Culture-Specific Items

Translators face a number of difficulties while translating. Not only translation of cultural elements is of utmost importance in translation studies, but also it is an arduous task for translators, especially in the case of interlingual translation. One of the biggest concerns of audiovisual translators is culture-specific items amongst which taboo expressions are included. This study aimed at investigating the applied strategies in the translation of taboo expressions, from English into Persian, in 5 Hollywood dubbed movies by IRIB; namely, Family Business (1989), Lethal Weapon 3 (1992), Sudden Death (1995), Welcome to Collinwood (2002), and Anacondas (2004). Establishing this research, the original movies were compared with their dubbed Persian versions. Hence, the taboo expressions were extracted and compared with their Persian translations in the dubbed versions. Based on Venuti’s (1995) strategies in translation studies (i.e., domestication and foreignization), the results were interpreted. Analysis of the relevant data indicated χ2 (12, N = 5) = 23.08, p = 0, considering **p ˂ 0.05.  Moreover, the “deletion” strategy, with the highest frequency (i.e., 55.97%), was the topmost used strategy in the rendition of the taboo expressions.

This study aimed at investigating the Persian human and machine (Google) renderings of The Kite Runner by Khalid Hosseini, through comparing and contrasting culture specific items (CSI) as well as the exploited translation strategies. Thus, the relevant problematic forms of the cultural differences were identified and the procedures suggested by Newmark (1988) were examined to see how they fit into the translation of cultural differences in English and Persian. The results of this qualitative study revealed that Literal Translation, Naturalization and Transposition strategies were used most frequently in both human and machine translations. However, machine translation could not present a comprehensible translation due to overuse of these strategies (75%). It was also revealed that the spirit of source text was kept intact in both renderings due to closeness of Iranian and Afghan cultures. It was further discovered that the human translated version carried the real beauty and creativities of the original work. In facty, the terms that were transformed and localized were able to carry over the flavor of the author’s work. Finally, it was shown that the regretful theme of the source text was reserved to a great extent in the human rendering of the novel, while machine translation failed to get it. Generally-speaking, based on the findings of this study, culture-specific terms make it difficult for machines to achieve complete word-for-word equivalence, and at the same time, human translator must have a broad knowledge of the literature and traditions of both the source and target languages to come up with a faithful translation in terms of both form and content.

The present descriptive study aimed at investigating the human and machine Persian translations of The Kite Runner by Khalid Hosseini, and comparing the applied translation strategies in the translated texts for culture-specific items (CSI). To this end, based on Newmark’s (1988) category, the applied strategies were identified in the two translations and compared. The obtained results showed that Naturalization and Transposition strategies were the most frequently-used strategies by both human translators and machine translation. The results also showed that machine translation could not present a comprehensible translation due to overuse of these strategies (75%). It was further revealed that the spirit of the original text was not lost in the translated versions due to the closeness of Iranian and Afghan cultures. In fact, the translated versions kept the real beauty and creativity of the original work. However, the remorseful theme of the source text was kept intact to a great extent in the human translation of the novel, while machine translation lost it. Thus, the general impression is that culture-specific terms make it difficult for the machine translation to achieve complete word-for-word and semantic equivalence, and that the human translator must have a broad knowledge of the literature and traditions of both the source and target languages.

Discrepant cultural systems of languages are more likely to reflect challenges for translators maintaining the cultural dynamics of translation. Such perspective is mostly highlighted in the translation of literary texts where the main parts of the equation are language and culture. The present study aims to investigate cultural, historical and religious loss or gain in the translation of culture-specific items (CSIs) along with the rendering procedures used by the translators. To this end, through a comparative analytical and descriptive method based on (Vinay & Darbelent Model, 1995), culture-specific items of three Persian translations of the Huckleberry Finn story were extracted and divided into three subcategories of cultural, historical, and religious; consequently, the procedures applied by the translators which led to the cultural loss or gain were analyzed. The findings demonstrated that the first translation by Mohebbi had the highest degree of loss (17.16%), and the third translation by Daryabandari had the highest degree of gain (41.58%). Also, the highest frequency of lost items belonged to the cultural type with %6/31 in the first translation by Mohebbi and %2/52 in the second translation by Pirnazar. The findings indicated that the policies and normative differences of societies in different periods had an undeniable impact on the transmission of concepts which reflects the degree of loss and gain in translation. The result of the present study could be thought-provoking for psychoanalytical studies on the translator’s decision-making.