Isolation

Samuel Taylor Coleridge is the most symbolic of all Romantic poets. Through his creative imagination, Coleridge creates symbols that disguise the philosophical ideas, and something fresh and unsullied out of the chaos of different images and associations. It is simply imagination that enables the romantic poet to present spiritually perceived things, and resolves his conflict by returning to “dynamic organicism.” In Coleridge’s masterpiece entitled The Rime of the Ancient Mariner, the emphasis is placed on “negative romanticism” or the poet’s “period of doubt and despair” when he fails to perceive the truth, imaginatively. In isolation and with the help of imagination, the poet sees the benevolence of the universe and the beauty of all the creatures. Besides, he finds the potentiality to grasp the truth. What follows is an attempt to see to what extent the Mariner is symbolic of a romantic poet, or a true romantic poet according to Peckham. This study traces the different states the Mariner goes through changing from a negative romanticist to a positive one. The changes are accompanied by change in attitude towards the universe and unity with it. Furthermore, projections of Coleridge as a romantic poet, on his imaginatively created character help reveal more about the Mariner.

This article is structured in two parts. In the first part there is a focus on Deleuze’s philosophy and in particular the question of desert(ed) islands. Running throughout this section is a consistent concern with empathy and sociality, with the changing structure of alterity in the identified movement from neurosis, psychosis to perversion. In this section I make the argument that several forms of contemporary philosophy are carrying out acts of philosophical autism with regards to species extinction and the question of the absence of the other. I try to counter this trend in the second part of the paper where there is a concern with thinking the structure “Us-without-world,” which is my original contribution. In the time of the coronavirus pandemic, in the time of our forced solitude, in the time of our intoxication with technology, there is a real problem of the life-world, of thinking we-experience in common life, in this new hermetic reality. This is encapsulated in the thought-experiment of the structure “Us-without-world”.

Alienation is a significant phenomenon that forms the subject of many psychological, sociological, literary, philosophical, and even physiological studies. Alienation is among the most critical justifications bringing about the internal and external pains and sufferings in life. Emerging as a result of war, persecution, famine, and ruin, alienation terminates unfortunately in suffering, isolation, and sometimes critical disasters. In literature, the alienated protagonist is usually a frequent figure in much of the ancient and contemporary fiction. The main issue of alienation refers to a destructive consequence of getting, or feeling of getting separated from people that one is living with them. It refers to become useless, or to feel becoming useless in the field of social relations and interactions. It is the outcome of becoming alienated, so that one thinks that no longer anyone needs him / her, and / or his / her services. Aiming to review the theme of alienation, and focusing on Melvin Seaman’s concepts of alienation in general, the present paper, in particular, will review the manifestation of the term alienation in “The Child in Time,” and “The Comfort of Strangers,” that are both the well-known novels written by Ian Russell McEwan, one of the greatest British novelists and screenwriters of the twentieth century. By describing the disastrous aftermath of the alienation, this article tries to alarm the man regarding the catastrophic and destructive consequences of the alienation in the life of the existing societies.

In recent decades, many second language acquisition (SLA) researchers have identified the leading role of organizing sequentially cognitive tasks in Task-Based Language Teaching. Presenting types of different task sequence has become increasingly crucial for syllabus designers. This investigation examines the theoretical basis of task sequencing, which claims that pedagogical tasks should be developed and ordered cognitively from easy to complex. The current study aims to compare the performance of English learners in sequenced and isolated familiar tasks. Sixty EFL learners studying at the intermediate level in two private language institutes participated in this research. They were randomly selected as one experimental and one control group, each comprising 30 subjects. Before starting treatment, all the participants took a listening comprehension test as a pretest. The treatment took place over one semester, during which the subjects performed simple-complex familiar sequenced tasks while the control group received familiar randomized tasks. After treatment, the posttest of listening comprehension, which contained two complex task features, i.e., - Here-and-Now and - Planning time, was employed. The independent-samples t-test showed that the experimental group who received simple-complex sequenced tasks outperformed the control group in listening to complex tasks. The findings supported the employment of simple-complex sequencing tasks to foster listening task complexity performance.