Avesta

The demonstration of female figures on Sasanian silver vessels was an interesting subject to Sasanian silversmiths which caused much dispute among the scholars over whose character the female figure represents. Are they representations of the goddess Anahita or members of her cult? Is there any connection between them and the cult of Asiatic Dionysus? The other question that arises is whether they are secular objects or bearing a religious significance. This paper aims to review previous studies and then, on the basis of an iconographical study and also referring to the Sasanian religious text, present a new interpretation of themes.

The main objective of the present study was to semantically and syntactically explore translation strategies applied by translators in the translation of chapter nineteen of Vandidad from Avestan to Middle Persian for ritual purposes. To this end, the Middle Persian translation of Vandidad was studied, and the meaning of the words accompanying their syntactic roles in the Avestan language were compared to their Middle Persian equivalents. Then, the strategies applied by the translators were divided into two categories: semantic and syntactic ones. The findings of the study can shed some light on the translation strategies applied in the translation of ancient texts which can be used for deeper and broader scientific inquiry into Iranian ancient languages.