Theater

In order for a classical foreign-language drama to be performed in the target country, a suitable translation is required so that the audiences understand the physical version of the play. This research indicates that the translation of a drama on pages differs from the translation of that drama on stage. This study was conducted to examine the differences between the translation on page and stage of Macbeth, the result of which can help improve the quality of the translation on the stage of a play. In this study, the researcher compares the translated text of Macbeth's play with its translation on stage. This comparison is based on Kowzans' (1968) framework that introduced 13 theatrical systems with 5 subcategories namely; Spoken Text, Body Expression, Stage Appearance, External Appearance of Actor(s), and Inarticulate Sound. The frequency of each of the categories was calculated and it was found that the spoken text category has the largest number of differences between the translation on pages and stage by 42% percent since the spoken text deals with the translated text more than other categories. The results of this study will be beneficial for strengthening the actor's relationship with the text, and translators' quality of translation.

The relationship between the text and the reader has been greatly influenced by the emergence of new forms of narration. These new forms are created by adding interaction to the text. By adding interaction to a narrative, these new forms create more opportunities for readers to control and shape the narration, resulting in a heightened level of immersion. Moreover, this type of narration opens up new possibilities for developing narratives that can serve various purposes beyond entertainment. This study aims to compare interactive forms of narration, such as FMV (Full Motion Video), ARG (Alternate Reality Games), escape rooms, interactive books, and plays, while examining the relationship between immersion and interactivity in these formats. While the reader will be a crucial point of focus, we will employ a qualitative method alongside quantitative measures to illustrate how variations in interactivity within a narrative can alter the readers’ immersive experiences across different modes of interactive narration.