درخت حوزه‌های تخصصی

The Absoluteness Monotheism based on absolute unity is a point of view that Allameh Tabataba'i explains based on verses and traditions. He criticized the previous philosophers' theory of formational unity and the mystics's theory of personal unity of Being and established a point of view that had an impact on his entire intellectual and philosophical system. He admits that with this point of view, even discussions of predestination and free will are dismissed and irrelevant. Therefore, the problem of predestination and free will must be solved in another way. In this research, we aim to first express the view of The Absoluteness monotheism according to Allameh. Secondly, the ratio of discretion to The Absoluteness monotheism should be checked, It will become clear that with this monotheistic view, issues and problems arise differently, and some questions and contradictions are not raised in the intellectual framework of this monotheistic view and will be irrelevant; It will be clear that according to monotheism, there is only one absolute existence in the universe, and the other entities are conditioned and related to God. A person who accepts monotheism has surrendered himself to God and freed himself from servitude to others, and such a person has the highest level of freedom, because servitude to others is slavery and coercion, and in the shadow of God's servitude, man will achieve full freedom and true happiness.

Nowadays, although our aesthetic ideas are based on modern theories and perspectives that have pervaded the art, the root of western tradition of art dates back to Greek and Roman art tradition. Theory of form in art tries to emphasize the materiality of artistic object, though in later theories, it has been more flexible and proposes issues such as content and function, as well as attributing concepts such as composition, color, technique etc. to the artwork. Plato by proposing mimesis theory and expanding its scope considered a pattern and framework for attitudes and thoughts in static arts such as painting, literature and dynamic performance arts such as drama and music, and managed to regulate and organize them. For Plato, in this process, ēthos functions as a determinant factor.  This present study is an attempt to discuss this question with descriptive-analytical approach: “will artistic form in Plato's theories be important after proposing the representational attitude toward art?” The results demonstrated that Plato's samples of beauty, in addition to descriptions and implications about the features of artistic form in some conversations can be considered equal to artistic form and due to the reflective theory in its revolution process, artistic form development into transcendence ethical form.

The foundation and corner stone ef Mulla Sadra's attitude toiuards man depends on his whole philosophical system of Transcendent PhilosopfD, tuhich is plunged deep!J into his metapysical vieiv efman as a microcosm in whom creation returns to its source and multiplidty to its uniry; The prindples of his stttcfy provide, therefore, the last link in the rycle of his cosmology and a kry for the understanding ef the macrocosm in a ivqy that it stands between all things, and all things have appan'tions and signs uitbin it and in a wqy that the elements are best mixed and all the faculties ef the Soul assembled and potentia!!J it can adopt every attribute and quality in existence. It is in the same spirit that Mui/a Sadra tells us that God has placed everything that is in the Universe in man and he is considered to be Divine vicegerent, epiphatry of divine name, and macrocosm that extends its relevanry toiuard its source, the Divine, on the one hand, and toiuard the immeasurable cosmos, on the other. Also he insists thatpotential!J every man is Universal Man but in actuality on!J the prophets and the saints can be called l?J such a title and can be foll02ved as prototypes ef the spiritual life and guides on the path ef realization. This article intend to represent a fe1.v ef Mtt!la Sadra 's teachings on man as one small example with Knmvledge and nnsdo»: as the highest attributes that caused the superiority of him 'to the others. The soul is a part andparcel ofhim that accompanies him from the highest station to the lowest level of being. Nian cannot know all that is in the Universe ry going around and stucfying because life is too short and the world too large; on!J ry stucfying himse!f can he come to the knoivledge of all things which already exist within him. This article also treats various dimensions of the knowledge of the soul and its role in the knowledge of God and the divine act (macrocosm).