Tabriz

The purpose of this study was to examine the relationship between job performances of Technology Information Communications in public schools is an area of one Tabriz. The model in this study in relation to job performance According to Patterson (1992) in four dimensions, discipline at work, a sense of responsibility at work, cooperate, improve and Technology Information Communications at 7 pm; individual, attitudinal factors, educational factors, technological factors, economic factors, environmental factors, human factors and management have been considered. In addition, in this regard, a main hypothesis and four hypothesis is set. To test the hypothesis, job performance questionnaire, with 16 questions and Technology Information Communications questionnaire with 66 questions, the validity and reliability of the sample that teachers of public schools in Tabriz region137 people had been placed was. Analysis of data using descriptive and inferential statistical methods such as, correlation, and regression was performed through software Spss. The results showed that job performance and its components (discipline at work, a sense of responsibility at work, co-operation, improved work) there is a significant relationship with Technology Information Communications.

Nasuh, Known as Matrakci was a miniature painter who accompanied King Suleایمان Kanuni during his campaign to Iran in 940-42 AH/1533-36 AD and he has drawn many miniature from lots of Iranian cities including Khoy, Tabriz, Zanjan, Soltaniyeh, حامدan, and Ghasre Shirin to Baghdad and Shahre Zur, Baneh, Bukan, Maraghe. Being capital during one part of the Safavid dynasty and in the other part as the second most important political, economical, social, cultural and architectural city in Iran, Tabriz was considered a very important city. Unfortunately, the natural and artificial disasters such as incessant earthquakes and war with the powerful neighboring countries like ottoman had destroyed many parts of its structure. Therefore drawn miniature from Tabriz is the most comprehensive visual documents of one of the powerful city of Iran in Safavid Era that it’s reviewing helps a lot to recognition lost elements of this city in the 16th century.

In this paper, a house is assumedas an expression of culture. It has been tried to study a Qajar1 house in Tabriz, in terms of its ties with cultural context.Methods and viewpoints of Amos Rapoport have been used in order to identify and peruse the circumstance of this relationship. The main reason for using Rapoport's viewpoints to understand Salmasi House, as a case study, in addition to contribute to cognition of this house and its relations, is presenting a method to understand many Iranian architecture samples. To explain the ties between built environment and culture, Rapoport has proposed several definitions and approaches according to environment-behavior studies. To study the house, Rapoport's has used a three-step approach, including, dismantling, analyzing, and synthesizing. At first, according to these approaches, two concepts of culture and built environment have been dismantled to variables and components. Then relationship among the variables and relationship among the components have been analyzed. At the final step, the variables have been reassembled and synthesized. Their interrelationships and their ties have been established, in order to understand the essential linkage between house form and its cultural context. The required data has been collected from three sources, direct interview with former inhabitants of Salmasi house to acquainting life and quality of behavior in house. Preliminary studies to acquainting the context of case studies, study the form of the house. The results indicate the adjustment of the form of Salmasi House with wishes, needs and totally cultural characteristics of its inhabitants.

Urban commercial quarters such as bazaars can be found all over the world, from Turkey to Egypt, from Tajikistan to Iran. In Iranian cities, bazaars have very specific and unique architectural features and they have played an important role as economic and social engines. In addition, bazaars are an integral part of the cultural geography of Iran and have contributed to the definition of urban development patterns. This paper aims to critically explore sustainable architectural elements in historic bazaars and their relation to social and cultural components. This paper’s theoretical exploration is developed by detailing relevant findings from a case study on the significance of the sustainable architectural elements of the historic Bazaar of Tabriz, and it debates the relationship between those architectural elements and socio-cultural and economic components. A qualitative methodology, specifically in-depth interviews with shop-owners and customers and in loco observation, was employed. Findings show that the Bazaar of Tabriz has preserved its sustainability both in terms of architecture, by rigorous preservation, and in terms of sociocultural and economic components, by maintaining an exciting daily dynamic and a healthy relationship between shopowners, customers, local administration and the city of Tabriz. The preservation of unique and authentic sustainable architectural features, together with the maintenance of public spaces, such as mosques and schools, benefits the population of Tabriz and brings visitors every day to the shopping area of the complex, thus maintaining a constant flux and social, cultural and economic dynamics.

Ali shah Mosque in Tabriz is one of the remaining buildings from the Ilkhanid period in the region of Azerbaijan in Iran. In his torical documents, this building is mentioned with different names such as citadel and mosque. Despite the research done on this building, researchers s till have disagreements regarding architectural specifications. In this research, based on archaeological and architectural evidence, the authors seek to answer the following basic ques tions in the manner of field s tudies and libraries, which are based on descriptive-his torical and analytical-comparative, how are the architectural features of this building represented by the texts of his torical documents? How is the porch connected to the tomb? Also, what is the relationship between Ali shah Citadel and the school of the two minarets of the Erzurum in terms of physical and trinity elements? The following hypotheses are raised: according to the results, the pillar behind the altar is originally the tomb of Alisha. The main altar was located inside it and had a green dome with skylights. The way to reach this tomb and the altar were from the s tairs leading to the porch. After the huge columns on either side of it, which may have been turned into a minaret, space has become smaller with an indentation. The school and monas tery were connected to its wes tern and eas tern sides. This general form of composite buildings in a complex is a feature of mos t buildings of this period. Other results of this s tudy show that the model of the mosque-school of the Erzurum is derived from this building, which shows the cultural connections between the two regions.

