Qajar

The historic houses of the Qajar era are among the remarkable works of this period, which, due to their close connection with the everyday life of the people, are indicative of the special characteristics of their time. These houses are not only important in terms of plans and architectural spaces, but also unique in terms of decorations and arrays and cultural values. Thus, this paper is aimed at understanding the residential architecture and its design patterns in Qajar houses in Isfahan. The research methodology is analytical and descriptive and has been done with library and field method. Special attention has been paid to the design and spatial designing patterns and by analyzing, analyzing and comparing them, the further categorization of cultural factors and design patterns in Vasigh's home has been provided. Actually, As  space organization is considered an integral part of traditional Iranian architecture, In a way, it shows the application of spaces, Also, they represent the dominant thinking of their age. Due to the necessity of his time, the Qajar art faced Western elements and reacted itself selfishly. The result of this response to the design of the architecture is that in many cases the imported elements have been able to combine with the traditional elements. At home, we also encountered spatial patterns that clearly illustrate this issue. At home, we also encountered spatial patterns that clearly illustrate this issue. But in general, artists of this era have been able to achieve unity in the design of the architectural design of this house, despite the combination of elements of different cultures.

Traditional Iranian houses, especially Esfahan, have very special cultural patterns, such as privacy entrance but contemporary houses in Isfahan, because of changes in the methods of designing and building houses, importance of entrance reduced to such level that now in contemporary houses entrance is just a door. Entrance correlates indoor safe space of house and outdoors. It`s importance lays in controlling entry, exit, territory and hierarchy. Since house owners were satisfied with traditional form of entrance, it is a good idea to learn from them in designing new entrances. The purpose of this research is to find a way for designing appropriate entrances for Isfahan contemporary houses.  Isfahan city is from margin of desert and the origin of traditional houses. Analysis showed that blockage of visual and phonic relation, creating a space between outdoor public space and indoor private space, creating access patterns to internal spaces and traits that separate in and out were the most significant properties of traditional entrances. All these traits are ignored in contemporary entrances. Suggestions made for design include creating public meeting space in yard and creating a separate entrance space for each house in apartments.

-The term “Ta’ziyeh” refers to an Iranian dramatic genre which might be compared to the Western Passion Play and is the only indigenous drama of the entire Islamic world. This ritual drama has both an Islamic and a Persian heritage, the central theme of which is the tragic and heroic martyrdom of Imam Husayn, the grandson of the Prophet Mohammed and the third Imam of Shi’ite in the desert of Karbala in 680 A.D. Shiites believe that Imam Husayn sacrificed his life to be their Intercessor on the Day of Judgment. The history of Ta’ziyeh did not begin with the events at Karbala rather it dates back to pre-Islamic culture as well as the dramatic expressions of both the Memorial of Zarer, a religious epic from the Sassanid era, (226-652 A.D.), and the Tragedy of Siyavush, a work from ancient Iran, which precedes the Ta’ziyeh play by 1,200 years. The tradition continued from an early processional form to the Magtal-Khani (a recital of martyrdom stories), until it took a dramatic shape. Further, both the playwrights and the structure of the Takiyeh performance building, its performance site, contributed to the evolution of Ta’ziyeh. In this paper, the emphasis is to demonstrate the character of Ta’ziyeh, its foundation and, the development of its various elements. It also attempts to reveal, from an objective stance, its value to a people who embrace it as a kind of ritual, both a holy and national art form. Ta’ziyeh is a kind of ritual drama which has fascinated some of the world’s most famous theatre historians, critics, and performers, who view in it some elements of the postmodern theatre.

Public bathes have much importance in Islamic cities, after the most significant structures like mosques and schools. There are a number of factors affecting the construction of bathes among which temperature regulation, humidity, access path, location in the urban texture, watercourses, and construction of exit paths are the most important. This study tries to make a comparative analysis of the architectures of bathes during Safavid and Qajar in order to reveal factors affecting their construction as well as the types of architecture implemented. Consequently, 13 public bathes were recognized and examined. The data elicited was then subjected to SPSS for further statistical investigation. Nonparametric Spearman correlation test was utilized to know the relationship among the variables and the factors affecting the architectures. The findings reveal a number of factors to be in statistically high correlation.

Iran in the 19th century was different in foreign policy perspective. The catastrophic failures in Russo-Persian wars, the partition of Caucuses form Iran and the Tsars’ plans for accessing southern seas of Iran, British rule over India and Southern Indian Ocean waterways, all revived the importance of Iran as a buffer country in the Eastern policy of London politicians; events which transformed Iran into a center for Russian-British Bipolar Paradigm rivalry. The Iranian politicians acknowledging the dangers of such dual external rule were seeking a third power to decrease the pressure of their Northern-Southern neighbors. Qajar politicians believed that a third power would be a better balancer against Russia and Britain and would be assisting in the protecting national independence and territorial integrity. On the other side, America as a developed country, which set aside civil wars successfully, with the slogan of friendship and trade, was eager to establish political relations with countries like Iran and sign amity and trade agreements. This was the circumstances in which diplomatic relations between Iran and the US was established in the 19th century (AD).

