بحران رشد شخصیت در «درخت گلابی» نوشته گلی ترقی (مقاله علمی وزارت علوم)
درجه علمی: نشریه علمی (وزارت علوم)
آرشیو
چکیده
گلی ترقی در داستان «درخت گلابی» از مجموعه جایی دیگر (1379)، روایتی اول شخص از زبان یک نویسنده و استاد دانشگاه را ارائه می کند که در آن تقلا های او برای عبور از رکود علمی و همچنین مواجهه با گذشته و مرور دستاورد ها و از دست رفته ها به تصویر کشیده می شود. در پس زمینه این تقلا ها، باغ دماوند و درخت گلابی وجود دارند که به شکل نمادین، تضاد شکوفایی و ایستاییِ درون راوی-شخصیت را نشان می دهند. مقاله پیش رو روایت شخصیتِ محوری داستان را با مبانی نظریه روانی-اجتماعی اریک اریکسون مورد خوانش قرار می دهد تا بحران رشد شخصیت موجود در آن را تحلیل کند. اهمیت این بررسی در تبیین ریشه انگیزه ها و احساسات راوی-شخصیت و درک هر چه بهتر در هم تنیدگی دغدغه های اجتماعی و روانی در گذر از بحران های شخصیتی اوست. از آنجاکه راوی در نزدیکی شصت سالگی است، محدوده ای که می توان آن را اواخر میان سالی و آغاز دوره پس از آن دانست، مراحل هفتم و هشتم رشد اریکسون که مشخصه آنها عبور از دوگانه های «زایندگی در برابر رکود» و «یکپارچگی نفس در برابر نا امیدی» به منظور کسب فضائل اخلاقی «مراقبت» و «خرد» است، در تحلیل شخصیت او مورد استفاده قرار می گیرند. این پژوهش نتیجه می گیرد در حالی که راوی-شخصیت در عبور از مرحله هفتم و کسب فضیلت مراقبت موفق است، در جدال برای کسب یکپارچگی نفس و خرد، تاحدی ناموفق است، اگر چه در پایان داستان تلاش های او برای کسب آنها مشهود است.The Crisis of Character Development in Goli Taraghi’s “The Pear Tree”
In “The Pear Tree” from the collection Elsewhere (2000), Goli Targhi presents a first-person narrative about a writer and university professor who struggles to overcome scientific stagnation, face the past, and reassess his achievements and losses. In the background of these struggles, there is the Damavand garden and the pear tree which symbolize the flourishing and static contradiction within the narrator-character. The present article reads the narrative in terms of Eric Erikson’s psychosocial theory to analyze its crises of character development. The significance of this study is in explaining the roots of the narrator’s motivations and feelings which can lead to a better understanding of the complexity of the role of social and psychological concerns in overcoming his personality crises. Since the narrator is in his late sixties, the range that can be considered as the end of middle age and the beginning of the period after it, the 7th and 8th stages of Erikson’s development are used in the analysis of his personality. These stages are characterized by the binaries of “generativity vs. stagnation” and “ego integrity vs. despair” and can lead to the acquisition of the moral virtues of “care” and “wisdom.” This study concludes that while the narrator-character succeeds in passing through the 7th stage and acquiring the virtue of care, he is somewhat unsuccessful in the struggle for the acquisition of ego integrity and wisdom, although at the end of the story he evidently tries to achieve them. Extended Abstract 1.Introduction Psychological mechanisms, such as projection, association and stream of consciousness, play an important role in Goli Taraghi’s “The Pear Tree,” which revolves around the emotions and motivations of the protagonist. The present study draws on Erik Erikson’s psychosocial theory to analyze the middle-age concerns of the protagonist from a psychoanalytical point of view in order to arrive at a better understanding of the protagonist. 2.Theoretical Framework Erik Erikson’s psychosocial theory has been adopted as the theoretical framework of the present study. The focus of the study is on the 7th and 8th characteristics of Erikson theory of development, which cover middle age and later. This period is characterized by “generativity vs. stagnation” and “integrity vs. despair.” 3.Methodology In the present article, Erik Erikson’s psychosocial theory has been used to analyze the concerns connected with a specific period of the protagonist of Goli Taraghi’s “The Pear Tree.” The characteristics of the 7th and 8th stages of Erikson’s theory have been focused on in the study of this text. 4.Discussion and Analysis The pear tree symbolizes ‘generativity vs. stagnation’. Numerous references to this tree make the narrator remember his sterility. Throughout the story, the protagonist struggles in his mind with his sterility and middle-age crisis, with the outside world being symbolized through the garden. He finds himself destined to fight the stagnation and achieve generativity through writing, which in a way makes him isolated in the story. He shows signs of the emotional crisis associated with the end of the middle age, which according to Erikson is the 7th stage of development. His inability to write can symbolize crises associated with the 7th and 8th stages of development. 5.Conclusion “The Pear Tree” is packed with descriptions of the psychosocial condition of the protagonist. The protagonist experience two crises throughout the story. The first half of the story mostly deals with ‘generativity vs. stagnation’, while the second part revolves around ‘integrity vs. despair’. The protagonist successfully overcomes the ‘generativity vs. stagnation’. The virtue of ‘wisdom’ can be gained for him after encountering the ‘integrity vs. despair’ binary opposition. Select Bibliography Erikson, E. H. 1968. Identity: Youth and Crisis . New York and London: W. W. Norton and Company. Erikson, E. H. 1977. Childhood and Society . London: Paladin Books. Fani, K. and Dehbashi, A. 1380 [2001]. “Naqd-e Adabi: Goftegou ba Goli-e Taraghi.” Bokhara 19: 30-54. Hammak, Ph. 2015. “Theoretical Foundations of Identity.” In: McLean K. C. and M. Syed (eds.). The Oxford Handbook of Identity Development . Oxford: Oxford University Press. pp. 11-30. Lachman, M. E. and Bertrand, R. M. 2001. “Personality and the Self in Midlife.” In: Lachman, M. E. (ed.). Handbook of Midlife Development . New York: John Wiley and Sons. pp. 279-309. Lachman, M. E. and James, J. B. 1997. “Charting the Course of Midlife Development: An Overview.” In: M. E. Lachman and J. B. James (eds.). Multiple Paths of Midlife Development . Chicago and London: University of Chicago Press. pp. 1-17. Taraghi, G. 1379 [2000]. Jayi Digar . Tehran: Niloufar.
تبلیغات
