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Properly inves tigating the potential of nature in the formation of architectural concepts needs a theoretical framework in which its analytical components can explain the methods of utilization of nature. Although some attempts have been made in this regard, considering the missing elements, there is s till a significant gap in the literature and a s tudy for introducing a more comprehensive theoretical framework has yet to be conducted. The aim of this s tudy is, therefore, firs tly, to present a theoretical framework that can explain the role of nature in the creation of architectural concepts by its detailed factors and, secondly, to apply this framework for inves tigating nature-inspired works of Toyo Ito. Accordingly, this documentary paper is based on a theoretical approach supported mainly by the outcomes of a literature review and case s tudy analysis, which utilizes the descriptive-analytical method. For the case s tudy part, projects were selected from various scales and functions to ensure proper evaluation. Both qualitative and quantitative tactics have been used in data analysis. Findings demons trated that the highes t rate in regards to the itemized factors of the Theoretical Framework of the s tudy relates to ‘Integration of natural elements in spatial articulation’ and the lowes t rate corresponds to ‘Usage of material in their raw and brutal s tate’. Moreover, though the highes t level of utilization of nature among the cases, is related to ‘Grin Grin’, a large-scale project, yet considering all the frequencies, it can be argued that the larger scale does not necessarily imply the higher frequency.

SUBJECT AND OBJECTIVES : Although Jalaluddin Rumi and William Blake hail from different literary and cultural contexts, their poems bear interesting affinities. However, these affinities have not been fully addressed by scholars. This paper will examine the role of reason in the poetry of Rumi and Blake with regard to human endeavor towards pure life which is union with God. In other words, the researchers attempt to find out how it is possible to gain an in-depth understanding of the theme of reason in the poetry of Rumi and Blake through analyzing and interpreting their poems. In addition, the study tries to see what the similarities and differences between the poetry of Rumi and Blake are in a comparative manner, especially with regard to the theme of reason. METHOD AND FINDING : The selected poems will be from Rumi’s “Masnavi” and Blake’s “Book of Urizen” and “Four Zoas”. To compare both poets’ views on reason, Totosy de Zepetnek’s approach of inclusion will be employed. This comparative study is constructed on the doctrine of perennial philosophy led by Aldous Huxley. The discussion will concentrate on two main aspects namely, partial reason and its function as a barrier to the good and pure life (Hayāt Tayyiba) as a desirable human lifestyle and union with God. The second aspect concerns universal reason and its function as a bridge to union with the Absolute Being. CONCLUSION : Even though Rumi and Blake are originally from diverse geographical, political, social, and religious milieu, they have shared common ideas regarding the concepts of reason. Thus, a comparative study of the two literary giants will pave the way for those who are interested in finding the commonalities of Sufism and Romanticism particularly in the poetry of Rumi and Blake.