درخت حوزه‌های تخصصی

Civilizations have always faced harm and challenges in their movement and promotion; the new Islamic culture is one of these cultures. The efforts of human beings who have reached a proper knowledge in the strict sense of the word and have sacrificed their lives for its excellence caused the protecting the understanding and affirmation of ideas, achievements, and cultural identity in this civilization. Apostate people believe that Islam can not provide a framework, law, and morality appropriate to today's world; therefore, we need spirituality as an alternative to religion. Hence, with the slogan "I Am Spiritual, but I Am not Religious," they confronted and rejected Islam and its new civilization and finally blew the apocalyptic view in their minds. The Soleimani school, influenced by the teachings of Islam and the discipleship of the Valy-e Faqih, went against such innovation. With proper and codified planning throughout the religious system, he established the view to reviving the new Islamic civilization in its practical form. Based on the new Islamic civilization context in appearance conditions and its problems, the present study aimed to answer the main question ‘What are the appearance conditions based on the new Islamic civilization context centred on the school of Martyr Soleimani?’. To this practical aim, the analytical method was used with a futuristic approach and collected data with the library method. The results indicated that a multifaceted process based on the second phase statement to the modern Islamic civilization aligns with the characteristics and signs of appearance. This multifacetedness has emerged in Soleimani school and is manifested and consistent in the various layers of the second phase statement.

After a brief description of what fake news is and how it has been developed historically, we have claimed that fake news as we know it is generally a social media phenomenon. Despite the fact that Iran is considered a developing country, and not still a developed one, one might think Iran is less likely to fall prey of complicated fake news industry that negatively affect prosperous and affluent countries. But the vice versa is correct. Doing an extensive survey on previous research on fake news in Iran, we have shown how fake news will hinder unprecedented facilities for freedom of expression and even will make people contemplate giving up their freedom of expression in order to avoid or get rid of fake news. A naïve view could see a bright future for unbiased and disinterested news gathering and publishing, but research has shown in a totally unregulated media sphere, it is fake news that is more radially available and more quickly becoming viral.

Glassmaking traces its history back to antiquity as is the case with several other crafts in Iran. The craft would culminate under the Sassanian rule, when an assortment of receptacles in different sizes, shapes, and functions came into popular use. The present study examines a sample of 29 pieces of Sassanian glass objects preserved in the Sanandaj Archaeological Museum. Deriving from clandestine excavations, no previous research has investigated these pieces. This descriptive and historical-analytical study draws upon comparisons with related museum objects and library research. The questions are: Which excavated sites in the Sassanian territory are to be examined for comparanda? What are the manufacturing techniques of the objects in question? To which part of the Sassanian time span do they date? What are the common forms as well as their functions and decorations? The sample appears to compare with the material from Mesopotamia (Tell Mahuz, Abu Skhair, Barghuthiat, and Kish) and Veh Ardashir, which were major centers of glass production at the time. The pieces were manufactured in free-blowing and mold-blowing techniques. Bowls are the common form, followed by bottles, unguentaria, juglets, and jars for ritual, cosmetic, and practical functions. The major decorations detected on the study sample include applied trails and facet cutting. The pieces can be assigned to two consecutive chronological extents: The first spans the onset of the Sassanian period (2nd century AD) to the 4th century AD, and the second encompasses the 4th century AD to the demise of the empire. Dispersion of such objects across the Sassanian Empire suggests that glassware represented a trade item at that time.