ارزیابی اثرگذاری نقاشی های معاصرتهران بر شهروندان با تاکید بر سه رویکرد غالب: یادمانی، انتزاعی، شبیه سازی (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
امروز سیمای کلان شهر تهران مخدوش و به لحاظ هویت مندی و برقراری ارتباط با شهروندان بسیار ضعیف است. منظر شهری ارتباط مستقیم با جدارهای شهری داشته و از این بعد می توان اهمیت دیوارنگاری ها را موردبررسی قرارداد. نقاشی های دیواری می توانند در کنار ارتقا کیفیت محیط، ابزاری برای انتقال مضامین هویتی، مذهبی، فرهنگی، و ... باشند. فرضیه پژوهش آن است که نقاشی های با مضامین انتزاعی و تکنیک های اجرایی جدیدتر نسبت به سایر رویکردهای اعمال شده ، به لحاظ انسجام و هویت مندی و تأثیر بر شهروندان موفق ترند. پژوهش هایی که تاکنون صورت پذیرفته بیشتر جنبه های فنی و قابلیت های تکنیکی را بررسی کرده اند، این پژوهش به صورت تخصصی سه رویکرد غالب نقاشی های دبواری معاصر را مورد ارزیابی قرار داده و سعی نموده به این سؤال بنیادی پاسخ دهد که: کدام یک از رویکردهای سه گانه نقاشی دیواری معاصر تهران از دیدگاه شهروندان موفق تر می باشد؟ ماهیت پژوهش کاربردی و داده اندوزی به روش پیمایش و توزیع پرسشنامه بوده است، لذا تعداد 300 پرسشنامه در مناطق مختلف تهران توزیع شد، نتایج حاصل بیانگر این موضوع بود که نقاشی های دیواری متأخر از دیدگاه شهروندان در سنجه های مورد ارزیابی، وضعیت مطلوبی نسبت به آثار پیش از خود دارد، همچنین اولویت های شهروندان درزمینه موضوع نقاشی دیواری به ترتیب: رویکردهای انتزاعی، شبیه سازی و یادمانی می باشد.Impact assessment of Tehran contemporary painting on citizens With emphasis on three dominant approaches: monumental, abstract, simulation
Today the face of Tehran metropolis defaced and in term s of identity and communicating with citizens is extremely weak. The urban landscape has direct connection with urban walls, and from this perspective, the significance of wall art can be considered. Wall paintings that can, along with the improvement of the quality of the environment, provide a means for transmitting the themes of identity, religion, history, culture, and so on. The fundamental belief in this study is that paintings with conceptual (abstract) themes and newer techniques of execution, and more consistent with other applied approaches, such as simulation and memory, are more successful in terms of cohesion and identity and their impact on citizens. Researches that have been carried out so far have examined most of the technical aspects of wall-painting and technical capabilities, but this research has specifically focused on three dominant approaches to contemporary urban painting. It is difficult to satisfy the most of audience of a wall paintings in the public space of the city. However, recognizing the common characteristics of citizens (such as nationality, culture, religion, historical background, etc.) with regard to the proper understanding of the timing and needs of society.Able to create works that have the minimum qualifications necessary to satisfy the majority of citizens.Help, also general themes expressed in the wall painting to the expressive features of the environment and culture where the audience is taken, so that the effect of the wall to create a sense of belonging contacts..In this way, muralism in urban space should, in the light of field research, be of such a kind as to be useful to and useful to citizens .Considering the emphasis on theoretical foundations of works, along with monitoring their implementation with new techniques, in line with the intellectual development of citizens, can contribute to improving the status of this art. The present study is based on the nature and purpose of the applied research type, which has a definite prioritization, and uses a descriptive method to explain theoretical foundations of researchThe method of explaining the findings of the research is also qualitative. The data base was based on the study of library documents as well as survey and distribution of the questionnaire. Therefore, 300 questionnaires were distributed in different regions of Tehran with the same conditions and randomly distributed among the three groups .The results of the research reflect the fact that the late mural paintings from the viewpoint of Tehranian citizens are more favorable than the works before them(Wall paintings of the 70s and 80s ), This research clearly shows that the abstract approach, despite being new, is considered as a new experience in the urban space of Tehran. Although there are still shortcomings in the message transfer, then the simulation approach and then the memorandum approach have gained the highest scores, the results of which are raising the level of artistic understanding of citizens, paying attention to the themes and techniques of execution, and expressing the desire for quality against Quantity