درخت حوزه‌های تخصصی

The first millennium BC is very important from the point of view of archeology and the study of the cultural developments of the Iranian plateau. In the time range of the first half of the second millennium BC to the first half of the first millennium BC, the simultaneity and closeness in time and place of the New Ilam, Samatore and Manna governments and the geographical area of ​​the western belt of the Iranian plateau has caused that these governments undoubtedly Different artistic, social and political influences have left each other and the works discovered by these regimes have not been devoid of these influences and impressions. In this research, which is a type of descriptive-analytical study and in order to collect its data, reference-field methods were used, to study and compare the metal weapons of these governments and the influence of each of them on the other and that in each The rule of what kind of metals are used and also what aspects and applications of the exposed metals in each of them have been discussed. In this study, the weapons examined in the northwestern areas under the Manna government had differences in terms of shape and form from other areas in the west of Iran at that time. Its kind of metalworking art has had more effects on the type of metalworking of Samatore governments directly and Manna government indirectly.

This study analyzes 26 pottery fragments from the Shah Qoli Beygi archaeological site, focusing on their typology, technology, and chronological significance within the Lapui phase of prehistoric Fars in the Shiraz Plain. The assemblage, dominated by red fine wares, also includes common wares and evidence of different from the preceding Middle and Late Fars (Bakun) Phase. Variations in color, texture, and manufacturing techniques, including both hand-made and wheel-made forms, are examined. Comparative analysis with other Lapui sites reveals regional trends in pottery production, including the shift towards red fine wares and the prevalence of specific vessel forms. The study highlights the transition and continuity of ceramic traditions during the Lapui phase, emphasizing the site's contribution to understanding the cultural dynamics of the fourth millennium BC in southern Iran.

The assemblage of our archaeological data and findings regarding the early Roman-Sasanian interactions is very limited. During the recent survey of the Dehlorān Plain, an accidental coin find (discovered by a passerby, Mr. A. Hosseini) was handed over to the members of the expedition. The highly corroded and perforated coin belongs to the Singara issues of Gordian III (238-244 AD), the young Roman emperor whose reign coincided with the first series of Sasanian incursions led by Ardashir I and his successor, Shapur I. Not only it is one of the few known findings that relate to this tumultuous era, it has been discovered in the vicinity of Roman Mesopotamia, where most of the fighting took place. In this article, in addition to describing the coin, the authors have discussed the historical context of this period and the possible entry scenarios of this coin into the territory of the Sasanian Empire. 

From a temporal perspective, we observe the presence and distribution of beveled rim bowls in Iran and Mesopotamia from the mid-fourth millennium BC until the beginning of the Bronze Age. The large production and specific shape of this pottery, alongside its extensive distribution, have prompted many archaeologists to study this subject. Beveled rim bowls is categorized into two types: Uruk and proto Elamite, based on their shape and structure. The geographical conditions in Iran have differentiated the distribution of this pottery compared to Mesopotamia. During this period, the Uruk type gradually changed in structure and transformed into the proto Elamite type. The regions of Khuzestan, Central Zagros, and the Central Plateau have the highest density of sites and pottery in Iran, connecting these centers through intermediary areas. According to the studies conducted, this distribution in Iran has been exported to various other regions by local elites or specific groups of people. Perhaps, this group consisted of local merchants who, through migration, spread the proto Elamite culture in Iran, while the Uruk type of beveled rim bowl was produced and distributed for economic or political purposes in significant sites such as Susa, Chogha Mish, Tepe Yahya, Sefalin, and Godin Tepe.