Education in the Qajar era had been considered in Iran, especially in Tabriz. Most kind people tried to help scientific development and performed many educational and cultural efforts. The establishment of printing, translation skills, publishing the newspapers, and new schools were the first efforts that had been made in Tabriz. Education was in maktab forms until Nasereldin Shah and had many limitations, but there were more than 100 maktabs in Tabriz; most of the people were poor, the number of pupils was a few, and the lessons were religious. The classes in maktabs were held in houses and mosques. Every maktab had characteristics. The methods of teaching were not equal. The teachers in maktabs had some notable qualifications. The maktabs in that period had many problems. The curriculum in maktabs involved Quranic instructions, Arabic grammar and some religious passages. In that period, some new schools were established by Iranian Muslims, such as Roshdieh, Mozafari, Loghmanieh, Mellieh, Kamal and Sanaye Mostazrafe.

Like other bodies of water, the Black Sea has been given a number of names. It was known as the Sea of Trebizond during the early Islamic centuries due to the popularity of the Trebizond Port in the south coast of the sea. Muslims in general and Iranian and Azeri merchants in particular contributed to the boom of trade in this port. Thus, the sea was named after its most important port because of its commercial significance for Iranians, considering that they had been acquainted with the sea through this port. We know such naming for other seas and ports; however, for some reasons, it is considered as an exonym for Asian Minor, which has been part of the Byzantine Empire for a long time. These reasons can be explored and discussed within the context of the ties between Muslims and the Byzantine Empire in the years before and even after the Battle of Manzikert. This study examines the continuity and changes made in the names given to the Black Sea, the reasons behind it, and the continuation of the two folk and formal names given to it.

 The extant s tudy aimed to analyze the acous tic comfort situation in contemporary apartments based on urban spaces in Tabriz, Iran. This s tudy was conducted using a quantitative method within the field survey at two levels of the ques tionnaire (perceptual situation) and field measurements (acous tical condition). The researcher-made ques tionnaire was used to collect data in the firs t s tep. Architecture experts approved the validity of the ques tionnaire; its reliability was examined using Cronbach's alpha (0.926). All experiments associated with airborne noise field measurements (background sound and sound pressure level) were done using 2260Inves tigator. Firs t, background noise was measured in two open and closed windows inside the considered residential units. In the next s tep, sound pressure level (SPL) Figures were plotted using level rate and sound s tandard in different plan spaces. Ultimately, the authors assessed noise criteria and their difference with sound levels. The results indicated the undeniable effect of traffic, among other variables of acous tic comfort, on dissatisfaction caused by noise in urban areas of Tabriz. This effect was not only definite but also so significant that there was no change in patterns emerging in noise level, even based on the SPL measurements.

The s tudy methodology is a mixed research method that is contextual and semantic in terms of the data's nature; in terms of the logic of thinking, the s tudy method is deductive, and in terms of the analysis levels, it is analytical-interpretive. The selected s trategy of this research is grounded theory, with the preliminary analyses (qualitative research method) being conducted based on S trauss and Corbin's sys tematic coding using MaxQDA software. Then, in the second s tage, the importance coefficients of the topics extracted from semi-s tructured interviews were analyzed using the analytic hierarchy process (AHP) using Expert Choice Software. The research findings indicate that mos t of the respondents find "recognition and creation of emotional bond through the use of the pas t generations'' memories" and "the neighborhood's his torical form and shape" as two selectable solutions and, of course, in the authors'' minds, considering the population growth and increase in the demands for new houses in the intended texture and, consequently, increase in the number of cons tructions and the change in the city's countenance, these solutions seem to be somewhat illogical. "The necessity for amending the urban and regional criteria and regulations," and also, "enhancing the awareness of the designers and the area's addressees," and, subsequently, "reducing the influence of the designers'' tas tes" are the other factors that seem to be more widely applicable for they can prevent the emergence of visual abnormalities on the façades to a large extent.

Due to universal importance of Tabriz carpet art and presence of specific indicators and motifs in Tabriz carpet art and its potentials, existence of architectural site for representing this art as carpet art museum in Tabriz is necessary. The site of this project is located adjacent to Tabriz Blue Mosque near the museum historical site. It is essential to consider the historical elements and components of the mentioned district identity in historical sites. This research aims at presenting architectural design of a valuable work of Tabriz carpet art museum besides considering criteria of the historical site adjacent to the Tabriz Blue Mosque. In designing Tabriz carpet art museum, the site potentials, concurrent employment of cultural and historical fabric concepts, adjacency of the Blue Mosque and being in direction of historical bazaar and Silk Road have been considered and used as the key pivots in design. This research is a case study based on observation and using architectural tools. Design limitations have been considered in the architecture of the museum near historical fabrics. The design components consist of Tabriz Bazaar cultural-historical architecture elements, utilization of the spatial connection, semantic continuation, respect to the site, preservation of old historical memory in modern approach. The results of this research can lead to successful architecture design adjacent to historical sites.