Modern-minded man, as the modern time necessities, believes in the concrete world, and if does not deny metaphysics, he finds it unperceivable and unreachable and hence, ignores some of his potential and spiritual abilities. Metaphysics form man’s spiritual life, absence of which results in mental nervousness and leads to nihilism, and thus death, men’s inevitable final destiny, appears like a monster. To be away from which and forget it, man requires engaging himself in the concrete, and not reflecting upon death at all. This paper attempts to investigate the questions as: How does Molavi perceive metaphysics? How does he engage himself with it? And while he follows his religious and spiritual way of thinking, how the face of death is displayed in Molavi’s thoughts? Molavi’s works represent a human’s perception and experience gained from the Prophets’ teachings which were put into practice in Molavi’s own life. One can find lots of Molavi's couplets dealing with the same, pondering upon which can smooth the harshness of the concrete world in the light of the spiritual world, and generate yet another type of world
