فرح حبیب

Regionalism is an analytical and critical perspective which focuses on preserving special features of place and attempts to fill the vacuum in architecture. Globalization is a complex multi-stage process that causes increasing complexity of time and place, greater awareness across the global and acceleration of cross cultural interactions. Therefore, the present paper attempts to analyze global-regional interactional approach through investigating contemporary Iranian architecture in relationship with the aforementioned phenomena and also tries to provide practical advice on establishing a constructive interaction. The research methodology is based on content analysis and case study. The results obtained from investigating striking cases of 4 eras of contemporary Iranian architecture and presented as a table of global-regional interaction components (physical, semantic and ecological) show that an interactional approach is becoming increasingly popular and global-regional coexistence is being formed in contemporary Iranian architecture, which associates with spirit of time and its regional components. A dynamic presence and playing a componential role by contemporary Iranian architects in this interaction have some prerequisites: an understanding of contemporary pluralism, an understanding of the other and establishing interaction, emphasis on the role of thought, creation and innovation, objective research, a good understanding of identity and place, past recall and identifying components of Iranian architecture.

A’ view of nature within the framework of garden and in relation with human needs and drives that satisfy the need to be rooted has caused the representation of nature in garden to be regarded as cultural heritage. Garden and garden designing are suitable cases for us to study cultural characteristics and traits. Thus, human beings have searched their eternal interest in an ideal and unattainable world in garden building and garden totally reflects each culture. Art and knowledge are both represented in garden in which engineering creativity reaches its summit. Japanese garden is one of the oldest patterns in gardening in the world. It demonstrates Japanese ideology, ontology, cultural views and rites. Relativity and multi religions represent its cultural difference. Changeability and cultural ease along with preserving basic core and nature of Japanese culture are the basis of Japanese culture. Japanese garden is one of the most obvious emblems and representatives of Japanese culture. The aim of this paper is to make a content analysis that will primarily study the cultural characteristics and will then focus and conclude the results of Japanese garden designing as a cultural physical symbol.

: One of the tools for the architectural advent form is the structure, while architecture and structures, particularly in our sociable Iran, are separated from each other. Most successful buildings have dominating designers who are proficient in structural issues and have a comprehension of the structural system's behavior. The extent of attention to the structure of the building will inevitably lead to beauty. If the structure has aesthetic considerations, a successful link between architecture and structure will occur. This research seeks to provide a solution and strategies to formulate both architecture and structure. The purpose of this paper is to articulate a sound and desired theoretical foundation in relation to the aesthetics of the architectural form and structure so that achieve a successful link between architecture and structure. The research methodology is applied in terms of the purpose of the research. The qualitative and quantitative research methodology is used to analyze the information as well as to provide analytical tables and matrix analysis in order to summarize the contents. The research has come to the conclusion that constructive requirements, along with functional requirements and aesthetic issues, bring together an unmatched effect. The study of successful works in the world suggests that if one of the subcategories of these three criteria works, it can be considered as one of the most successful buildings in the world. Formation of forces flow can be effective in the aesthetic structure of the structure.

 Todays, cities have become one of the mos t complicated sys tems, which may become fragile when not managed appropriately. In order to prevent fragility, cities should respond more quickly and effectively to complicated threats, which requires an accurate unders tanding of the concept of fragility. In this regard, a sys tematic review was conducted based on Preferred Reporting Items for Sys tematic Reviews and Meta-Analyses (PRISMA) to unders tand the concept of urban fragility by electronic search using keywords combined with Boolean OR and AND operators in Google Scholar, ISI Web of Science, and Scopus. Based on the reviewed articles, the dimensions of urban fragility, including the economic, social, governmental, environmental, international relations, and economic, social, and political conditions of individuals, were identified for each component and indicator. Given the definition of fragility and its dimensions, the present s tudy can provide an opportunity for identifying the causes of fragility in cities and providing some solutions.

