Diaspora

the argument of the present research is based on the premise that assiduous attention to the transgenerational traumatic aspect of diasporic displacements not only gives voice to the often covert narratives of loss and pain encrypted in the diasporic literature, but it also sheds light on the process of the negotiation of subjectivities by both the first and the second-generation diasporic subjects. As a critical inquiry into the literary representations of diasporic subjectivities via a predominantly psychoanalytically-inspired approach, the present analysis of diasporic short fiction thus sits restlessly on the nexus of both diaspora studies and the psychoanalytic studies of trauma. Through a close textual analysis of two samples of short fiction authored by Chitra Banerjee Divakaruni and Tania James, the study seeks to present its intergenerational conception of diasporic subjectivities in the light of the theory of transgenerational haunting. It explores the ways in which different generations of diasporic subjects are haunted by the phantom of a (M)otherland whose uncanny shadow is woven into the confounding reality of diasporic life. This phantom constantly exposes the diasporic self to a psychic space of empathy whose emergence is facilitated by the presence of an external other who through cathartic interactions with the diasporic self endows her/him with a fair chance to (re-)negotiate her/his subjectivities. It is also to be placed on the threshold of a belated mourning for a hitherto-repressed oft-internalized sense of otherness, if not an oft-occluded shame of unbelongingness. 

The present paper is an attempt to study Randa Abdel-Fattah’s novel, Ten Things I Hate about Me (2006) from Judith Butler's performative perspective. The main question of the research is whether the diasporic subjectivity of the Muslim protagonist of the novel is innate, static, and finalized or rather performatively constructed. It is argued that Jamilah, as a diasporic Muslim woman, is not a being with an essentialized identity; rather she is a becoming whose identity is constructed in diaspora. It is contended that Jamilah is a discursive subject, hailed by the dominant Lebanese, Australian, and Islamic discourses. Butler's attestation of the infelicity of some performances leaves space for the resignification and reappropriation of the discourses, which attempt to interpellate the subject. The study seeks to demonstrate that Jamilah as the diasporic doer, who is constituted as a result of the performative linguistic, corporal, culinary, and artistic deeds, is not determined by any of the discourses she is immersed in, and thus becomes a hybridized liminal subject who negotiates the discourses of home and host cultures through evading the dualistic logic.

There have been major changes in African contemporary literature. It depicts the decentralized realities that Africans experience in the increasingly interconnected world going beyond singular narratives. The devolution of ethnic cultures and the rise of a generation struggling with fragmented identities are reflected in the emergence of new African voices both within and outside of the continent. One of the best examples of this trend is the novel Americanah by Chimamanda Ngozi Adichie. Adichie crafts a story that skillfully combines disparate cultural elements—Nigerian and American—while providing a nuanced examination of self-identity and the feeling of being other through the journey of Ifemelu and Obinze. This article centers on Adichie’s use of the idea of decentralized realities to illustrate the challenges faced by African migrants who have to reassess who they are in the face of societies that frequently marginalize their cultures. Americanah draws attention to the intricacy of cross-cultural encounters as well as the ongoing discussions and conflicts surrounding identity and belonging. In a world where borders—both physical and cultural—are always changing, the characters grapple with the idea of where they truly belong. The article explores how Adichie illustrates the psychological and emotional costs of navigating a world that does not always acknowledge their multiple identities by looking at their individual journeys. In the end, Adichie’s Americanah explores the complex realities of the diaspora in a profound way as a representative work of contemporary African literature. The book promotes empathy and a greater comprehension of the complexity of individuals torn between cultures by making the reader confront preconceived ideas about identity and belonging.