عبدالرضا رستمی

The present research aimed to investigate gender-specific charactonyms in the Persian Translation of John Bunyan’s (1684) The Pilgrim's Progress, Part 2. It also aimed to reveal whether the TL preferred equivalents for the SL gender-specific charactonyms could convey the meanings and the characteristics of the names in the Persian translation. The material was borrowed from the book Seir-o Solouk-i Za’ir, Bakhshe Dovom (‘سیر و سلوک زائر، بخش دوّم’) translated by Golnaz Hamedi in 2002 (1381), and also its French and Arabic translations. Thus, SL gender-specific charactonyms were compared with TL equivalents in Evelyn Hatch’s (1992) macro-level analysis. According to Hatch (1992), characters, as one of the main elements of a story, play a significant role and affect the macrostructure of the story. The results showed that the Persian equivalents used by Hamedi (2002) ranged from transparent to problematic ones. Hamedi (2002) less preserved the meanings of the names and sometimes replaced the female charactonyms with already-used male charactonyms that affected the novel due to the change of the characteristics and additional information the charactonyms bear in their inner forms.

The present research aimed to investigate gender-specific charactonyms and their meanings in Persian Translations of John Bunyan’s (1678) The Pilgrim's Progress. It also aimed to reveal translation strategies applied by both translators in their translations, Siyahat-i Masihi (‘سیاحت مسیحی’) by J. L. Potter in 1926 and Seir-o Solouk-i Za’ir (‘سیر و سلوک زائر’) by Golnaz Hamedi in 2002. To do so, SL gender-specific charactonyms and TL equivalents were compared together at Evelyn Hatch’s (1992) macro-level analysis. According to Hatch (1992), characters, as one of the elements of a story, play a significant role and affect the macrostructure of the story. Then, Alexander Kalashnikov’s (2011) two types of charactonyms were used to analyze the translations. The results show that Potter preferred to preserve the titles of gender (masculine and feminine) in his translation. In contrast, Hamedi more tended to distance the gender of the charactonyms having deeper meanings. This led to affect the novel due to the omission of the characteristics and additional information behind the charactonyms.