مطالب مرتبط با کلیدواژه

Audience


۱.

The Relationship between Artist and Audience in the Architectural Work as a the Creator of Cognition Factor(مقاله علمی وزارت علوم)

کلیدواژه‌ها: Cognition Creative Imagination reality Architect Audience

حوزه های تخصصی:
تعداد بازدید : ۲۰۷ تعداد دانلود : ۱۲۹
The question from the mission of architecture and its relationship with human as the artist or the audience, without addressing to the reality issue and the manner of cognition is not possible. As a human phenomenon, architecture is a product of human awareness on various aspects such as scientific, engineering, and artistic aspects. Therefore, clarifying the nature and the manner of awareness, cognition and the methods and tools, can contribute to understand the art work. In continue the manner of advent and perception of wisdom in the Islamic architectural work would be analyzed. The research method is logical reasoning. Therefore, initially the Islamic worldview is posed based on the transcendental philosophy as the last and most important and major Islamic philosophy evolution, this approach is a strong system with logical method and has a strong theoretical transparency in order to understand the definition of components such as ontology, anthropology, epistemology and cosmology. After explaining principles of mental structures according to proposed Islamic worldview, the manner of emergence of the architectural work by creator of the work and how it is perceived by the audience and the work relationship with reality, based on the quad and quintet causes, ultimate and in instance, nominative, substantial, formal which have been considered in the formal position of discussion. The manner of Islamic architecture as nominative cause and the advent of thought and imagination, as the ultimate and in instance cause and actuality of the mass and the space, as substantial causes in the form of the face of place as formal cause is the purpose of this research. The manner of creation and perception of the work and the manner of presence and the advent of reality in architecture are exامینed by determining nature and the manner of emotions, perceptions and cognition. The most important result of this study is to address the main mission of architecture as the creator of the cognition factor.
۲.

Iran Securitization of Terrorist ISIS(مقاله علمی وزارت علوم)

نویسنده:

کلیدواژه‌ها: Securitization Audience Speech Act Iran ISIS

حوزه های تخصصی:
تعداد بازدید : ۴۶۴ تعداد دانلود : ۱۸۱
This article seeks to identify and explain the process of securitizing ISIS by the Islamic Republic of Iran. The mostimportant question of this article is: How did the Iranian government manage to portray ISIS as an existential threat to itscitizens and how to involve them in their foreign and military policies against this terrorist group? This article uses thesecuritization theory to explain the Iranian war with ISIS in Syria and Iraq. It aims to consider the process and dynamics ofsecuritization of ISIS in Iranian society which led them to support the military combat with ISIS. The research hypothesis isthat the focus on securitization theory prepares the constant framework for understanding how the Copenhagen notion of security helps the Iranian government to justify the enemy narrative of ISIS through the trend of exclusion, exceptionalities, and use of physical force. Iranian government actively uses the securitization process to make required changes and adjustments for confronting ISIS to gain support and legitimacy from ordinary people. This article considers the role of the audience in the process of decision-making and how rulers use this opportunity to mobilize and organize armed forces. The Iranian government in the process of securitizing ISIS has shown that it can involve the people in the process of decision-making and the implementation of its foreign and military policies.
۳.

Reading the Perception of Audience in Modern Conservation of Historical Monuments(مقاله علمی وزارت علوم)

کلیدواژه‌ها: Perception Audience monument Conservation

حوزه های تخصصی:
تعداد بازدید : ۷۱ تعداد دانلود : ۴۷
According to the non-physical aspects of conservation in the world today and intangible effects were considered serious. Conservation process, but help to understand the purpose and effect of not reading, but perception is a matter of epistemological roots in philosophy and in modern philosophy the process of understanding a monument-art conservation in connection with the audience is important. The audience as an integral part of the conservation that is effective in the formation of the protective interactions. So how to understand and get the audience's perception of the effectiveness and value in him is vital. On this basis, the aim of this paper is to review and reach the audience in understanding how the process is the philosophical foundations value conservation and the main question raised is whether the formation is based on the principles of philosophy devoted to protecting the perception place? To access the call to review the evolution of the contact position in this field and the principles of conservation and understanding of the philosophy and the philosophy of protecting reviews override and analysis and review of the vote, Islamic and Western philosophy has been done in this area. This study is an analysis of the findings found that the effect of that sensory perception, rational and imaginary in philosophy, has been developed and subjective and objective process, in discussing his philosophy of conservation for immediate steps to get the whole effect, thinking the values of work, interpretation and effect of the appreciation of the presence and reading of this show that understanding the importance of the three principles behind the creation and validation of the integrity, authenticity and value perception lies and categories subject to the special relationship with the audience taking effect. When the relationship between the audiences with a monument is established on the basis of perceived value can be expected readings mean conservation will take effect.