مطالب

The present study investigated the effect of practicing domestic vs. foreign newspaper on Iranian Intermediate EFL Learners’ reading comprehension ability. The main question this study tried to answer was whether or not practicing domestic vs. foreign newspaper has any effect on Iranian Intermediate EFL Learners’ reading comprehension ability. To answer this question, 45 Iranian learners were selected via administering an OPT test with the criteria of at least 1 standard deviation below and above the mean of the Oral Proficiency Test (OPT). Reading section of Reading Practice Test was used as the OPT. It consists of 19 items. It takes approximately 25 minutes to complete the reading test. Learners were studying in three intermediate classes in Simin Institute of Ramsar, Iran. The participants were all female and ranged in age from 17 to 19. They were divided into three groups of 15 (N=15)ː two experimental groups and a control group. A pretest of reading comprehension was administered to the three groups. The first experimental group was treated by teaching reading comprehension plus domestic newspaper; the second experimental group was treated by teaching reading comprehension plus foreign newspaper and the control group was treated by a placebo. Finally; after 10 sessions, a posttest of reading comprehension was administered to three groups. One-Way ANOVA and Paired Sample were used to analyze the obtained data. The results of One-Way ANOVA and Paired Sample indicated that the participants’ practicing domestic vs. foreign newspaper had effect on Iranian Intermediate EFL Learners’ reading comprehension ability.

This paper introduces a set of English grammar symbols that the author has developed to enhance students’ understanding and consequently, application of the English grammar rules. A pretest-posttest control-group design was carried out in which the samples were students in two girls’ senior high schools (N=135, P ≤ 0.05) divided into two groups: the Treatment which received grammar lessons with grammar symbols; and the Control which received grammar lessons without the symbols. The experiment lasted for 30 hours spanned in three months. The statistical test revealed a significant higher gain scores for the Treatment group. Thus, the author strongly recommends using these symbols (or similar ones with the same characteristics) at least for two reasons. Firstly, students do not have to memorize all of them (72 tense symbols and 50 other symbols). That is, with just a few rules to learn, and then applying the existing algorithm, other symbols are easily shaped. Secondly, using these symbols enables teachers and students to have a general idea as to what to expect next because several grammatical rules and formulae can be predicted in advance.

The use of technology has become an important part of the learning process in and out of the class. Every language class usually uses some form of technology. Technology has been used to both help and improve language learning. Technology enables teachers to adapt classroom activities, thus enhancing the language learning process. Technology continues to grow in importance as a tool to help teachers facilitate language learning for their learners. This study focuses on the role of using new technologies in learning English as a second/foreign language. It discussed different attitudes which support English language learners to increase their learning skills through using technologies. In this paper, the researcher defined the term technology and technology integration, explained the use of technology in language classroom, reviewed previous studies on using technologies in improving language learning skills, and stated certain recommendations for the better use of these technologies, which assist learners in improving their learning skills. The literature review indicated that the effective use of new technologies improves learners’ language learning skills.

Islamophobia’s occurrence in any particular country has little do with the presence of Muslim; it is possible to be Islamophobic when there are virtually no Muslim around. This because the lack of Muslims is filled by the surplus of Islamophobic representations. This surplus of representations is now increasingly reliant on the internet. There are many studies reporting on Islamophobia on the internet, classifying the negative representations, the targeted acts of aggressive online behaviour (trolling) against Muslims. These studies are basically taxonomies, and they share this feature with general literature on Islamophobia, which is concerned with reporting instances of Islamophobia empirically with little time spent on its theorisation. Such an understanding of Islamophobia implies that it is simply dismissed as being a matter of prejudice, bias, and closed views. A Critical Muslim Studies understanding of Islamophobia developed initially in the collected volume Thinking Through Islamophobia (2010), and then subsequent publications shift the focus away positivism to decolonial discourse theory. Using decolonial discourse theory, this study will how online Islamophobia is not just a distortion of Islam, or hatred of Muslims but rather it main vectors for denying Muslim political consciousness.

This paper aims to show the status of digital art in Iran and explain how the meaning of an artist has transformed in the digital age. The primary assumption of this paper is that the experience of digital art has again revived the collective experience in creating arts. Although, interactivity is considered to be the most important quality of digital art, their collective, collaborative and progressive qualities should as well be emphasized. These qualities have transformed all aspects of art. The present study focuses on the audience’s part in the foundation of producing art in new media art or digital art. Using Howard Becker’s idea of ‘the sociology of art’ we can show the process of change, that the notion of crowd production of art has undergone and almost reached its exact meaning. The current study is applying a qualitative approach using participation and interview techniques. The research was carried out during the Tehran Annual Digital Arts Exhibition (TADAX). The research data were obtained based on interviews with artists and participators in the four TADAX exhibitions from 2013 to 2016.