درخت حوزه‌های تخصصی

Purpose: Haematological, hormonal, biochemical and physical performance parameters were altered after long-term soccer training in professional soccer players. These alterations can be influenced by different contextual factors such as playing surface, training load, duration of training and competition. The purpose of this study was to investigate the changes in the haematological, inflammatory, antioxidant and physical performance of beach soccer players during the competitive season of the beach soccer. Method: The study examined 15 elite beach soccer players in Iranian beach soccer primer league (age 24.64 ± 4.01 y, weight 75.08 ± 8.15 kg, height 181.00 ± 5.17 cm, body mass index 22.76 ± 2.36) from the pre-season, mid-season and end-season. Measurements of haematological, inflammatory, antioxidants indices and aerobic / anaerobic power were repeated in the pre-season, mid-season and end-season. Repeated-measures analysis of variance was used to examine indicators change during league season. Results: Significant decrease in SOD (p = 0.001), TAC (p = 0.043) and anaerobic power (p ≤ 0.048) and significant increase in GPx (p = 0.001), ALT (p = 0.022) was observed from pre-season to the end of the season. LDH levels showed a significant increase in the mid-season compared to the pre-season (p = 0.042) and a significant decrease at the end of the season compared to the mid-season(p = 0.014). However, no significant changes were observed in other indices during the competition season(p ≥ 0.05). Conclusions: It is suggested that some physical and physiological fatigue markers ar increase during mid-season. Therefore, beach soccer players may be  monitored  continuously during the competition season in order to be able to provide the best training, nutrition and recovery systems for performance optimization. Coaches may use the interplay between biomarker alterations and physical performance changes to better manage workload and monitor fatigue during beach soccer training and competition.

In every language, there is always a consistent relationship between sound and meaning and the way phonemes are used in inducing concepts. In the science of linguistics, there is a field called "phono-semantic" based on the coexistence of the phonetic structure of words and the correspondence between sounds and meanings. And in translation as an inter-linguistic and communicative act, it is very important to pay attention to the form of the source text to convey the meaning. The prayers of Imam Sajjad (AS) in the blessed book of Ṣaḥīfah Sajjādīyah are full of pure concepts for worshipping God and have a pleasant and soulful music that has been translated by translators into different languages. In the supplications of Ṣaḥīfah Sajjādīyah, the details of the phonetic level are difficult to translate due to the special features of listening. Therefore, in addition to conveying the meaning, the translator should also pay attention to the phonetic features of the words. In this literary essay, with the analytical descriptive method, the author has criticized four levels of phono-semantic: alliteration, minimal pairs, word plays and rhythm in three translations by Sayyid ʿAlī Mūsawī Garmārūdī, Ilāhī Qumshiʿī and Abdul Muḥammad Āyatī.  

The aim of the present study is to show how language and narration function in the selected works by Lydia Davis based on Blanchot’s theory. Lydia Davis is an American writer known for her idiosyncratic and extremely short stories often characterized by clear observations of mostly material and daily events. One aspect that Blanchot points out is the spacing among a literary text. This spacing or distance refers to how a literary text resists interpretation and reaching the singular truth by the reader. The more, the reader attempts to understand the text, the further the meaning slips. As a result, a relation between the text and the reader is created. The present essay shows how Davis experiences death or becoming through her writings. The author shows her sacrifice and becoming the other in her short stories; in Meat, My Husband, Davis becomes no one and every one at the same time; she becomes the wife, the cook, and the meal but she is not any of them as well. In Jack in the Country, Davis reflects the field where no transcendental being is detected. Davis’s stories manifest Blanchot’s theory of language and narration in which the author is engaged with dying process, yet ironically neither he dies nor she is reborn. The aim of the present research is to show how Davis experiences the dying process and becoming the other.