Constructing houses in the form of garden-house became popular among Statesmen and the privileged class in Naseri period. Iranian traditional houses which used to be formed around a central courtyard, now were organized around a garden. So the transition from houses with courtyard to garden-houses created a new order of relationships between spaces, resulted in redefining spaces and their forms. The framework structure of the spaces along with their life culture have been investigated in the present research paper since without considering the inhabitants’ behavioral and cultural characteristics the framework patterns shaping the space cannot lead to identifying architectural features. So, the qualitative research method was used to study four aristocratic houses in Tehran within an analytical-interpretative approach. The results indicate a change in space organization. There are sustainability concepts in designing spaces in a house which are attained differently in the garden and sometimes redefined because of the changing needs. At the end, the roles of garden and yard are compared with each other in creating diversity and spatial regularity, defining the privacy and territory, perspective, access, entrance and function.

Historically, formalities and diplomatic protocols, as one of the pillars of successful international diplomacy, have played a crucial role in shaping the political currents of the time. This study examines and studies the role and effect of British-Russian rivalries regarding the inefficiency of the Iranian formality system, as well as analyzing the function of these formalities in the relations of this power triangle during the Qajar era, and by means of a historical method and a descriptive-analytical view which is based on documents, travelogues and historical resources of the Qajar era, it seeks to answer the questions of to what extent diplomatic rituals and ceremonies have been effective in the rivalry and emulation of Russian and British governments in Iran? What were the factors that led to the structural weakness of Iran's formalities and its becoming a buffer state in the great game between Russia and Britain? What role did the performance of the Russian and British ambassadors play in Iran's formality relations? It seems that factors such as imitation and competition of the British and Russian ambassadors for Formalities respect caused the role of Formalities in Iran's relations with the Russian and British governments to be not positive and effective. Meanwhile, the performance of the Russian and British ambassadors, the establishment of Formality agreements and the negligence of the Iranian government were not ineffective in shaping formality actions and reactions between the governments

Cities are prominent signs of civilization in every nation. The signs, old symbol of ideas, customs, relationships and interactions of people have played a role in the formation of cities and intertwined a set of environmental, geographic, climatic, traditional and religion combination. Historic cities in Iran are the most valuable cultural heritage that expresses the dynamism, vitality and symbol of urban life. Iconic  architecture  promotes the  identification  of  a  place,  city  or  area.  Structural, functional  and  artistic  aspects  of  architecture,  particularly  those  that  represent  unique features, attract tourists. Architectural and urbanity of ancient Iran have always attracted tourists throughout the world. These features include principles that have been manifested in the heart of the tradition. In recent decades, due to unbalanced expansion of cities and discontinuity of spatial organization, and arrival of new technologies, globalization and the space density, traditional city is far from its truth and it has created challenges for traditional urbanism and modern urbanism. Therefore, the main content of this paper includes and analyzes the commercial buildings in Tabriz bazaar and Khan Bazaar in Yazd and their effects on tourism and tourist attraction. Moreover, it represents the similarities and differences between these two places in Qajar era. Such a study appears to be essential as there is a lack of enough research in this ground. For this reason five commercial buildings in Tabriz and four others in Yazd were selected. Then an example of Tabriz and a similar sample were selected from the Yazd Bazar and similarities, differences in the tables were compared. Moreover, the mentioned places were considered from their touristy architecture perspective and their potentiality for attracting tourists The results showed that commercial building in Tabriz and Yazd did not have similar Plans. The studied places in Tabriz  have got more centralized plans and are octagonal, but in In Yazd bazaar the plans are more rectangular or roughly square. . The other difference is related to length and width proportion and there are such proportions like ( 3 to 1) and (3 to 2) and (3 to 5) for Tabriz commercial buildings and (1 to 1) and (4 to 1)  for Yazd commercial buildings. Also in aspect of their similarities, it is the ceiling structure in both vaults with brick façade. In terms of proportion, the filled  and empty spaces proportion is the same for both and they are (2 to 1), (3 to 2) and (5 to 2). From touristy architecture, the results showed that both Tabriz and Yazd enjoy various touristy architectures and have significant potentials for tourist attraction.

Education in the Qajar era had been considered in Iran, especially in Tabriz. Most kind people tried to help scientific development and performed many educational and cultural efforts. The establishment of printing, translation skills, publishing the newspapers, and new schools were the first efforts that had been made in Tabriz. Education was in maktab forms until Nasereldin Shah and had many limitations, but there were more than 100 maktabs in Tabriz; most of the people were poor, the number of pupils was a few, and the lessons were religious. The classes in maktabs were held in houses and mosques. Every maktab had characteristics. The methods of teaching were not equal. The teachers in maktabs had some notable qualifications. The maktabs in that period had many problems. The curriculum in maktabs involved Quranic instructions, Arabic grammar and some religious passages. In that period, some new schools were established by Iranian Muslims, such as Roshdieh, Mozafari, Loghmanieh, Mellieh, Kamal and Sanaye Mostazrafe.

The study of the elemental composition of silver coins minted in the Tabriz during the Qajar period can help to investigate the socio-economic situation of that period. In this case study, Proton- Induced X-ray Emission (PIXE) analytical technique has been applied to twenty-eight Qajar silver coins selected from a private collection. the purpose was to study and investigate the changes in silver elements in Qirans of Nasser al-Din Shah Qajar in Tabriz mint. The metallic elements Ag, Cu, Fe, Pb, and Au were observed. The results show that the content of Ag the main constituent of the coins varies from 90.07 to 82.88%. this significant variation in the content of the major constituent reveals the economic difficulties encountered by the dynasty. The results, which are shown by using the PIXE technique, brought to light valuable information about the economy of the period under study.