Proportion

Middle of squares, one of the components of physical aspect is considered as an appropriate indicator in designing successful urban squares, which consequently promotes visual quality. The present study aims to determine how the above mentioned aspect was presented in the Middle-Ages and Renaissance within Italian squares. Considering the aim of the investigation, library studies as well as visual documentations, with a historical-descriptive approach were applied in studying Italian community-oriented squares, Campo located in Siena, Del Campidoglio in Rome and San Marco in Venice. Results showed that, urban designers have employed some indicators, including physical aspect and its factors such as proportions, shape, surface design, materials, colors and topography in order to promote aesthetic-visual qualities, as well as human scale and unity of space to successfully design attractive middles in squares. These all, efficiently influence users’ presence, pause, movement type and trend, direction, speed and even their behavior. Accordingly, considering the mentioned aspect is of great importance in designing future squares.

Islamic architecture has been a great influence on different parts of the world, even so there are some similar factors, but the aspect of culture will make the polarization between them. Upon the vast spread that Muslims had in the 7th century (A.D.) Islamic culture and belief moved in different continents from the Fareast parts of Asia to the west of the Mediterranean. At the beginning Islam had no specific architecture but with passing of time each and every culture started their own art and architecture and from that beginning Iran was a special primary of this field and of the many dynasties of this country Safavid was one of the highest valued among them all. One of the most important aspects of traditional architecture is there proportion value that holds a great part of the aesthetical valence. The aim of this paper is to know that if there is a common connection within various types of Safavid architecture as a group or individual system. The secondary goal of this study is to see if there is an aesthetic relation between Iranian proportion and European golden ratio. In this study we have surveyed various buildings, in one of the most influence architecture eras of Iranian Islamic architecture and at an end result believe that depending on their functionality the proportion values differ among them.