بررسی تطبیقی هنرهای تزیینی داخل کاخ صاحبقرانیه و بناهای روسیه قرن 18 و19میلادی (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
بشر اولیه دیواره های غارها را با توجه به حس زیبایی شناسی خود؛ برای برآوردن نیاز شکار و تأمین غذا نقاشی کرد. به تدریج رنگ آمیزی و تزیینات، جزیی از فضای داخلی خانه شد و البته به محل سکونت پادشاهان نیز وارد شد. تزیینات داخلی کاخ ها با توجه به فرهنگ، هنر و آداب و رسوم هر تمدن متفاوت است. با روابط سیاسی بین کشورها تغییرات بیشتری در فضای داخلی کاخ ها دیده می شود. مولفه های بسیاری مانند ترکیب بندی داخلی، گچبری، نقاشی، آیینه کاری، تزیینات سنگی و چوبی در کاخ صاحبقرانیه وجود دارد که قابل مقایسه با تزیینات داخلی معماری روسیه است. هدف این پژوهش یافتن شباهت ها و تفاوت های هنرهای تزیینی معماری داخلی روسیه با هنرهای تزیینی داخل کاخ صاحبقرانیه تهران است. شیوه تحلیلی، توصیفی با استفاده از جمع آوری اطلاعات و تحقیق میدانی از کاخ صاحبقرانیه؛ انجام شد که با توجه به مدارک و اسناد موجود تاکنون پژوهشی در این زمینه صورت نگرفته و تنها اشاره های کوتاهی به کاخ صاحبقرانیه شده است. هنرهای تزیینی معماری داخلی روسیه تحت تأثیر کشورهای اروپایی قرار داشت. معمار ایرانی با ذوق و سلیقه خود و الهاماتی که از نقاشی و ترکیب بندی کاخ های اروپایی و روسی گرفته بود، صاحبقرانیه را بازسازی کرد. بنابراین تأثیر هنر روسی در کنار هنرهای اروپایی در این کاخ را نمی توان نادیده گرفتThe comparative analysis interior decorative arts of Sahebgharanieh palace & Russian 18 & 19 century building’s*
Abstract: Consideration to aesthetic sensation and to complying need for food, the first human had painted caves walls. Painting and interior decorative designs had become one of important part of home’s, although king’s palaces; step by step. Consideration between arts, cultures and customs; interior decorative designs of palaces are too difference. With politic relationship, these differences have been changed. Different architecture styles that were impression of center Europe baroque, France & Germany had pursuit with Russia in 18 & 19centaury; but yet all of them saved Russian native features in art works. All the time a grate empire wants show off the power of government to people. Palace constructing in Qajar era went on zenith by Nasereddinshah. After Nasereddinshah traveled to Europe for first time, Iran had noticed to these countries arts. Russia was one of countries that Iran kings wanted to have politic relationship. Nasereddinshah in 1881 had expanded Niavaran building and named Sahebgharanieh. There are many components in Sahebgharanieh palace such as interior composition, stucco & painting that are comparative with Russian’s architecture interior art designs and may be able to find unities between them. The goal of this research is finding if Russian’s architecture interior decorative arts had similarities and differences with Tehran’s Sahebgharanieh palace in Qajar era. About composition, there are similarities between Sahebgharanieh & Russian palaces. By impression of Achaemenian architecture, entered to Europe bilateral stairway; yet come in interior design of Qajar palaces. Stucco is one of important similar component in Sahebgharanieh decorative arts; especially Russian halls. Motives like coronet in Sahebgharanieh halls are similar to Russian army motives whole of Kremlin grate hall, especially Alexandrov & George halls. Korsikhaneh is one on rooms in Sahebgharanieh palace that the stuccoes are colored. In Russian decorative arts the stuccos had been colored especially with gold. One of the most important things that had influence on painting in Qajar era was portrait. There are many similarities between portrait in Qajar era and Russia. But there are differences between culture, habits & customs. Didn’t evident any mirror mosaic in Russian interior decorative arts; but we can count stone embossed and stone designs in differences and similarities. The motives of mirror mosaic in Sahebgharanieh palace are similar with stuccos motives. We can remember Sahebgharanieh’s grilled windows with the style of Katrina’s windows palace; there is one different that Sahebgharanieh’s windows had formed of many little color glass. In this research have done the descriptive and analytic methods in use assembling information of books, papers, dissertations, documents and field research of Sahebgharanieh palace; anybody didn’t write like this paper. Researches just have mentioned to Sahebgharanieh palace. We knew that Russian interior architecture decorative arts had impression by European countries. We achieved that the Sahebgharanieh palace had reconstruction by architect taste, virtue and inspiration of painting, composition & decorative arts of European & Russian palaces. So couldn’t disregarded the Russian art influence’s ashore European arts in sahebgharanieh palace.
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