resistance

Political Cinema is defined as a "political event", a "biography", or "process". Such a definition is, however, not inclusive enough to cover the films which focus on the normative aspects of politics without necessarily narrating a special political issue. By reviewing Abbas Kiarostami’s films, this article attempts to revise the definition of political cinema and propose the notion of normative political cinema .

Since the establishment of the Islamic Republic of Iran, there have been three packages used in the state-controlled schools of the country, namely, Graded, Right Path to English, and Prospect/Vision series. These textbooks all include prefaces to indicate the general philosophy of language teaching and education, and how the agents (learners and teachers) have to play roles in the system. This article aims to have a postcolonial reading of the Islamic post-revolutionary English language textbooks published in Iran. To this aim, the prefaces are critically content-analyzed and explained taking into consideration the key concepts of postcolonialism. After developing the table of themes in relation to postcolonial issues, the findings indicate that the resistance prevalent in the prefaces is particularly hybrid, anxious, and unstable of the Iranian type due to the socio-politico-cultural background of the country. This resistance, thus, is a tragic attempt for developing a firm background for developing language learners'' knowledge.

In the article written based on the leader discourse, the anti-arrogance conversation of the leader investigates in three pivots of arrogance, arrogance, and anti-arrogance, and its programs are clarified. This study is to search the vocabularies related to overconfidence in the sayings of the leader of the revolution. The results derived from the article shows that the anti-arrogance discourse in his sayings based on clarifying the grounds of arrogance, presenting the features of the arrogant elements and their felonies, countering the presumption, inviting people to support the Islamic movement, strengthening the spirituality, delineating the goals, showing resistance and preventing disunity. This article proves documentarily and methodically the assumption that the leader of the revolution is against arrogance. Running research on the keywords of the anti-arrogance discourse such as arrogance, arrogance, and anti-arrogance in the sayings of the leader of the revolution shows recognizing the situations and his realistic view, which leads to active and aware resistance against the enemy.

Some of Donald Barthelme’s works have been undeniably influenced by Michel Foucault’s socio-political philosophy, however, few scholars have explored such concepts in his works, especially the theme of “panopticism.” The purpose of this article, which is library based, is to analyze and scrutinize the panoptic society of Barthelme’s “Subpoena” in the light of Foucauldian “panopticism” which is a segment of his more general concept of power. Keeping the Benthamite “Panopticon” in the back of his mind, Foucault outlines the “new physics of power” represented by “panopticism” as a modern or disciplinary power; he, then, draws our attention to its most important feature, i.e., the penetration into the most trivial and personal affairs of social subjects. It is worth mentioning that the basic characteristics of disciplinary power such as omnipresence, omniscience, and omnipotence can be discovered in panoptic society of “Subpoena.” In this society, there is always the possibility of resistance and rebellion because wherever power is found, resistance emerges as well, though, eventually, power prevails upon individuals. Barthelme creatively portrays a post-modern society in which disciplinary power, with its meticulous and permanent surveillance, on the one hand, has transformed the subjects into the men of modern humanism, and, on the other hand, has changed the traditional society into a panoptic one. Barthelme successfully finalizes the story with the message that modern society intends to make obedient and useful machines out of the subjects.

This article aims to analyze Patrick McCabe’s The Butcher Boy (1993) in light of Mikhail Bakhtin’s theory of dialogism. The present study explores the significance of dialogism in the given novel which tells the story of a marginalized young boy living in neo-colonized Ireland in the 1960s. Bakhtin believes that the development of signification between the “self” and the “other” is called dialogue through which human beings define their existence as individuals in polyphonic societies. The protagonist of The Butcher Boy is a non-conformist, unwilling to follow social rules. He creates his very own way of dialogism with his surroundings and ends up in a mental hospital and finally a prison, showing the author’s approval of Bakhtin’s viewpoint towards the importance of dialogue in shaping human beings’ consciousness and existence in the world. Moreover, this article attempts to clarify the resistance of the main character before his society’s hierarchical structure that makes him a perfect example of a marginalized hero disobeying rules and regulations imposed by the authorities to gain an independent resolution.

