درخت حوزه‌های تخصصی

With the arrival of Christian Armenians in Isfahan during the reign of Shah Abbas Safavid, churches were built in this city, like the mosques of this period. The structure and decorations of the church building captured the audience's attention. The Armenian churches of Isfahan have large domes with motifs and visual elements. By analyzing them, common signs and symbols can be identified. The primary concern of this research is whether the architectural and visual motifs of the Armenian churches in Isfahan share a common language and convey a unified goal, rooted in the principles of Christian belief. And what are the most important components of their common language, and why were these components used? The need for research is to examine the dimensions of the common language in terms of analyzing the symbols and visual signs in these domes based on the principles of Christianity.The purpose of this research is to examine and identify the common language, the direction of the perceptions, and the kinship of the worshipers. And how to reach this common language requires semiotic analysis. Therefore, the research uses a descriptive-analytical method, and the data collection tool is a library method. And it is discussed based on the semiotic theory of Charles Sanders Peirce. The findings show that the churches have circular domes with skylights. The outer covering of the domes lacks decorative motifs. The visual motifs are engraved on the inside of the building and under the domes. And they all follow the same structure. And they have Christian concepts that form a common language. Including: God, eternity, resurrection, and salvation. The components that have formed the structure and visual motifs of the domes of the Armenian churches of Isfahan have a direct connection with the Holy Bible and faith in God (God the Father)and Jesus Christ (the Son). And they play an important role in the perceptions and identification of the audience.

This study examines the so-called “scribe pattern” markers identified in 62 late Proto-Elamite administrative documents housed in the Louvre Museum and the National Museum of Iran. Recent research indicates that Proto-Elamite administrative systems underwent significant developments in the methods used to authenticate and individualize documents. Archaeological evidence suggests that, in the early phases, animal and symbolic motifs predominated in seal designs; however, with the advancement of writing, these were gradually replaced by simpler linear signs. Notably, the emergence of new types of seals inspired by these linear signs characterizes the later stages of this period. These changes reflect a complex phase of interaction between ancient traditions and administrative innovations. It appears that Proto-Elamite society was actively experimenting and seeking optimal solutions for recording and verifying information. Despite recent advances in scholarship, major challenges remain in fully understanding this system, especially regarding the precise status of these markers within the administrative hierarchy. This research not only opens a new window onto the study of early administrative systems but can also inspire comparative studies of the evolution of writing in ancient civilizations. The discovery and analysis of additional examples in the future will undoubtedly clarify many of the current uncertainties.

Jewelry has been prevalent in human societies since ancient times. By studying these artifacts and analyzing the decorative styles and techniques employed in their creation, researchers can gain insights into the identities of the people who produced them. Archaeological excavations in Jubon cemetery in Gilan province have uncovered numerous Gurkani graves dating from the first millennium BC to the Sassanid period. Some of these graves were found gold earrings, now kept in the National Museum of Iran. This research aims to classify earrings found in the Juban cemetery and compare them with those from the North Caucasus to identify their manufacturing techniques and production workshops. The study employs a descriptive-analytical method with a comparative approach. The findings indicate that the earrings from the Jubon cemetery can be classified into two typological categories: The first type is gold earrings without precious stones and the second is gold earrings adorned with garnet decorations. The identified manufacturing techniques include relief, casting, hammering, inlaying, and wiring, which were prevalent among Greek and Scythian artisans during the Parthian period. The methods used in making Jubon earrings show similarities to earrings from the North Caucasus, but significant differences in the decoration of gold indicate local production.

The land of India has been the cradle of different religions and beliefs since the distant past, the religion of Islam opened its way to the land of India shortly after reaching Iraq and Iran. But due to the special conditions of India, it entered this land in different ways and the process of Islamization lasted for several centuries. The purpose of this article is to study and investigate the reasons for the diversity of species and forms of Islam's entry into India. In accordance with such a goal, the present article tries to answer the question why Islam entered India in various forms such as the Islam of conquerors, the Islam of merchants, Sufi Islam, etc. The findings of the research show that the vastness of the land, the ancient civilization of India, the diverse and numerous religious structure, and a spirit of tolerance towards other religions and ideas were among the factors that facilitated the entry of Islam into this land in various forms. And it established a special type of Islamization for this land, which is rare in other places where Islam entered. The research method in this article is based on the descriptive-analytical method and collecting information in that library method.