Human presence and accordingly establishing suitable condition for social interactions are important factors in shaping urban spaces. Caring to different aspects of improving environmental qualities especially perception aspect and ease of perception from the environment with legibility improvement is an element that was emphasized from the base of urban design. The role of time, commence of day and night and its effect on perception and legibility of the environment have not been investigated deeply. Although time effects the level and the way of perception and legibility and it should be noted that there is clear difference between human perception and space legibility during day and night.This research is looking for effective major factors on urban spaces qualities in day and night with descriptive and comparison method on the case studies and their images of Zanjan and Abadan cities and tries to approve the differences of these images. Results of performing this research clearly approving that, social, functional and perceptional dimensions are the most important dimensions of improving space quality at night. It should be declared that there are a lot of differences between the images and the perception of the city during day and night. In addition, the mention priority to urban five elements in shaping these maps are differ either.

The ability to recognize and compare shapes and understand the concept of proportions is one of the first human findings from environmental geometric data. And certainly the formation of geometry as a science of recognizing the arrangement of lines, shapes and levels and proportions leads to the definition of golden proportions in the mathematical sciences as a new way of organizing shapes and forms. Golden and geometric proportions are effective as a determining element in the scale of spatial forms, and the formation of spatial forms by not using or misuse of geometric proportions is due to functional and psychological interactions on human perception and cognition. Which causes the construction and formation of scales and proportions of the environment and the emergence of psychological effects due to human activities in the environment. And then the abnormal effects and environmental dysfunction on the saccade system of the human eye and as a result the feeling of fear and lack of belonging to the place interacts. On the other hand, nature as the raw material of creation, and the principle and mother of man, which causes him to model the proportions in nature. Understanding the laws governing the relationships between elements and spatial shapes leads to the formation of geometric and golden proportions in the spending of space. Because knowing the symbol of shapes, proportions and scales in the world of meaning and kingdom is reminiscent of the divine order in all dimensions of the world (even in astronomy). Therefore, evaluating the values ​​of spatial proportions in nature as the bedrock of human life and the pattern of psychological perceptions, leads to the adoption of human activities. Also, the study of human needs on a mental and psychological scale from the perception of the environment causes the recognition of scales and dimensions by human visual senses, which leads to the perception of the correct golden and geometric proportions through Sakadi eye movements and psychophysical sciences. . Certain ratios can also be observed in the creation and design of various shapes in nature. These relations are those geometric relations that have immaterial roots and follow the spiritual and supernatural principles, believing that their subject is sacred, and have a symbolic language and spiritual characteristics. In the traditional world, geometry was inseparable from the other four Pythagorean sciences, namely arithmetic, music, and astronomy. And traditional geometry is also associated with the symbolic composition and shapes of space. To this end, the study of the effect of golden and geometric proportions on human visual perception of the architectural environment based on the sense of belonging to the place, causes visual quality to increase the sensory richness of the place and achieve human values ​​and criteria in the sense of belonging to the place and human needs. To be considered by the architect. In this research, with the perspective of this identity and the interaction of geometric and golden proportions and the sense of belonging to the place, the criteria and indicators of the research have been studied and the results have been presented in the form of tables and diagrams.

Despite the availability of extensive facilities for children, the effect of environment on creativity of children is often ignored. It is a fact that children can attend the playgrounds in city parks, independently, from age 6, therefore they become exposed to influence of the environment during this age period. It is necessary to design playgrounds for children to improve their creativity. The objective here is to assess the effects of physical components of the playgrounds in city parks on creativity of children of ages 6 to 12. A descriptive- analytic method is adopted in this study. This method is adopted to achieve the theoretical perspectives and correlations between the variables and indices, through analysis. At this stage, the data are collected from a selected statistical population through field research and closed response researcher designed questionnaire and the effective variables are determined by factor analysis and correlation. By applying path analysis method using of Smart PLS1 software program based on the relations between the variables, the study model is provided. The results indicate that there exists a significant correlation between the environmental factors and creativity and regarding the rate of effectiveness of the physical factors on creativity, the variety factor is more effective, followed by physical liveliness and flexibility factors, respectively.

