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Some of Donald Barthelme’s works have been undeniably influenced by Michel Foucault’s socio-political philosophy, however, few scholars have explored such concepts in his works, especially the theme of “panopticism.” The purpose of this article, which is library based, is to analyze and scrutinize the panoptic society of Barthelme’s “Subpoena” in the light of Foucauldian “panopticism” which is a segment of his more general concept of power. Keeping the Benthamite “Panopticon” in the back of his mind, Foucault outlines the “new physics of power” represented by “panopticism” as a modern or disciplinary power; he, then, draws our attention to its most important feature, i.e., the penetration into the most trivial and personal affairs of social subjects. It is worth mentioning that the basic characteristics of disciplinary power such as omnipresence, omniscience, and omnipotence can be discovered in panoptic society of “Subpoena.” In this society, there is always the possibility of resistance and rebellion because wherever power is found, resistance emerges as well, though, eventually, power prevails upon individuals. Barthelme creatively portrays a post-modern society in which disciplinary power, with its meticulous and permanent surveillance, on the one hand, has transformed the subjects into the men of modern humanism, and, on the other hand, has changed the traditional society into a panoptic one. Barthelme successfully finalizes the story with the message that modern society intends to make obedient and useful machines out of the subjects.

The proximity of philosophy and literature has been endured since the dawn of time, both holding their stand among the critical thinkers from the ancient age to the modern time. A wide range of schools and thoughts have come to the stage of philosophy, one of the last ones being the Frankfurt School, whose notions target the social life of human beings and their interpersonal connections, which have been affected by the tragic events of the twentieth century. Jurgen Habermas, as the prominent figure of the Frankfurt School, turns down the challenging thoughts of his peers and expands the theory of “Communicative Action” through which he propounds the essentiality of reason and the importance of a constructive interaction among people with different social classes using a common and practical language. The post-war literature and specifically drama of absurd being known with significant figures like Samuel Beckett found a widespread prominence not only in the field of literature but also extended toward other fields like philosophy. In this analysis, through the works of Samuel Beckett, known as the predecessor of the absurdist drama, the dichotomy of ideas between the death of communication posited by Beckett and the efficiency of language supported by Habermas have been investigated.