Resistance is a concept that has been raised at different times and considered by many analysts from different angles. Islamic Republic of Iran’s resistance Policy Making is a method for foreign Policy analysis. Iran’s Foreign Policy is based on Policy Making. The Indexes of Islamic Republic of Iran’s resistance Policy Making in Foreign Policy is Cooperative method and interactive process with regional and international actors in environment crisis. Iran’s foreign policy is related and accordance with Identity and Revolution a thought on international relations.This article uses the descriptive method of analyzing and using library resources and information to answer the main questions of the article. What is Iran's strategic policy towards the American regional clients and what is the role of resistance in this process?The results show, the content and orientation of resistance policy making is based on regional competitive approach. Each kind of resistance Policy based on environmental competitive controls structural, identity, cultural and ideological differences and changes Islamic Republic of Iran’s resistance policy making have be seen in different issues especially resistance diplomacy and environmental security making in competitive regional policy.

The present study intends to investigate the contours of gender performativity in Azar Nafisi’s Reading Lolita in Tehran (2003), which depicts Nafisi’s life experiences in Iran in the 1970s and the 1980s. Drawing upon Judith Butler’s conceptualization of gender performativity, this research probes into the notion of gender roles and gendered subjectivity during the period Nafisi’s narrative covers. The central questions of this research are: 1. How do the contemporary codes of normativity define gender performativity in Nafisi’s Reading Lolita in Tehran? 2. How do the major characters of Nafisi’s memoir react to their gender roles, and to what effect? To answer the stated questions, this study adopts Judith Butler’s theory of gender performativity, which pivots around her view of gender as a social construct. The study reveals that the regulative social structure defines certain gender-oriented roles for both sexes and monitors their implementation. It also shows that the contemporary political system, with its regulative and punitive laws and homogenizing strategies, normalizes and bolsters male domination, and propagates stereotypical gender roles. The characters’ resistance, however, usually ends in the consolidation and absorption of a new set of gender clichés, which is mostly Westernized; put differently, the rejection of certain gender-based performances generally leads to the performance of another set of gender roles.  

In the present paper, Murad’s memoir, The Last Girl, is scrutinized through the lens of Resistance Literature theories. First introduced by Kanafani (1966) and adapted by scholars such as Harlow (1987) and Sangari (1389 [2010 A. D.]), Resistance Literature has come to constitute pieces of writing that are written during or after a conflict by people experiencing life under the oppressive power. For Harlow and Sangari, what is of utmost importance is the accounts of war experience pictured by civilians from all walks of life. With the Syrian war with the ISIS escalating in 2011 and its consequent overflow into Iraq, the extremist terrorists brought the war to the doorsteps of ordinary people, massacring men and leaving women to deal with the aftermath. The Last Girl is Nadia Murad’s retelling of life under the ISIS as a Yazidi-Iraqi woman. At first glance, Murad pictures a sad, yet vivid image of the Yazidi genocide by the ISIS. However, in a deeper analysis of the text, one finds how being ripped apart from family, utterly displaced, terrorized and raped can also shape a rather stronger, resistant person. By applying Harlow and Sangari’s theories of Resistance to Murad’s memoir, what is manifested is the way in which being appointed to various kinds of terror in war-time can create a more resistant self in someone.

This article covers the emergence of resistance economy in the Islamic Republic of Iran within the context of international sanctions, arguing that this policy ought to be understood beyond the historical context in which it emerged. The article captures the historical, political, and economic context in which the first comprehensive economic discourse of the post-revolutionary establishment emerges, and seeks to account for its scope, concerns, and objectives. Rather than another word for protectionism, import-substitution industrialisation, economic diversification of a rentier state or a mere response to sanctions, resistance economy as espoused by Ayatollah Khamenei, is a comprehensive economic policy discourse affecting all levels of state and society in the Islamic Republic of Iran. Rather than mitigating the impact of sanctions, resistance economy is an economic discourse that seeks to realise the revolutionary objective of economic independence, whilst transforming the economy of the Islamic Republic from a source of weakness to a source of strength in its pursuit of a new, more equitable international order.