مرتضی لک

This paper aims to analyze Doris Lessing's narrative techniques to explore how she developed the discourse of her stories and depicted her contemporary realities in her story worlds. It seeks to address the question of whether there is a relationship between her real world and her storytelling, and whether her ideology and personal background influenced her narrative approach. To accomplish this goal, we will analyze the novels The Grass is Singing and Martha Quest using Gavin's Text World Theory, a cognitive approach that provides a framework encompassing three levels of analysis: Discourse World, Text World, and Sub-Worlds. Our analysis reveals that the discourse of her stories closely mirrors her real-life discourse, indicating a direct relationship between her real worlds and her storytelling. Lessing’s intricate descriptions of world-building elements, such as time, locations, characters, objects, and actions within the story, serve to advance the narrative forward through both material and existential processes. Moreover, her use of sub-worlds to express her yearning for freedom and justice reflects her critical viewpoints on the oppressive systems prevalent in her time, particularly colonization and racial issues. Furthermore, it becomes apparent that from 1944 to 1956, her storytelling method was influenced by her communist ideology. In essence, the concepts and themes represented in her stories emerge as reflections of her real-world experiences, effectively conveyed through her narrative techniques.

The deep tragedy, that the environmental damages and mental problems have caused for human, led to the development of an interdisciplinary approach -ecopsychology- which is the integration of ecology and psychology to examine above all biophilia and its impact on human psyche. Applying the ecopsychological approach, the present study proposes an innovative reading of Salvage the Bones by Jesmyn Ward, the American female novelist. Ward depicts the ecological unconscious of the main characters through delineating mental peace they receive from nature. Moreover, the novel delicately portrays transpersonal ecology resulting in man’s transpersonal identification with nature. Jesmyn Ward’s work is indicative of key concepts such as ecopsychology, ecotherapy and transpersonal ecology, which were first introduced to the field of ecopsychology ecopsychology by eminent theorists, Theodore Roszak, Linda Buzzel and Warwick Fox. The present research intends to study the positive and negative effects of biophilia and eco-phobia caused mainly by psychological trauma following man’s alienation from nature. While demarcating the positive effects of biophilia on human psyche, the researcher substantiates the way psychological trauma comes to be subjected to therapy through man’s integration with green nature. Additionally, the research elaborates the importance of transpersonal ecology and identification with nature, by understanding the harmony between man and nature.

The progression of culture and literature in the three subsequent eras of Modernism, Postmodernism and Post Postmodernism since the late-20th-century can be considered as one of the vivid factors that has led to the chain of transformation of man. In Modernism, the superiority of authentic and governmental power over people was dominant and later in the era of Postmodernism or the late capitalism, the notion of fragmentation controlled the life of the people; but in the third one, Post Postmodernism, a freshgenus of humanism was introduced by innovative authors such as David Foster Wallace who, in his philosophy of writing, illustrates not only the pain and limitations of man but also the healing instruments. Philosophically speaking, through the critical gates of Wallace’s philosophy, the subjectivity of man is given a niche, and thanks to the opportunity he has gained in the social networks, he could have made it possible to create a type of sharing and mutual communication amongst the fragmented individuals. That is to say, all alienated and limited individuals can have the role of active agents, communicators, and producers instead of being passive watchers, readers, and one-way communicators organized by the structures of the past eras. Therefore, the present study aims to investigate David Foster Wallace’s (1962-2008) trilogy—The Broom of the System (1987), Infinite Jest (1996), and The Pale King (2011)—according to his philosophy of Post postmodernism.