This paper investigates the role of Zen philosophy, as derived from haiku poetry, in the architectural design process. It explores the nature of Zen, its unique perspective on art and literature, and how this perspective is reflected in architectural design processes. The paper also examines how the creation of architectural spaces can be integrated with the poetry and (haiku) influenced by this philosophy. This research seeks to answer the question of how Zen thought can be applied in architectural design through the utilization of haiku poetry. A descriptive-analytical approach, combining inductive and deductive reasoning, is employed. Initially, Zen theories based on haiku are deductively applied to case studies. Subsequently, Zen architectural theories based on haiku are extracted from these case studies. Finally, the results are obtained by combining inductive and deductive methods. This paper aims to introduce haiku, elucidate the role of Zen philosophy in haiku poetry, and explore the influence of Japanese Buddhism on the architectural design process. The result of this research reveal that haiku is the product of immediate, intuitive experience and cannot be evaluated based on conventional poetic criteria. Haiku is a form of enlightenment or illumination, in which the poet perceives the vitality of objects and grasps the meaning of the ordinary and commonplace. Haiku poetry presents viewers with perspectives on nature, humanity, and life. By integrating literary concepts into the architectural design process, haiku can serve as a powerful cultural and artistic medium, fostering audience engagement with literature and cultivating a unique, philosophical understanding of phenomena.

The preservation of invaluable cultural heritage assets, including ancient artifacts and historical sites, remains a critical global concern. Existing perimeter protection methods, such as CCTV systems, infrared sensors, and conventional surveillance technologies, often exhibit significant limitations in terms of spatial coverage, sensitivity to subtle intrusions, and adaptability to varying environmental conditions. This paper presents an innovative and highly effective solution utilizing fiber optic sensor (FOS) technology, which offers numerous advantages, including lightweight construction, immunity to electromagnetic interference, ease of installation, high sensitivity, and reliable performance across a broad range of applications. Specifically, the study introduces novel designs for distributed acoustic FOS systems based on Michelson, Mach-Zehnder, and Sagnac interferometric configurations. Through comprehensive theoretical analysis, simulation modeling, and experimental validation, the research explores their practical utility in protecting cultural heritage. Two detailed case studies—focused on the Louvre Museum in France and the ancient archaeological site of Persepolis in Iran—demonstrate the implementation, functionality, and real-world efficacy of the proposed systems. The findings highlight how these FOS networks, particularly when combined with advanced artificial intelligence and machine learning algorithms, can effectively detect, classify, and localize human-induced acoustic disturbances such as walking or digging, while minimizing false alarms caused by environmental noise. This enhanced discrimination capability not only improves overall security but also significantly reduces the need for extensive human surveillance. Moreover, these systems enable precise, continuous, and real-time 24-hour monitoring over vast indoor and outdoor areas. In conclusion, the integration of FOS technology offers a scalable, intelligent, and transformative approach to addressing the complex and evolving challenges associated with the long-term preservation and protection of cultural heritage sites around the world.

Katja Föllmer was born on October 17, 1974. She was a senior researcher and lecturer at the University of Göttingen. Katja Föllmer studied Iranian Studies, Arabic Studies, and Ethnology at the University of Göttingen between 1993 and 2002, earning a Master of Arts degree. Katja Föllmer received her doctorate in Iranian Studies in 2007 with a thesis on “Satire im Iran von 1900 – 2000: Eine Analyse exemplarischer Texte” (Satire in Iran from 1900 to 2000: An Analysis of Exemplary Texts) (Harrassowitz, Wiesbaden; 2008), and her habilitation in Iranian Studies in 2017 with a thesis on “Das vorislamische Erbe Irans: Zwischen Tradition und Reform und Modernisierung” (The Pre-Islamic Heritage of Iran: Between Tradition and Reform and Modernization) (Kohlhammer, Stuttgart, 2022).Her research interests include concepts and ideas from the pre-Islamic heritage in Iranian societies, issues in Iranian cultural and religious history from antiquity to the present, Persian historiography, identity construction, classical and modern Persian literature, and Sufism and Persian Sufi literature.Manṭiq-uṭ-Ṭayr (The Conference of the Birds or Speech of the Birds) is a Persian poem by Farid ud-Din Attar, translated into German as Die Konferenz der Vögel by Katja Föllmer (2014). She published Satire in Iran Von 1990 Bis 2000: Eine Analyse Emplarischer Texte (Satire in Iran from 1990 to 2000: An Analysis of Empirical Texts) (2008); and also, Das Vorislamische Erbe Irans: Zwischen Islamischer Tradition Und Reform Und Modernisierung (Iran’s Pre-Islamic Heritage: Between Islamic Tradition and Reform and Modernization) (2022).Dr. Katja Föllmer passed away on June 11, 2025, at the age of 50. May her soul rest in peace.

