درخت حوزه‌های تخصصی

This paper evaluates and ranks the temporal dimensions, known as fourth dimension of urban design, of a number of places in a city by TOPSIS method. TOPSIS method is technique for order preference by similarity to ideal solution. TOPSIS is one of the renowned methods for classical multi-criteria decision-making (MCDM) problems that defines the positive ideal solution and negative ideal solution to maximize the benefit criteria and minimize the cost criteria. The best solution is a point that has the shortest distance from the positive ideal solution and the farthest distance from the negative ideal solution. Because of the vagueness of the input data, triangular fuzzy numbers are applied. In addition, Euclidian distance and a new positive and negative ideal solution are used in this paper. This technique is implemented in Marand, Iran to evaluate fifteen important places based on eight criteria of temporal dimensions. Closeness coefficient values verify the ranking order of fifteen important places, which is a vital decision for the urban managers.

Islam spread rapidly after its founding, encompassing much of North Africa, the Middle East, and Southeast Asia. The art of this vast region draws its distinctive character both from Islam itself and from the diverse cultural traditions of the world’s Muslims. Because Islam discouraged the use of figurative images, particularly in religious contexts- unlike Christian art- Islamic artists developed a rich vocabulary of aniconic, or nonfigural, ornament that is a hallmark of Islamic work. This vocabulary includes complex geometric patterns and the scrolling vines known outside the Islamic world as arabesques. Figural representation, to the extent it was permitted which varied from time to time and place to place, first developed most prominently in regions with strong pre-Islamic figural traditions, such as those that had been under the control of the Roman and Byzantine empires. Stylized forms for representing aنیماls and plants developed in the regions that had been under the control of the Sassanian dynasty of Persia (modern Iran), the heirs of the artistic traditions of the ancient Near East, who ruled from 226 to 641. Because the Arabian birthplace of Islam had little art, these Persian and Roman Byzantine influences shaped Islamic art in its formative centuries. The elements of early early Islamic architecture were formed to respond effectively to people’s physical, environmental, social, physiological and religious requirements at their time. The research demonstrates that architects used to copy-paste various elements of the Islamic historical buildings in their design work without understanding the meanings and values that it holds. Such approach would only transfer the element’s form though strips it from its historical context and values. The paper argues that architect should comprehend not only the hidden values of the historical elements only but also how values interacted and are integrated into these elements. By doing so, the architect would be able to correctly perceive and read these elements thus incorporate it successfully in his/ her design. This article gives perspective of early Islamic architecture and structural configurations of the related era.

This research paper lays stress on philosophies of human desire. All the human being has some psychical need in addition to physical needs. And to satisfy the psychical needs, there is a need for stimulants, more in case of exclusive pedestrian precincts. Having exclusively Pedestrian precincts/Cores in city design draws its inspiration from the fact that public zones, accessible to majority of citizens, represent zones where anything and everything, that characterizes a town, happens. They, consequently, must allow for the most varied form of behaviour from that of a child to that of old people to that of physically challenged. As a result such zones need to have Design Elements to serve their varied behavioral patterns. Designing Pedestrian precincts are different essentially because of time dimension where a longer time lag is required to experience the pedestrian friendliness of pedestrian precincts. Such external stimulants can be a moderate degree of complexity, novelty, surprise, and uncertainty attained by incorporating appropriate pedestrian friendly design elements in pedestrian layouts such as richness of architecture, landscape elements, water bodies, to sit and stroll through, and commuters’ infrastructure.In this article/paper a detailed study of abovementioned Design element, external stimulants and pedestrian friendly design elements in pedestrian layouts will be discussed in detail.