animation

Among the fans of animated films young children are the most popular. This has led the dubbing industry to produce domesticated animations for the young audience of a different language and culture. In other words, in most cases dubbers attempt to adopt domestication procedures to make the language of animations easier and more tangible for children. The domestication strategies may bring both children and their parents great satisfaction. However, as a result of domestication, the dubbers may go too far and utilize a language which is not appropriate for children. Based on Venuti’s theory (1995) of domestication, the present study took a look at the merits and demerits of this procedure. It actually aimed at exploring different cases of inappropriate domestication in the two dubbed cartoons “The Incredibles” and “Barnyard”.

As a result of introducing European art to traditional Persian painting, the multidimensional space of the traditional Persian painting tended to linear space. In other words, the Persian painting based on the positional perspective created a multi-dimensional space and another method based on linear perspective was done to create a temporal and spatial unity. The confrontation between the two methods remained challenging until the present day. Contemporary artists have used tricks to resolve that challenge, one by using new media as a modified version of the old medium. In this regard, animation as an up-to-date medium has been able to develop the traditional Persian painting narrative and aesthetic capabilities by visually adapting them. But the question that arises is what features should this type of animation have? Or what changes does the traditional Persian painting require in connection with the field of moving pictures? This research attempts to examine the principles and visual characteristics of two media, and the main goal is determining the scope of necessary changes in the traditional Persian painting based on the aesthetics of animation. Hence, it examines how this was done in "Hazar Afsan- Kerm Haftavad" as one of the new animation productions.