reconstruction

« Postmoderne », « hypermoderne » ou encore « extrême contemporaine » sont généralement les adjectifs attribués à la littérature depuis les années 80 du XXème siècle. De telles appellations prônent une certaine allusion ironique à une « fin » et/ou à une « mort » non seulement de l’art, mais aussi de la littérature, qui part du passé, rejoue ses codes et annonce le recommencement. C’est une littérature de l’entre-deux qui cherche à rendre palpable une dynamique de renouvellement dans une visée de jeu, à portée ludique et parodique, tout en recommandant la construction à partir de la déconstruction.

In the architecture of Iranian traditional houses, the ornamentations available in the inscriptions of houses entrance portal express the identity of architects and personality of houses owners and are rooted in their religious and national beliefs and faiths. The main hypothesis of this research is changing the physique and application of religious contents in compliance with the thoughts and beliefs of people in Dezfoul historical city in the epigraphs of houses entrance portals. The objective of this study is reviewing the development trend of texts, concepts and physique of inscriptions as well as analyzing the factors effective on the quality and diversity of application of inscriptions. The present research is an applied study and descriptive-analytical method has been applied, and the data was collected by library and survey studies. The population of this research includes historical houses, houses damages in war (Iran & Iraq) and renovated and new tissue and new-built houses of Dezfoul, from Qajar era so far. Random sampling method has been applied in this study and dispersal area includes the city. Data analysis method in this study is qualitative and quantitative. The results of this study indicate that today the inscriptions available in the entrance portal of houses in Dezfoul comparing to inscriptions in Qajar1 and Pahlavi2 era is very simple and has lower aesthetic value. One of causes for such superficial and contextual gap between inscriptions seems to be the war and renovations during and after destruction.

The reconstruction of 3D images is always a difficult task for the researchers. The 3D reconstruction of the image is a core technique of various fields such as Computer graphics, computer vision, CAD systems, medical science, computer application, etc. Reconstruction of the 3D image allows us to gather the quantitative features of the objects such as the shape, size, and volume of the objects. The existing computer algorithms need spatial dimension information to make the distinguished inference from the given 3D image which is not always possible. This paper simplifies the 3D reconstruction of the image. This research paper introduced a novel algorithm for the representation of the Three Dimensional images into a textual form.  The syntactic approach is used for the extraction of the features of the image and these are called knowledge vectors. The knowledge vector consists of the direction information and length information. This a new approach in the field of image processing where images can be represented as a knowledge vector and it could be a great contribution in the field where security is a major concern. Further, the knowledge vector is used for the reconstruction of the 3D image. The performance of the algorithm is evaluated on the PASCAL 3D + and example-based Synthesis of the 3D Object Arrangements dataset. According to the obtained results, the proposed methodology is having better accuracy, and the processing time of reconstruction of the original 3D image is 1.02 Seconds. Single-pass is sufficient for reconstructing the original image

Civilization plays a central role in Ali Shariati's intellectual framework, to the extent that understanding his broader philosophical system is nearly impossible without comprehending his views on the concept of civilization and the evolution of human society throughout history. This article seeks to explore Shariati’s approach to civilization by employing the dynamic framework of Thomas A. Spragens and addressing five interconnected questions: What is the concept of civilization? What are the characteristics that shape human nature? What are the obstacles to human development? What are the factors that can free humanity from these obstacles? And, finally, what drives the progress of human civilization? The findings of this study shows that Shariati views civilization as the collective achievements and accumulated knowledge of human society, which do not naturally exist in the environment but are created by humans due to three inherent qualities: self-awareness, free will, and creativity. These attributes are inherited from God and exist as latent potentials within each individual. To actualize these qualities, however, humanity must overcome four determinisms: nature, history, society, and the self. According to Shariati, the gradual mastery over these four constraints leads to the formation of civilization. Throughout historical processes, humans gradually liberate themselves from these external and internal forces. In this transformation, individuals evolve from beings shaped by nature, society, history, and the self into creators of nature, society, history, and the self. As a result, their divine-like attributes—self-awareness, will, and creativity—reach full potential, leading them to the ultimate ideal of a true, exemplary human, which in Shariati's view, is a near-divine figure.