterns of the cypress tree and show how this element has been employed by Iranian artis ts. The ques tion of this research is how a cons tant element (the cypress tree) has been transfigured in different Iranian arts. Four categories of miniature, carpet, textile and architecture decoration. The present research is qualitative in nature and is descriptive-analytic and mainly uses the available published data. Data were analyzed inductively and interpreted in the light of Ges talt theory. Exploratory results reveal that the cypress as a cons tant element in Iranian art has been transfigured differently in different arts. With the aid of Ges talt laws, the visual appearance of the cypress tree was analyzed in the different samples a few of them are presented in the s tudy. It was found that dis tinguishing the cypress element has been made: by highlighting the role of the cypress and reducing the visual significance of the field while increasing the visual emphasis of the cypress. Application of different ges talt laws such as proximity, figure, and ground, similarity, continuity in Persian carpet mos tly makes the cypress at the center of attention and reduces the visual importance of the other elements. In some of the other Persian carpet designs, this element has semantic and extraterres trial concepts and sits is in the center (eg. Mehrabi carpets. In the miniature and fabric textiles, cypress tree has not received the urgent priority and often been on the margins of the image.