Displacement

Ecocriticism as a field of study into the state of both human and non-human entities in an act of colonization. As such three of its most important concepts, Agency, Development and Displacement, are discussed to facilitate the understanding of this approach for the readers. Non-human agency advocates against a human-centric agency and for a dynamic relationship between human and non-human agency instead. As often witnessed in the aftermath of natural disasters such as an earthquake, natural events are unpredictable and not all in control of human beings. Then it can be stated that humans are not the only active agents in the environment but that instead we need to study the dynamic relationship between human and non-human agencies. The second concept, Development, is a bridge between colonialism and non-human agency, which entails the process of changing an environment in course of monopolizing certain products in a colonized country. Such changes usually have negative effects on the natives’ lives, such as losing their jobs, homes and impoverishment. This then leads to their displacement, seeking a new area where they can find new resources to survive and build their lives around. This is then a chained set of events as explained in the article, from the promise of a development that is in truth monopolizing one or more products, to the displacement of the natives from their homes and their struggle to survive.

The current research examines Stephen Greenblatt’s theories on the improvisation of power as well as tyranny in William Shakespeare’s second tetralogy to investigate the complex network of non-violent psychological domination of human being’s mind, by the manipulation of symbolic order through the stages of displacement and absorption. It examines how the Western psychic mobility and its embodiment in empathy and the improvisation of power affect the represented English society in the Medieval era and how the consequential power relationships impact on the ways of ruling the country. The improvisation of power deconstructs the vertical and hierarchical power relations and makes them more diagonal, horizontal or even upward. The represented Medieval English court is a dark labyrinth of conspiracy, intrigue, treason, and complicity. This duality roots in religious fundamentalism of Roman Catholic church. The tension between the two paradigms of court and church causes turbulence and chaos. The result is the absolute submission of the majority through the improvisation of power, which paves the ground for the Machiavellian minority to exert power and gratify their personal self-interest-driven plans, which are mostly tyrannical. Through the improvisation of power, the course of history could change.

The migration of Indians to various destinations during the past few decades has led to the emergence of a group of writers known as Asian-American authors in literature. These writers, including immigrant women from India spanning the first and second generations, have crafted a substantial collection of short fiction. Jhumpa Lahiri, a Bengali-Indian writer, explores themes of identity, belonging, displacement, and the challenges of straddling different cultural attitudes in Interpreter of Maladies . This article adopts a theoretical approach and utilizes the library research method, drawing on the insights of scholars such as Stuart Hall and Michael Ryan, to explore cultural displacement, identity, and the experiences of immigrants in a new multicultural environment. The central focus is to know how Lahiri addresses displacement and immigration through trans-cultural discourses while challenging cultural diversities in Interpreter of Maladies . By employing such a trans-cultural discourse, this study aims to analyze how Lahiri portrays the complexities of cultural differences, and identity formation in the context of immigration. The narratives in Interpreter of Maladies offer a rich tapestry of characters navigating the challenges of living between cultures, shedding light on the profound impact of displacement on individuals and families. By closely examining Lahiri’s storytelling techniques and character development, this article aims to illuminate how the author captures the nuances of trans-cultural experiences and the facts that ultimately put their impact on the formation of immigrants’ new identities in unfamiliar territories.