درخت حوزه‌های تخصصی

Islam is an integral way of life which considers beauty to be a divine quality. In fact, Islam is the religion of beauty and perfection. Islamic architecture refers to any architecture in Islamic culture or in Islamic context. Islamic architecture exhibits the sacred order of Islam and its distinctive feature is religious aspect. Yet, Islamic architecture is not completely varied from all other architectural styles; even, it borrows from some of them such as Persian architecture. The aim of this study is investigating the importance of beauty and aesthetics in Islamic architecture. Results show that Islam does not consider art and beauty as a luxury. It considers beauty to be a divine quality. Unity is one of main aesthetically concepts which has merged in Islamic architecture; It was called as a base for life cycle and was reflected on art and architecture to such an extent that we can count it as the language of Islamic architecture. Based on this language, Paradise is a perfect epitome in all respects of aesthetics.

Urban spaces refer to the man-made spaces which possess a special order for human behavior and activities. One of these spaces is the surrounding space of public transportation stations. The subway stations, although potentially encompass many different groups of people; few social interactions take place in these spaces. In this regard, by making the surrounding areas of the subway stations be pedestrian-oriented, the potential for increasing the socialization capacity of the mentioned spaces will be provided.The Sadeghieh Subway Station can be considered as the most important subway station in Tehran, which on the one hand is the rail port of Tehran’s western entrance, and on the other is the port for railway journeys inside the city. The main concern of this study is to assess the success or failure of the interventions made by the municipality for changing the surrounding area of the Sadeghieh Subway Station into a pedestrian-oriented space. The method used in this study is surveying, in which the data were collected using a questionnaire and interview. The study’s population is all people who use Sadeghieh Subway, and the sample size for the study were considered 140 subjects.The results shows that after the municipality’s actions to change the space into a pedestrian-oriented space the district have a progressive process in such cases as transportation, security, Pedestrian infrastructure, vitality and attractivity rate to remain in the space, the amount of traffic crossing the sidewalk, walking group, the lighting, the vendors, the cleaning, pavement structure and climatic elements. but in such cases as mix use, recreational activity, readability and design furniture no significant change was seen, and in some cases the results were counterproductive.

With the arrival of cultural factors and design patterns of other countries, Especially in western countries, culture and the identity of the Iranian community, there has also been a change; Therefore, today the discussion about identity and cultural factors has been considered in various scientific branches. Since one of the methods of studying the identity of a society is the attention to the elements of space organization and its relation with the culture of society, In order to identify the identity of the traditional Iranian society, the study of cultural identity elements and design patterns in traditional Iranian architecture seems to be a good way. This article is sought after to identifying components in the traditional architecture of Iranian houses and examine the appearance of identity elements in the traditional architecture elements of houses in Iran. The combined research methodology includes descriptive, analytical methods of case study type. In this way, the subject of research has been studied using field observations and library studies. At the beginning, a definition of identity and Identity creation was given in architecture, and then a sample of these traditional houses called Sheikh-al-Islam house was studied. And the result of this study shows that in the design of traditional Iranian houses, the architect is familiar with the identity elements, for example, national and religious values ​​and so on.