Poetry translation deals with many difficulties as translators need to consider socio-cultural, linguistic, dialect, and aesthetic aspects. The poetry translation involves the interpretation of the real meaning of the main text and creates a readable and enjoyable poem in target language as a literary text. Thus, to address such an important aspect, translators have to consider language standardization and signals to the audience. The <em>do-baytis</em> of Baba Tahir written in <em>Fahlavyiat, </em>have specific dialect and aesthetic features in rhyme and meter. This research analyzed the strategies used in two translations of the traditional Iranian couplets - an English prose by Heron-Allen (1902) and a back-translation of English poetry based on Heron-Allen prose by Curtis Brenton (1902). The analysis was grounded on domestication and foreignization. The results show that the dialect was standardized and foreignized through paratextual references. Upon sharing the results with a group of Iranian EFL students in a translanguaging task, it was revealed that they have limited awareness regarding the translation of literary works from Persian to English. The findings can raise the awareness of professional translators, translator educators, translation students and teachers and those involved in literary translation.
