سید مهدی موسوی کوهپر

The hoard of Kalmakarra Cave that includes hundreds of golden and silver objects has been unearthed in 1989 in Pol-e Dokhtar located at Loristān Province by villagers. In addition to aesthetical values, these objects bear archeological significance. Their unique value, with respect to inscriptions in Old Aramaic, Neo- Assyrian and Neo- Elamite on some of them. Deciphering these inscriptions by [Jean] Lambert, François Vallat and Rassoul Bashāsh shed light on an anonymous local governorship of the Neo-Elamite and provided a new chapter in the archeological studies of this particular period in Iran, which this paper will focus on it.

The history of Tabaristän, from the late Sassanid era through the middle Islamic age, underwent significant social and political changes the result of which were independence seeking movements leading to some semi-independent local governments. Each of these governments claimed political and social governance over a particular region. Castles, as important and influential military bases, were means at the disposal of the commanders and governors to maintain their sociopolitical power. Among the known castles in the mountains of Mazandaran province, Pouläd Castle in Nour, the capital of Nour County, is one of the symbols of territorial defense. It is located on a tall mount off the city of Baladeh in Nour County. Being built on an elevated location and overlooking the important surrounding regions and strategic ways has made Pouläd Castle one of the important centers in the sociopolitical changes. The present study follows a field work method as well as a library research method to investigate the defense structure of Pouläd castle and its geopolitical and geostrategic role in the power distribution pattern over the region of Rouyän in Tabaristän during the Islamic middle ages. The results show that the builders had tried their best to enhance the stability of the castle by building several layers of walls, utilizing the slope of the mountain, building several defense towers, and using rocky and impervious points as natural forts. Architectural analysis shows that Pouläd Castle, with both its military and political functions, has had a prominent role in the political changes of western Tabaristän.

Northwestern Iran is one of the key regions in the archaeological researches, especially during the Iron Age. Tepe Hasanlu is an important ancient site due to its long-term occupation and extensive excavations, with relatively complete studies. This paper dealing with the results of recent archaeozoological researches of Hasanlu, to complete the lack of studies on the subsistence economy of the site. The studied faunal remains of Hasanlu derived from campaigns of 1970, 1972 and 1974, which are housed in the Osteology Department of the National Museum of Iran. This paper intends to examine the subsistence economy and animal exploitation patterns during the Iron Age in Tepe Hasanlu. The faunal remains of Middle and Late Bronze Age and Historic period also evaluated to better perception of changes and evolutions in subsistence strategies of Iron Age. The results of studies pointed to the developed animal husbandry during all periods of Hasanlu, which domesticated sheep and goats, and cattle were the most important exploited resources. Equids also allocated the considerable portion of the collection which especially bred in Iron Age. The same pattern identified in contemporaneous sites such as Haftavan Tepe and Dinkhah Tepe in northwestern Iran.

From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures. The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method. .

Alashtar is one of the prominent valley plains in central Zagros Mountain Range. The main focus of this study is based on the activities performed in this plain in 2006-2007 periods with the aim of identifying and studying the ancient relics as well as the studies conducted in 2010 to identify and analyze Parthian settlement patterns in this area. Archaeological survey in the area identified 72 historical sites and ancient monument. The current studies suggest that first settlements in this area date back to Copper and Stone Age and the most recent settled sites belong to the later centuries of the Islamic period. Among the historical relics found in Alashtar plain, 42 relics contained remnants of the Parthian. The overall perception of the settlement pattern in this plain during Parthian period reflects variation in population or distribution of settlement patterns compared to the former and later periods. The distribution pattern of the identified historical sites suggests that the settlements were mainly in the form of rural units with no evidence of urban centers. Overall, the distribution pattern of Parthian settlements has been strongly influenced by climatic characteristics, environmental capabilities and the special geographical position of the region. This paper attempts to study the Parthian settlement pattern in this plain; moreover, it seeks to examine these historical sites and interpret the settlement patterns in the Parthian period.

From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures. The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method.

An amalgamation of ancient mythological and linguistic features from Ghabrestan Tepe, this article is disposed to introduce some of the oldest findings especially about the then prevailing myths. It can possibly be said that the oldest motifs carved by men, on bones, stones or on cave walls have been the depictions of myths related to Homo sapiens; however, even after the lapse of thousands of years, it is still impossible to find the main tenets they actually tried to narrate through those depictions. Unfortunately, we have to admit that, even the use of modern methods, doesn’t help us to reach to those stories that are much warped and deformed. This article, tries to carry, what has remained from some later version of the myths, backwards in time and, by focusing on a pottery design, uncover what once has been a mythological and significant narrative. Perhaps this had been a well-known mythological story narrated in religious and domestic circles.

The mythical characters with the names of God or angels with multiple hands are seen in different cultures. In a number of religious buildings of Gilan and Mazandaran, there is an iconographic image with upright hands, depicted with inscription, Angel of Rain. In the Iranian mythology, Anahita is a special angel of water, and Tishtar, is the angel of rain. The purpose of this study is to examine the function of multi-handed humanoid characters and motifs in Iranian, Hindu and Buddhist cultures. In all of these cultures, numerous hands indicate helping and hands rising to signify prayer for divine mercy. The purpose of this study is to investigate the function of multi-faceted human characters and motifs in Iranian, Hindu and Buddhist cultures.