Islamic and Iranian cities, both, East and West, know the physical monuments of Islamic culture1 based on one of the features of the Islamic cities. Meanwhile, other religious centers, including Tkaya, Hosseiniyehiyeh and hospice is not the case to considerate, while these elements cause to shape group behavior, strengthen social ties and strengthening of cultural integration, have always played a major role. These reasons reflect the role of the religious and their religious mission to, Imam Hussein: have been lasting and eternal ever. On the other hand, religious buildings, including mosques, Hosseiniyehiyeh, the convent, the grave and so for various reasons such as “governing their spirituality,” “Historical Background”,“architectural style” and “cultural works - social among people of the past had been of special aspects “sanctity”. Materials and Methods, “descriptors” and “analytic” in addition, with reference to theories and models of sustainability and sustainable urban spaces using “argument” and “analog” to review these theories and extend them to Hosseiniyehiyeh and Tkaya discussed and some results in this direction are mentioned. Research findings show the survival of Tkaya and Hosseiniyehiyeh beliefs, beliefs, customs and religion of citizens, especially their integration with the components is related to religious values and reflecting the traditional city is based on the formation of beliefs is that survival, Protection and maintenance Hosseiniyehiyeh paid actor and in which viewers of this show and passionate Hosseiniyehi mourning single entity to have formed; If due to the impact of beliefs and opinions of people throughout history has been a Hosseiniyehiyeh as a phenomenon of religious values and that its inclusion has been persistent throughout history and reflect the beliefs of religious people and the world towards Imam Ali, Imam Hussein: future date will remain the eternal.

Augmented reality (AR) builds better participation for placemaking by focusing on real time features, communication, and direct information flow between project s takeholders. This s tudy attempts to access to specification of the Augmented Reality Sys tem for Placemaking (ARSP) model and make the research a basis for a profitable e-business model. By inves tigating AR and placemaking, this research seeks to build an augmented reality sys tem specification of the information flow and communication for project s takeholders' management. This paper explores the potential for using AR technology in interior design by three-dimensional (3D) and two-dimensional (2D) and façade placemaking by 2D textures of brick material. The sys tem consis ts of a qualitative proof of concept (POC) model, a prototype model, and a minimum vital product (MVP) model to s tudy to compel quantitative research. The ARSP POC model, prototype model, and MVP model are programmed by building an information modeling (BIM) sys tem, Revit and Unity software, and different software development kits (SDKs) as an application for Android devices. Seventy-four experts tes ted the MVP model in the Delphi method and observed, interviewed, and filled out a ques tionnaire. The research shows that the contributions of this s tudy to the body of knowledge are twofold. Firs t, this s tudy extends the unders tanding of AR applications in placemaking. Second, this s tudy identifies possible improvements using AR sys tems in design, procurement, and cons truction.

The question from the mission of architecture and its relationship with human as the artist or the audience, without addressing to the reality issue and the manner of cognition is not possible. As a human phenomenon, architecture is a product of human awareness on various aspects such as scientific, engineering, and artistic aspects. Therefore, clarifying the nature and the manner of awareness, cognition and the methods and tools, can contribute to understand the art work. In continue the manner of advent and perception of wisdom in the Islamic architectural work would be analyzed. The research method is logical reasoning. Therefore, initially the Islamic worldview is posed based on the transcendental philosophy as the last and most important and major Islamic philosophy evolution, this approach is a strong system with logical method and has a strong theoretical transparency in order to understand the definition of components such as ontology, anthropology, epistemology and cosmology. After explaining principles of mental structures according to proposed Islamic worldview, the manner of emergence of the architectural work by creator of the work and how it is perceived by the audience and the work relationship with reality, based on the quad and quintet causes, ultimate and in instance, nominative, substantial, formal which have been considered in the formal position of discussion. The manner of Islamic architecture as nominative cause and the advent of thought and imagination, as the ultimate and in instance cause and actuality of the mass and the space, as substantial causes in the form of the face of place as formal cause is the purpose of this research. The manner of creation and perception of the work and the manner of presence and the advent of reality in architecture are exامینed by determining nature and the manner of emotions, perceptions and cognition. The most important result of this study is to address the main mission of architecture as the creator of the cognition factor.