درخت حوزه‌های تخصصی

The ability to recognize and compare shapes and understand the concept of proportions is one of the first human findings from environmental geometric data. And certainly the formation of geometry as a science of recognizing the arrangement of lines, shapes and levels and proportions leads to the definition of golden proportions in the mathematical sciences as a new way of organizing shapes and forms. Golden and geometric proportions are effective as a determining element in the scale of spatial forms, and the formation of spatial forms by not using or misuse of geometric proportions is due to functional and psychological interactions on human perception and cognition. Which causes the construction and formation of scales and proportions of the environment and the emergence of psychological effects due to human activities in the environment. And then the abnormal effects and environmental dysfunction on the saccade system of the human eye and as a result the feeling of fear and lack of belonging to the place interacts. On the other hand, nature as the raw material of creation, and the principle and mother of man, which causes him to model the proportions in nature. Understanding the laws governing the relationships between elements and spatial shapes leads to the formation of geometric and golden proportions in the spending of space. Because knowing the symbol of shapes, proportions and scales in the world of meaning and kingdom is reminiscent of the divine order in all dimensions of the world (even in astronomy). Therefore, evaluating the values ​​of spatial proportions in nature as the bedrock of human life and the pattern of psychological perceptions, leads to the adoption of human activities. Also, the study of human needs on a mental and psychological scale from the perception of the environment causes the recognition of scales and dimensions by human visual senses, which leads to the perception of the correct golden and geometric proportions through Sakadi eye movements and psychophysical sciences. . Certain ratios can also be observed in the creation and design of various shapes in nature. These relations are those geometric relations that have immaterial roots and follow the spiritual and supernatural principles, believing that their subject is sacred, and have a symbolic language and spiritual characteristics. In the traditional world, geometry was inseparable from the other four Pythagorean sciences, namely arithmetic, music, and astronomy. And traditional geometry is also associated with the symbolic composition and shapes of space. To this end, the study of the effect of golden and geometric proportions on human visual perception of the architectural environment based on the sense of belonging to the place, causes visual quality to increase the sensory richness of the place and achieve human values ​​and criteria in the sense of belonging to the place and human needs. To be considered by the architect. In this research, with the perspective of this identity and the interaction of geometric and golden proportions and the sense of belonging to the place, the criteria and indicators of the research have been studied and the results have been presented in the form of tables and diagrams.

The final goal of this research is to investigate the design of Qajar women's clothing in different periods. In the first step, the question arises whether the cover can be a language. Then this research seeks an answer to the question of what messages in the form of language mean. Therefore, in the current research, the above issue has been analyzed by a case study of Qajar women's clothing and using a descriptive-analytical qualitative research method. Findings: This study shows that the clothing of Qajar women can be considered a single language of signs. In deciphering this language, concepts such as women's attention to religious foundations, gender inequality, and patriarchal view in society, the value of wearing Iran's old traditions, as well as the desire to move towards westernization and fashionism of Europeans can be inferred. The results of this research show the importance of the role, color, code, sign, symbol, and finally language in the field of women's clothing in the Qajar period.  

In the 1980s, Polish researcher Maria Składankowa promoted in her publications a theory stating that the representatives of the Sistani family described in Ferdowsī's Šāh-nāma were reflections of the rainy and sunny steppe shamans. The four main representatives of this lineage were said to alternately represent these particular shamans beginning with the primordial and rainy shaman personified by Sam and ending with the solar shaman in the form of Sohrab. Another rain shaman according to Składankowa was to be Rostam. This article aims to introduce Składankowa's theory to the international research community and to subject it to verification. The battle between Rostam and White Dīv, which was the seventh trial in Rostam's cycle of seven trials, was used for verification. This is a clash between two national heroes and the circumstances of this battle blur the boundaries between what is commonly understood as good and as evil. Thus, this is an example that perfectly demonstrates Składankowa's theory of rejecting religious notions of good and evil and focusing on the primeval connection between man and nature when it was man's greatest ally and enemy. Neither Rostam nor White Dīv, according to Składankowa's theory, are therefore completely good or completely evil, like any element of nature, which can be a life-giving or destructive force. Identified with good forces, the sun warms the earth and causes vegetation but can also cause drought and the death that follows. Identified with evil forces, rain can cause floods, but without it, vegetation will die. There is no absolute good or absolute evil in nature. Nor is there one in the battling Rostam and White Dīv. Ferdusī's description of this combat in Šāh-nāma clearly goes back to this primeval myth leaving the story universal.

Artificial intelligence (AI) has the potential to revolutionize the field of archaeology by enabling researchers to analyze large amounts of data quickly and accurately. In this article, we have tried to implement some methods and algorithms in image processing on the image of ancient artifacts. We implemented the algorithms on two historical models as examples, one of which is the image of a coin decorated with the image of Farkhan the Great and the other is the coin with the image of Khursheed Daboui to obtain the details of these works from the images on the computer. We used Edge Detection, Hough Transform, imcontour, and Filter Images Using Predefined Filters algorithms in MATLAB software, each of these algorithms is used for specific purposes in image processing. By using digital image analysis techniques, researchers can gain a deeper understanding of the objects and sites they are studying and can make new and important discoveries about the history and culture of ancient civilizations.

Dakkato al-Qadaa is a place in the Kufa mosque where, according to historical narration, Hazrat Ali (pbuh) used to judge and many of his judgments were narrated in this place. The study of this place is important in terms of the role that mosques have played in various aspects of the spiritual and material life of Muslims. This place can be researched in several ways: the historical reference of the place; the ancient aspect of the remaining signs; Jurisprudential rulings related to judgment in the mosque. According to the studies that were carried out, such a place definitely existed in the history of Islam, and even now there are signs of it in the mosque of Kufa, which is honored and celebrated by the Shiites of the Prophet, which is one of the characteristics of The richness of Islamic civilization is in terms of judicial functions. The knowledge of this specific place depends on the knowledge of the mosque of Kufa on the one hand and the examination of the place of mosques in the Islamic culture and civilization and how proceedings were conducted in the early ages of Islam. This article is organized with a descriptive and analytical method using the remaining written documents and physical works available in the place.

A recent trend in photogrammetry is the use of unmanned aerial vehicles (UAVs) for photogrammetric purposes. A data acquisition sensor is mounted on an unmanned aerial vehicle to collect data during short-range aerial photogrammetry from a low altitude. This system is capable of filling a significant gap left by other conventional methods in the field of map production. The improvement in processes over conventional methods is the basis for this method's effectiveness. A significant portion of valuable data is obtained after the first processing stage as a result of automation in all data production processes. Real orthoimages, 3D models, and a detailed point cloud of the area are all included in this data. Drawing and mapping maps have gotten much easier, more accurate, and quicker thanks to modern software. We are looking for ways to use these kinds of methods in documenting the archaeological heritage in this article by applying this method at the historic site of Susa. The experts and practitioners in this field will benefit from this method, which is a collection of the most effective techniques for geometric measurement, analysis, and interpretations related to issues raised in archaeology.