Intrinsic Value

We use the term “good” in two contexts: as the most general term of evaluation, and to refer to the final ends of life and action. I start from the question what evaluative and final goodness have to do with each other. Do we use the same term because when we talk about final goods, we are evaluating ends and lives? If so, how do we go about doing that? Most things are evaluated with respect to their fitness to perform their function, but ends and lives do not have functions. I contrast three theories of the final good: the intrinsic value theory, the hedonist theory, and Aristotle’s account, which identifies a being’s final good with its well-functioning, a form of evaluative goodness. Aristotle’s theory suggests an illuminating relationship between evaluative and final goodness: a conscious being has a final good when she functions by having conscious states that track, and so enable her to pursue, her functional or evaluative goodness. It is therefore the nature of an animal to have a final good, and there are such things as final goods because there are animals. This theory explains the existence of final goods without any metaphysical appeal to intrinsic values.

The present article aims to analyze Ann Pancake’s Strange as this Weather Has Been through the lens of ecofeminist theories. The study explores the connections between women and nature by focusing on three key areas: inherent affinity and dualism, agency and intrinsic values, and conflict with technology. The article addresses how the novel expresses and upholds ecofeminist concepts and how the female characters challenge the male-dominated power structure by participating in the ecofeminist movement through their actions and words as Earth's guardians. Greta Gaard’s ecofeminist ideas form the theoretical foundation of this research. The article highlights how the primary female characters in the novel exhibit a profound bond with their land and work to safeguard it as guardians of the Earth, embodying resilience, empowerment, and an enduring spirit, and manifest self-confidence and a deep connection with nature. Through this affinity, they portray a sense of belonging and identity with nature. It laments that technology, which is manipulated in capitalist and patriarchal ideologies, treats nature merely as a commodity. The narrative also showcases and criticizes the dire environmental and societal consequences of mountaintop removal mining as a harmful technological practice in Appalachia, which, on a macro level, stands for the world.