drama

Modernism is one of the most significant and informative books written in the field of literary theory and criticism. It is an easy-access, wide-ranging and efficient book that tries to explore different aspects of Modernism and its neighboring concepts. Despite its limited space, it has fully rendered the humongous burden of Modernism and demonstrating its various aspects. The book comprises an introduction and three main chapters. It starts off with a set of definitions for Romance, Realism, Modernism, and Postmodernism. Childs endeavors to approach the discussion in a comparative light, particularly the comparison between Modernism and Postmodernism in the introduction. The book is more concerned with the close analysis of movements in contexts and literary works rather than entangling with pure abstract definitions. The discussion about Modernism is accompanied by adjacent movements such as Postmodernism and Realism and marginalized points are included as well. Instead of coming up with rock-solid definitions, Childs seeks to look for traces of each movement in the other and how these terms are overlapped and intertwined.

In order for a classical foreign-language drama to be performed in the target country, a suitable translation is required so that the audiences understand the physical version of the play. This research indicates that the translation of a drama on pages differs from the translation of that drama on stage. This study was conducted to examine the differences between the translation on page and stage of Macbeth, the result of which can help improve the quality of the translation on the stage of a play. In this study, the researcher compares the translated text of Macbeth's play with its translation on stage. This comparison is based on Kowzans' (1968) framework that introduced 13 theatrical systems with 5 subcategories namely; Spoken Text, Body Expression, Stage Appearance, External Appearance of Actor(s), and Inarticulate Sound. The frequency of each of the categories was calculated and it was found that the spoken text category has the largest number of differences between the translation on pages and stage by 42% percent since the spoken text deals with the translated text more than other categories. The results of this study will be beneficial for strengthening the actor's relationship with the text, and translators' quality of translation.

Traditional literature teaching is usually a passive process as students normally perform the role of listeners. This research proposes to alter the students’ role to active learners by assisting them to produce and stage an English children’s drama. This study is student-centered and attempts to adopt workshop and drama practice to enhance students’ participation in the classroom. Different from traditional teaching methods, constructivist pedagogy enables learners to recognize and strengthen their self-learning abilities. Often discussed in constructivist pedagogy, Lev Vygotsky’s works are especially related to this research. Even though the application of Vygotsky’s theory to teaching is beneficial to students, relevant studies are scarce in higher education. This paper then proposes to apply Vygotsky’s idea of zone of proximal development and scaffolding approach to cultivate students’ ability to produce an English children’s drama. Through the support of capable others, the learners achieve a deeper understanding of drama/literature and through the scaffold approach, students steadily leave the need of assistance behind, are able to work independently and autonomously, and become more capable than their previous selves.