Understanding the philosophy behind the stucco motifs in the tomb tower of Semiran, Qazvin, can provide insights into the cultural unknowns of northern Iran. This study examines these motifs through library-based and documentary evidence. It appears that the decorative stucco motifs of the Semiran tomb tower can be seen as a continuation of the stucco art styles from the Sasanian period and the early Islamic centuries. This research comparatively studies the remaining motifs and decorations in this tomb tower, seeking to revisit Iranian stucco art and its integration with religious and cultural concepts of northern Iran. Moreover, it aims to examine the artists’ decorative and functional techniques to meet the specific demands of rulers and the aristocracy. Findings indicate that the Semiran Citadel reached its peak of growth and prosperity between the fourth and eighth centuries of the Islamic era. The surviving structures, particularly the tomb towers, significantly reflect the historical prominence of this citadel city during the Islamic period. Additionally, archaeological evidence suggests a flourishing social and cultural life in the central part of the Semiran Citadel City during the Timurid and Safavid eras. Collectively, archaeological and historical evidence suggests the prosperity and expansion of the Semiran Citadel City during the early and middle Islamic periods, especially under the rule of the Musafirids, Seljuks, and Mongol Ilkhanates. Despite its historical significance, the Semiran Citadel gradually lost its vitality and eventually fell into decline and oblivion

Culture encompasses the values, norms, traditions, beliefs, and customs of a society, with clothing representing one of its most significant elements. In analyzing the traditional attire of an ethnic group, two key aspects are of importance: the cultural patterns influencing choices of material, color, design, and tailoring methods, and the symbolic and functional roles of clothing. Certain garments play vital roles across various social, cultural, occupational, and religious contexts. The Qashqai are one of the major nomadic tribes of Iran, primarily residing in the southern and southwestern regions of the country. The distinctive features of Qashqai clothing set it apart from that of other ethnic groups, despite notable similarities with the attire of the Lurs. Based on archival research and fieldwork, this study explores the historical evolution of Qashqai clothing. It aims to identify the earliest documented references to their attire through textual sources and visual representations, and to discuss the key factors contributing to its continuity. The findings reveal that although traditional Qashqai clothing has undergone changes over time, particularly among men, where modern styles are increasingly replacing it, it continues to be preserved among Qashqai women, especially during ceremonial events.

Deccan is a fertile plateau in the southern part of the Indian subcontinent, spanning an area of approximately three hundred square kilometers. In Sanskrit, Deccan means "south," and the Bahmani rulers established the first independent Muslim government in the Deccan region, reigning from 1347 to 1528. This research aims to answer the crucial question of how Iranian-Deccani architecture evolved during the Bahmani era and which structures prominently reflect this architectural style, using a historical research method grounded in a descriptive-analytical approach. The findings of the research indicate that the Bahmani's tolerance and affinity for the Shia sect, along with their support for Shia migrants who had immigrated to Deccan from Iran and Arab lands, led to the widespread influence of Shia beliefs and the prevalence of Iranian-Islamic culture and civilization in Deccan. During this period, numerous Iranian architects and artisans migrated to India, contributing to the creation of many buildings characteristic of the Bahmani era. As a result, many mosques and structures from the Bahmani era in Deccan bear the influence of the Timurid architectural style of Iran. This phenomenon facilitated the penetration of Iranian architectural style and the flourishing of Iranian-Islamic culture in India, particularly during the Bahmani period.