beauty

Islam is an integral way of life which considers beauty to be a divine quality. In fact, Islam is the religion of beauty and perfection. Islamic architecture refers to any architecture in Islamic culture or in Islamic context. Islamic architecture exhibits the sacred order of Islam and its distinctive feature is religious aspect. Yet, Islamic architecture is not completely varied from all other architectural styles; even, it borrows from some of them such as Persian architecture. The aim of this study is investigating the importance of beauty and aesthetics in Islamic architecture. Results show that Islam does not consider art and beauty as a luxury. It considers beauty to be a divine quality. Unity is one of main aesthetically concepts which has merged in Islamic architecture; It was called as a base for life cycle and was reflected on art and architecture to such an extent that we can count it as the language of Islamic architecture. Based on this language, Paradise is a perfect epitome in all respects of aesthetics.

Using light as a conceptual metaphor for his main philosophical framework, Mulla Sadra introduces some mystical-philosophical principles such as principality of existence, its gradation, unity, and substantial movement. By applying these principles on aesthetics, Mulla Sadra achieved some aesthetical principles such as the principality of beauty, its gradation, and unity. Having these principles in ontology, aesthetics, and regarding some anthropological principle to confront the complicated problems of art, it is reasonable to construct notions such as angelic art and satanic, wrathful, and carnal pseudo-art. The first is the result of a personchr('39')s emanation who reached high levels of existence; others are due to existential emanations of those who have existential deficiencies. This paper shows that similar to art, love is also of four kinds.

In Hegel's view art is not just an artistic creation. Art is an introduction to liberation. Today, Hegel's philosophy is a substitute for many challenging issues, and also an obsolete for past points, Hegel interprets works of art with key elements of his philosophy such as "absolute", "freedom" and "consciousness." Hegel divides the history of the transformation of art into three periods of symbolic, classical, and romanticism. But Hegel also mentions classical architecture and romantic architecture, which in fact transforms architecture into an artistic service which come from other types and are not considered independent. This paper examines art and architecture in Hegelian thought and explains the types of art and architecture and their meanings in the eyes of this philosopher. Absolutely undergoes three steps in the process of self-consciousness-art, religion, and philosophy. Art, as the first step of this Trinity, brings absolute liberty directly into the sensible thing. This is a logical necessity and opens the way for ultimate self-awareness of the soul. Hence, epistemic beauty is worthwhile. This view towards beauty or a beautiful issue is an epistemological phenomenon and unmatched in the history of philosophy. The beauty of value is equal to consciousness. Or at least as a prerequisite for knowledge.

Attractiveness principal in Iranian- Islamic architecture and decorating in this issue Iranian Architecture in the period of Islam use different means to show the influential and effective thoughts and interpretations and meanings on the people. One way to identify the means is to Research and investigate in the audience’s cognition and understanding particularly architectures and identify the current Theories and Ways which describe the presses of perception and cognition. Cognition and mind system of middle periods of Islamic is obvious for us particularly with helping from left texts and the way of describing issues and subjects, Although mental and thinking studies from this period of time has been studied but some principles not all of them have been considered . In fact in cognitive system based on Islamic understanding. The stage which the characterize the beauty, amazements and attractiveness derived from creations and world. And can help the level and quality of maker and his ability. as in good arguments to understand It, the issues are considered which gradually can create the meaning, symbol, emotional concepts in the person who understands It. One of the principles is the sense of beauty and attractiveness and in literal language is wonderfulness and this article shows that this sense has been influential and effective in Islamic thinkers and architectures. And gradually some means have been used to derive the meaning and perceptions from It. Material means in Islamic architecture are decoration.

Associating certain forms and designs in Islamic Arts with the promised Heaven may be widely observed in the works of many historians and critics of the field. It is believed that Islamic Art has been derived from the imagination of the Paradise as depicted in Holy Quran. To express this meaning in technical words it should be said that the main concept in Islamic Arts has been the gardens of heaven generally described as containing the green trees (the tree of life), colorful flowers, flowing rivers, the ethereal drinks and foods, and even Huries (beautiful young virgins dressing in green fine silk) at the service of those who are permitted to meet God.